A Voodoo witch must navigate a magically and racially divided nineteenth-century New Orleans to save her mother—and the soul of the city itself—in this lush debut novel inspired by the life of Marie Laveau.
“An edgy, intoxicating novel pulsing with the dark heartbeat of 1840s New Orleans and a fiery mother-daughter dynamic I won’t soon forget . . . Readers will devour this!”—Sarah Penner, New York Times bestselling author of The Lost Apothecary
In 1843 New Orleans, the reigning Voodoo queen is Marie Laveau, feared by her enemies and followers alike. Her daughter, Marie "Ree" Laveau the Second, is everything her cutthroat and principled mother is not—spoiled and entitled, with a wickedly rebellious streak—and defies her mother at every turn. But Ree’s world is turned upside down when she finds Marie comatose in the bayou, cursed by exiled Voodoo king Jon the Conjurer—Marie’s former teacher, lover, and greatest enemy.
As Marie hovers on the brink of death, Ree races to uncover the secrets of her mother’s life in search of a cure and gradually uncovers a web of alliances, dangers, and deception. What’s worse, Henryk Broussard, Ree’s long-missing childhood best friend, returns as a witch hunter of the Church, tasked with investigating her. With so many enemies circling, including a puritanical-minded Brotherhood of alchemists and the slave-holding mayor of the city, Ree must confront the past and face her mother’s demons that have now become her own—or die trying.
Told in alternating timelines between Ree in the present and Marie’s rise to power twenty-five years earlier, The Quarter Queen is an intimate yet epic portrait of a mother and daughter who have struggled all their lives to understand one another, and a captivating exploration of racism, family, and womanhood.
Kayla Hardy is a mythology expert and multi-hyphenate author and screenwriter of Louisiana Creole descent. She earned her PhD in creative writing and African American literature from SUNY Binghamton University. Dr. Hardy is an adjunct professor at SUNY Binghamton University and is an accomplished scholar of Black folklore, mythology, and Voodoo. When not writing she loves playing rpg video games (hello Final Fantasy & The Witcher) and wandering around bookstores with a warm café au lait in hand. The Quarter Queen is her first novel.
I stayed up till 2am bc I didnt want to stop listening. the narration is top tier! its 19th century new orleans, voodoo magic. complicated mother + daughter dynamics. I need ppl to be screaming about this book! go add this to your tbr right now
I really enjoyed this debut novel. I also loved the historical aspect of the story as well. The chapters are long and a bit drawn out but the plot kept me engaged. I could not connect to any of the characters besides the mom. The mom sacrificed so much and it makes me think about how Black women as a whole tend to sacrifice a lot as well. We are supposed to bow our heads and be strong, no room to bitch and moan. We deal with the cards that are dealt to us but why? To what end?
I hope there is a book two, it felt like the ending was unfinished.
Thank you to publishers for the opportunity of reading this E-Arc <3
The Quarter Queen is a beautiful blend of both historical fiction and fantasy told in New Orleans in the 19th century. Marie Laveau, a real high priestess inspires this tale of a tumultuous mother-daughter relationship and their personal battles as they become who they are destined to be in the backdrop of political and racial strife. Kayla Hardy uses dual timelines to show immaturity and growth of both Marie and her naive daughter, Ree developing into powerful women. The use of dual timelines work at times but often times it gets confusing of which direction the author is going in alternating timelines. Hardy is very well versed in voodoo lore and intersecting pivotal historical moments. There are some frightening moments that shows how powerful these women are and those that want to control them.
Overall this is a great book that gives me an understanding of why this story should have been told. There’s a clear love that Hardy has for respectfully sharing voodoo culture and its impact in religious bigotry and racial discrimination . For fantasy lovers, there is plenty of magic that is shown and offers some thrilling moments that can frighten the reader.
Thank you to NetGalley and Ballantine books for offering this wonderful eArc in the exchange for an honest review. I’d highly recommend everyone to give this book a read to be entertained.
This book is about more than magic, more than not wanting to follow in our parents footsteps but about balance, trust, and honoring our ancestors
I truly thought I was going to be irritated reading this, because my pet peeve is when authors, especially black authors spookify ATRs (African Traditional Religions). When they continue to perpetuate the false narratives passed down by westernized religions. Also I thought I was going to be upset at the blending of ATRs. As this is a New Orleons Voodoo inspired book, however Papa High John the Conqueror is the protagonist which is Hoodoo, and Marie Laveau is considered a "conjureror" which is typically found in hoodoo work, not voodoo, however you can practice BOTH, but they are two totally different spiritual practices with different spirits. HOWEVER
Boy was I mistaken. This is a Historical Fantasy Novel inspired by The Queen herself Marie Laveau. Here we have a woman who is content with her magic and her freedom, while others are still enslaved, her daughter who wants nothing to do with her, because of her selfishness, and a protagonist who is on the opposite end, willing to do anything to seek revenge in order to avenge his ancestors and people. The protagonist would be reminiscent to killmonger in a sense, but the story is a tale of finding balance between choosing to take a stand, while not falling pray to being overwhelmed with anger.
Here the Lwa come alive and you can really feel their power and nature. The author reimagines the Haitian Vodou tale of the Zombi as a play on the current "honoring your ancestors is demonic" false narrative being spread
I LOVED this book, there were so many easter eggs, so many lessons, and its just profound! The author did an incredible job and I got why they blended conjure with voodoo in this tale.
I was really into this historical fantasy inspired by Marie Laveau. I’ve been wanting to read something about her since AHS coven tbh 😅 but learning about her, voodoo magic and New Orleans history was so cool to me. I also loved Marie and Ree’s mother/daughter dynamic + their dual timelines. I can eat those stories up any time tbh, but watching them both fight their own battles to help the other was heartwarming. Both of their lil romances were a cute touch too. Lastly the ending was tea. I really wasn’t expecting Ree to go all the way like that lol but am so glad with the way this closed out 👏🏽 My only con was that the pacing was on the slower side. But all in all, this was a good time.
In 1843 New Orleans, Marie Laveau is the reigning Voodoo queen, feared by her enemies and followers alike. Her daughter, Marie, “Ree,” Laveau the Second, is everything her cutthroat and principled mother is not. She’s spoiled, entitled, with a wicked rebellious streak-and defies her mother at every turn. But Ree’s world is turned upside down when she finds her mother in a coma in the bayou, having been cursed by Marie’s former teacher, lover and now enemy, Jon the Conjurer. As Marie hovers on the brink of death, Ree races to uncover the secrets of her mother’s life, gradually uncovering a web of alliances, dangers and deceptions. What’s worse is that Ree’s childhood best friend Henryk has returned as a witch hunter. Surrounded by enemies, Ree must confront the past and face demons-or die trying. Wow this book was incredible. Featuring a haunting, gorgeous New Orleans culture and setting, the novel dives deep into Voodoo gods and practices. It was absolutely fascinating, along with being well written. The issue of slavery is a good reminder of the true, dark history and the effects it had on Black people. I sincerely hope there’s a sequel. There’s atmosphere, there’s this spooky, hot feeling of being New Orleans. It was magical!
Oh how I enjoyed this book!!! The Quarter Queen is a riveting, atmospheric, and emotionally rich debut—perfect for readers who enjoy historical fantasy with strong character arcs, intricate world‑building, and stories centered on complex women. It’s both intimate and epic, dark yet hopeful, and it marks Kayla Hardy as a powerful new voice in historical fantasy.
From Ballantine Books, The Quarter Queen by Dr. Kayla Hardy is a lush, dark historical fantasy debut inspired by the life of Marie Laveau and her daughter, Marie Laveau II. This is a tense story of magic, New Orleans in the 1800s, racism, slavery, and mother-daughter relationships.
From the author’s website: “FOR FANS OF SINNERS 𝘅 CIRCE 𝘅 THE WITCHER”- and really, that’s all you might need to know to pick this one up!
Bullet points for those short on time: - debut standalone historical fantasy - Voodoo, alchemy, catholicism - bisexual representation - dark, tense, horrifying - mother-daughter relationships
It’s 1843 in New Orleans, and Ree, the rebellious daughter of Voodoo Queen Marie Laveau, finds herself often at odds with her mother and often gets into trouble. She is spoiled and entitled, but when something happens to her best friend and then her mother, it’s time for Ree to embrace her fate as the next Queen, to stand up for her people and fight against the barbarism and injustices of the ruling caste. She needs to figure out how to save her mother and survive not only the coming Inquisition led by an old friend, but also the Brotherhood of the White Hand, and something else equally as dangerous, if not more…
This book had me on edge the entire time. If not for the horrors of 1800s New Orleans, then for the wild scramble of trying to survive and fight back against them. Kayla Hardy’s writing sweeps you right into the atmosphere of each scene so intensely that I couldn’t tear my eyes from the page, even as quite a few things will make you feel ill, deeply uncomfortable and angry.
The transitions jump around a bit, as the book crosses timelines with Ree in the present and then back to Marie Laveau as a younger woman. I LOVED the development of the story, how Ree comes to know her mother better through seeing her past and realises for herself how little she knew about the situation in the beginning.
Overall, this book was an excellent debut inspired by a historical figure more folks should know about. I loved it and would highly recommend this! Historical fantasy is fast becoming one of my favourite genres, and I will be thinking about this one for a while yet. Now, off to pre-order a physical copy. :)
Burn it all down.
Thank you to Ballantine for the eARC via NetGalley for review consideration. All opinions are my own.
Content warnings: Racism, slavery, open-door romance, sexual assault, body horror, hanging, violence, torture, murder
“Kayla Hardy, PH.D., is a mythology expert and award winning multi- hyphenate author and screenwriter originally from Akron, Ohio. She earned a doctorate in English, specializing in creative writing and African American literature, from Binghamton University at age twenty-six. Dr. Hardy served as an adjunct professor at Binghamton University and is an avid scholar and lover of Black folklore, mythology, and Voodoo. Inspired by her Louisiana Creole ancestry and familial lineage of rootwork and magic, Kayla aims to tell diverse-driven horror and dark fantasy stories.
Originally conceived as a television pilot, THE QUARTER QUEEN was the prose winner of the 7th annual Launch Pad Prose competition. She is repped by Emma Kapson at Verve Talent & Literary Agency.”
About the Publisher: https://randomhousebooks.com/imprints... "The Ballantine Books Group, part of the Random House family, publishes a wide range of fiction and nonfiction that entertains, informs, and inspires. Our goal is to seek out and cultivate the most compelling, varied, and distinctive storytellers—and to bring their work to the broadest possible audience of readers. Our list is comprised of several imprints, including Ballantine, Bantam, Dell, and Delacorte. Ballantine was founded in 1952 by legendary publishers Ian and Betty Ballantine. From the beginning, we have sought out authors whose work is defined by the intersection of quality and wide appeal."
Additional thoughts: I was unaware of the story of Marie Laveau before seeing this on NetGalley and requested the eARC. Here is a perfect example of how fiction helps us increase awareness, knowledge, and empathy. While reading this and afterwards, I searched for more about the history of Marie Laveau. I’m grateful to both the author and publisher for bringing this book to the masses!
This was an absolutely incredible debut. The Quarter Queen by Kayla Hardy is vivid, lush, haunting, and simmering with equal parts magic and rage. Set in 1843 New Orleans and inspired by the life of Marie Laveau, this story blends historical fiction and fantasy into something atmospheric, unsettling, and deeply emotional. I was in love with this from the first chapter.
At its heart, this is a story about legacy—what we inherit, what we reject, and what we ultimately become. Ree Laveau starts off as everything her mother isn’t: reckless, privileged, and frustratingly naive. But as her mother lies cursed and comatose, Ree is forced into a role she never wanted, unraveling secrets that reshape not only her understanding of Marie, but of herself. Watching her growth from impulsive girl to something sharper, stronger, and more resolute was one of the most satisfying parts of the novel.
The dual timeline structure—shifting between Ree in the present and Marie’s rise to power—adds depth to their relationship and highlights just how much history shapes identity. If you’re not familiar with this style of writing or the dual timeline structure, it can feel a bit disorienting at times—especially early on as the transitions aren’t always seamless. Luckily for me, I didn’t have many issues, and when it works, it really works, creating this layered, almost cyclical feeling of fate and consequence.
Where this book truly shines is in its atmosphere. The setting is rich, visceral, and at times suffocating—in the best way. Hardy doesn’t shy away from the brutal realities of 19th-century New Orleans: racism, slavery, religious persecution, and violence are ever-present, grounding the magic in something painfully real. The Voodoo elements are deeply researched and respectfully portrayed, adding a sense of authenticity and reverence that elevates the story beyond standard fantasy fare. But… this shouldn’t surprise you if you’ve done even the smallest amount of research about this book’s incredible author (taken from her website): Kayla Hardy, PH.D., is a mythology expert and award winning multi- hyphenate author and screenwriter originally from Akron, Ohio. She earned a doctorate in English, specializing in creative writing and African American literature, from Binghamton University at age twenty-six. Dr. Hardy served as an adjunct professor at Binghamton University and is an avid scholar and lover of Black folklore, mythology, and Voodoo. Inspired by her Louisiana Creole ancestry and familial lineage of rootwork and magic, Kayla aims to tell diverse-driven horror and dark fantasy stories.
And with this book? She absolutely succeeded.
There are genuinely eerie, almost grotesque moments woven throughout, balanced by emotional moments that center on family, identity, and survival. The mother-daughter dynamic is raw and compelling—messy, strained, and full of things left unsaid. It’s not always soft or forgiving, but it feels real.
Overall, The Quarter Queen is a dark, immersive historical fantasy that doesn’t hold back—equal parts beautiful and brutal. It’s a story about power, resilience, and the cost of both, and I truly believe I’ll be thinking about this one for a long time. I can’t wait to see what Hardy does next.
‼️content/trigger warnings:‼️ racism, slavery, open-door romance, body horror, sexual assault, hanging, violence, torture, murder
A huge thank you to NetGalley and Ballantine for this eARC!
An advance copy of this book was provided to me for free by the publisher.
Riveting, layered, and crackling with tension, The Quarter Queen by Kayla Harding lingers with you long after the final page. Marie Laveau, the infamous Voodoo Priestess, is given new life as you explore who she was as a woman, mother, and leader of her spiritual community in 19th-century New Orleans. As she works within oppressive systems as a free Black woman in the Antebellum South, her daughter and namesake, Ree feels confined to the role of her shadow and actively rebels against Marie. When Ree is forced to save her mother, she uncovers secrets from her past that change the way she sees herself, Marie, and the role they play in their society.
Hardy leverages beautifully layered language that peppers in historical context, emotional nuance, and a deeply spiritual magical system that makes Marie and Ree’s stories impossible to put down. Cinematic storytelling is paired with expert-level pacing that draws you into the dark fantasy world Marie and Ree inhabit, and you are drawn to their immense power in a time and place where other Black people are enslaved, the people who want to possess them for their own gains, and escalating tension that keeps you on the edge of your seat.
Woven throughout Marie and Ree’s story are themes that will linger with you outside of the fantastical elements that draw you into their world, including: - Tension of a mother trying to protect her daughter and a daughter fighting against being contained - Political and spiritual scheming and maneuvering needed to maintain a false sense of balance between the varying groups and leaders in New Orleans - Notion of sacrifice and how much we are willing to give up for the greater good - Cost of love and how it shapes your actions and colors your perspective - Role of fate and if you are doomed to fall into its cycle or if you have the power to break free
🎧 Audiobook Commentary: Narrated by Angel Pean and Adenrele Ojo, the audiobook is a must listen! The narration choices of Pean and Ojo elevate Hardy’s prose, pull you into Marie and Ree’s world, and keep you mesmerized from beginning to end. I highly recommend reading this book immersively and pairing the audiobook with a physical or digital copy because you will want to annotate and experience their combined narration.
✨ If you are looking for a fantasy that centers Black folklore, complicated mother/ daughter relationships, and integrates spiritual and political systems, The Quarter Queen should be at the top of your reading list!
The Quarter Queen is one of those books that wraps you in atmosphere from the first page. It feels rich and humid and alive, filled with spirits, secrets, and the kind of political tension that makes nineteenth century New Orleans the perfect setting for a story about power. The writing has a lush, almost cinematic quality, and the alternating timelines between Ree and her mother Marie create a really compelling rhythm.
What surprised me most was how much this book is about a complicated mother daughter relationship. Ree is messy and rebellious and sometimes painfully immature, and Marie is powerful but impossible to truly know. Watching Ree unravel the truth of who her mother used to be gave the story so much emotional weight. By the end, their dynamic becomes the heart of the novel. I also loved how the magic is woven into the historical setting. It never feels like window dressing. It feels lived in and spiritual and sometimes terrifying. The book does not shy away from racism, religious persecution, and the danger of institutions that fear the things they cannot control. It gives the story real depth and stakes beyond just the magical conflict.
If I had any difficulty, it is that the pacing can feel dense at times. There is so much history, lore, and emotional backstory that I occasionally felt distanced from the action. But once the plot threads start to braid together, it becomes really rewarding.
Overall I thought this was a beautiful and atmospheric debut. If you enjoy historical fantasy that blends real history with powerful magic, and if you like stories centered on mothers, daughters, and legacies that refuse to stay buried, this is a great one to pick up. Thank you to NetGalley for the advance copy.
This entire review has been hidden because of spoilers.
The Quarter Queen is a historical fantasy novel that features Marie LaVeau and her daughter. As political, racial, and cultural tensions fester in New Orlean’s melting pot, the Voodoo gods also want a war between exiled Jon the Conjurer and the alchemist group, Brotherhood of the White Hand.
What really works is the dark, atmospheric, anything-can-happen-here setting. You can feel the humidity, the spark of barely repressed violence, the tension of the push and pull of old ways versus new. It’s creepy, magical, horrifying, hopeful, dangerous and exhilarating all at the same time. The author clearly knows a lot about the cultural and religious customs of the area which comes through and anchors the story.
Also particularly satisfying is the relationship between Marie LeVeau and her daughter, Ree (Marie LeVeau II). Like many mother-daughter relationships, they start out not really knowing each other. Ree finds out much more as she is pulled to view her mother’s past. The reader sees this through a back and forth dual timeline that, while interesting, is a little clunky in execution. This is especially tricky with a shared name.
Somewhat less successful is the character of Henryk who needed a bit more presence and depth to earn his spot in the story. Although he was supposed to be somewhat of a counterpoint to Jon the Conjurer, there just wasn’t enough learned about him to provide any weight to the story. Overall, this novel kept me glued to the page, especially as Marie’s past with Jon was revealed. The fast moving pace, willingness to look at the cultural and historical happenings of the time, and the strong female characters were captivating.
Thank you to NetGalley and Ballantine Books for the eARC.
Rarely do I finish a book and have no words. Turning the last page of The Quarter Queen was one of those times. There simply aren’t words to convey how exquisite this book is, but I’m going to try because The Quarter Queen is a book that everyone should be talking about and have on their TBR. It’s just that good.
The Quarter Queen is the debut of Kayla Hardy, and had I not known that, I never would have guessed it. Ms. Hardy’s writing is lush, lyrical, and utterly engrossing.
The Quarter Queen begins in 1843 New Orleans and is inspired by the life of Voodoo Queen Marie Laveau. Much like the recently released Cleopatra by Saara El-Arifi, The Quarter Queen blends historical fact with fantasy and dramatic license to bring the story of Marie Laveau and her daughter, Marie “Ree” Laveau the Second, to breathtaking life. Hardy uses dual timelines to allow the reader to understand both Marie's and Ree’s motivations and personalities, and this was one of my favorite aspects of the book.
The book begins by showing us the contentious relationship between Marie and Ree. Ree loves her mother, but she’s tired of being in her shadow. She feels trapped by her mother and a legacy she never asked for. Marie adores her daughter and would do anything for her, but she fears that Ree is far too rebellious, naive, and nowhere near ready to take over the title of Quarter Queen that is her destiny. When something happens putting Marie on the brink of death, Ree is forced to step up and into her power, but will she be able to do it in time to save her mother and ultimately herself?
The true beauty of the Quarter Queen is in Hardy’s beautiful storytelling and her impeccable attention to detail. Her academic background in mythology, Black folklore, and Voodoo really shines through, making the story that much more emotional, immersive, and captivating. She deftly explores racism, mother-daughter relationships, and love in such a way that you can’t help but be drawn in and become emotionally invested.
Overall, The Quarter Queen is a stunning debut novel that will keep you hooked from beginning to end and needs to be on your radar if you enjoy historical fiction, fantasy, and strong women who let nothing stand in their way without giving up what makes them, them.
Thank you to Ballantine Books, NetGalley, and Kayla Hardy for the gifted eARC.
Kayla Hardy really knocked it out of the park with this book. Coming from someone who grew up going to the area frequently due to family - she captured the magic of the area and its roots and gave us a deeper glimpse into that world. More than Mardi Gras and beads - what makes New Orleans the city we love today is the history of its people. Her writing is beautifully descriptive and allows you to imagine every setting in vivid detail - allowing, as usual, for the movie in my head.
She addresses the dark history of the time period and weaves it into the story seamlessly. The very real evil of racism mixed with the conflict of using magic for good or for evil and how this guides our characters giving it a mix of genres including horror, magical realism, and historical fiction. There are certainly horror elements in this and I think that is essential to really be truthful in the story telling of the pain and suffering experienced due to racism.
I do not know for sure but it does seem to end on a cliff hanger so maybe there are more books? I hope so because I need to see where some relationships are headed and where some alliances stand.
I think historical fiction fans will eat this up and I highly recommend for anyone that enjoys that genre or fans of New Orleans culture in general. Thank you to NetGalley, the publisher, and the author for allowing me to read and review this!
The Quarter Queen by Kayla Hardy is a culturally rich historical fantasy novel set in New Orleans where Voodoo Witch Ree has to navigate perilous danger in an attempt to save her mother, Marie Laveau, the Quarter Queen.
The action in this book is dynamic and immersive, with tension that stays elevated throughout the story. I was completely invested. Hardy expertly executes the plot with alternating timelines of the past and present to add important context that deepens the story. Symbolic elements are also cleverly woven in, making this an even more enjoyable read.
The tension between selfishness and selflessness is a prevalent theme, not only within the strained mother-daughter relationship of Ree & Marie but also among the other key characters, as it plays a major role in how they navigate the chaos and danger unfolding in the city.
The idea that “Love [is] the strange and fickle thing that [can] break you in half” reflects how all of the key characters are forced to choose between putting love before magic or love versus revenge, revealing how deeply their decisions are tied to what they are willing to sacrifice. Love is the driving force between Ree and Marie, meanwhile other characters are guided by revenge and selfish gain, no matter the cost.
This was one heck of a debut novel and I am definitely ready for more! A part 2 perhaps?! 👀
Read this if you like action-pack historical fantasy reads with mixed with New Orleans Voodoo magic.
Historical fiction Magical elements New Orleans Immediately yes! The Quarter Queen is a novel set in 19th century New Orleans. The story follows the infamous voodoo Queen Marie Laveau and her daughter Marie, “Ree,” Laveau the Second. Sign me up for a story that examines complex mother/daughter relationships. As the story unfolds we see how their relationship came to be what it is through alternating timelines and povs. We slowly learn why they are at complete odds with one another. As the secrets unfold the two are pushed together to overcome a common enemy. I will admit for me part one was a bit slow but once you get into part two the story really begins to unfold and very quickly. It becomes a total page turner! The fantasy elements are just enough to enhance the story and add to the magical lore. I especially enjoyed the historical tidbits spread throughout. The examination of the free Black people and enslaved living in the same city existing under different laws is sitting heavily with me. This also plays a part in the Quarter Queens turmoil. This was an amazing debut work of historical fiction.
The Quarter Queen was a superb story about Voodoo Queen Marie Laveau and her daughter Ree. Let me say, do yourself a favor and listen to the audiobook! I was stunned at the performance! The story reads like something out of a movie, and it made total sense once the author gave more context about her background as a screenwriter. The story was easy to follow, the characters were complex, but their development was chef's kiss, and the secrets. CHILE, I was so stressed. The author's approach to humanizing Queen Marie and making her a mother first was a great idea. The mother-daughter dynamic was anything less than perfect, but it worked. I empathized a lot with Ree's character; she was yearning for love, which almost became her downfall. But with the perfect combination of her parents, Ree grew up and came into her own. Queen Marie and Jon - loved them down! The history, richness of New Orleans culture displayed, the cinematic approach - all made this a must read! 10/10 would recommend.
This was a strong debut and an easy four-star read for me. I was pulled in immediately by the dark, layered opening and stayed for the rich blend of historical fiction and fantasy.
I especially appreciated how the novel centered Black folklore and spiritual traditions without flattening them into something simplistic or sensational. The portrayal of Voodoo felt powerful rather than “demonic,” pushing against the stigma that often surrounds it. The magic added depth, but the real strength of the story was the relationship between Marie and Ree—complicated, emotional, and rooted in generational tension.
The exploration of racism, power, and freedom in 19th century New Orleans gave the story weight, while the fantasy elements kept it engaging and immersive.
At times the pacing slowed slightly, but overall this was a compelling, imaginative story with a strong emotional core. I will definitely be reading more from this author.
I loved this book. I did not want to put it down. The Quarter Queen delivers a compelling blend of historical fiction (of New Orleans), fantasy, and paranormal elements, making it an engaging and immersive read from start to finish. The story follows Marie Laveau, a reigning Voodoo Queen, and her daughter Ree II, who is suddenly thrust into responsibility when her mother falls into a coma. Ree is forced to grow up quickly, stepping into a role she may not fell ready for while embracing the discipline and lectures her mother tried to instill in her. Besides the background on Voodoo, one of the standout aspects for me was the complex mother-daughter relationship. It felt real and relatable, highlighting the tension that can come from unspoken truths and generational secrets. It makes you wonder would things be easier if parents were more open about their past, their mistakes, and who they truly are? Overall, this is a must read and if you are a fan of AHS: Coven then this is for you.
This book felt mad longer than it actually was. It was not an enjoyable read. I had to slog through the book. I didn't find anyone really endearing as a character. I hated Ree; she spent most of the time whining, cavorting, feeding her base desires and neglecting to live up to her promise as Marie Laveau's daughter while reveling in the status. I found her to be cowardly and self-centered. She never seemed to realize the repercussions of her actions and got saved by plot armor every time she was in trouble. The romance with Henryk was gag-inducing; we all know neither men nor women could avoid Ree's magical ___ so it was only a matter of time. Jon was too one dimensional and Marie Laveau's the reason I had to endure Ree so I hated her too.
The premise was interesting, but it got really redundant and stagnant... it finally picked up towards the 3rd arc but I really didn't care to see how it ended. If this is a sequel... I'm good.
When you mix historical fiction with fantasy, add in a heavy pouring of voodoo and cap it off with a nineteenth century racially divided New Orleans, you get more magic than you could have bargained for.
This was a story about magic for sure, but also about the power behind light magic and dark magic and even that which is conjured by folks who could never wield it on their own. It's the fictional account of Marie Laveau and her daughter Marie Laveau the second aka "Ree." There's so much tension between factions in this book that completely makes it a page-turner. The tension between quarter Queen Marie and Jon the Conjurer was my favorite slow burn. How their magical love child Marie was the perfect balance of the two of them. Thanks to NetGalley for the gifted copy.
Thank you for the chance to ARC this debut novel! Happy to give a 3.75 Star Review! I consider myself very knowledgeable regarding NOLA history and Marie Lavoe but THIS BOOK went BEYOND what I could imagine! The plot keep me going but character development could use some teeking for more folks to identify. I know it gives women the courage to keep going no matter what they face and for the time period it was defiant to the patriarchy and ' values' of most religious folks but I wanted more to the ending. Perhaps there will be a follow up ? DEFINITELY worth the read!
Thank you Netgalley and Ballantine Books for the preview copy! Angela Reads at least a book a day and you can Follow along @TheElectricStrawberry for indie bookstore and more!
Inspired by the grim history of early 19th century New Orleans and Haiti, the novel weaves historical figures with folklore. Incredibly suspenseful (especially the last half) and often horror-tinged (zombies are not nice even when necessary), the story swirls around the cost of power. Two women, both named Marie Laveau, are completely dissimilar in their approach to magic and mayhem. They are also mother and daughter, with all the very true complications of that relationship. In carving out their own freedom in an oppressive world, they make decisions which they will come to regret or, at least, reconsider. Nobody in this novel is perfect, but they are all perfectly human and intriguing enough to make the reader hope for a sequel or two.
Thank you NetGalley and Ballantine Books For a chance to review The Quarter Queen by Kayla Hardy
Set in 1800s New Orleans, this is a dark historical fantasy thst pulses with atmosphere, whispered spells, and danger lurking behind every lace curtain. Inspired by the lives of Marie Laveau and her daughter, the story weaves magic into a brutal reality shaped by racism and slavery. I absolutely loved this. It's dark, powerful, and emotionally layered in a way that really lingers. Historical fantasy is quickly becoming one of my favorite genres, and this one is going to stay with me for a long time. Looking forward to getting this on audible.
If you love lush, atmospheric historical fantasy with a dark edge this is a book to read. As an avid lover of “The Originals” show I absolutely vibed with the setting of this book in New Orleans and the Voodoo and magical realism.
The mother daughter dynamics are at the center of the emotional charge in this book. With theme of racism, power and being a woman.
The writing is rich and almost reads like an epic movie. The dual timelines (Ree in the present + Marie’s rise in the past) add a parallel of connection between them.
A great read for fans of historical fantasy and magical stories.
I don't typically read fantasy novels but the historical elements in this one completely captured my attention! It's set in 1840s New Orleans and includes history nuggets that kept me turning the pages. The magical elements were just real enough for me to stay grounded in the New Orleans setting and not feel that I had to focus on visualizing an entirely new world (which is often why I stay away from fantasy). I also adored the mother and daughter relationship that unfolded over the course of the story, as well as the small romance elements for both of them.
This was my first time reading a story reading a book set during this time period in New Orleans and it was such a unique experience. The story telling and VooDoo magic system is so atmospheric and powerful, as was the themes of racism and prejudice. I enjoyed the telling of both Marie and her daughter, Ree’s stories across time periods, though wish there had been a bit more of a time marker delineation at the start of the chapters. Overall an enjoyable debut!
Quarter Queen 👑🎬 Felt like a whole movie in my head from start to finish. A few slow spots… but the world, the history, the vibe? WORTH IT. Skeleton Key 🗝️ Eve’s Bayou 🌫️ Gladiator ⚔️ Walking Dead 🧟 Book of Eli 📖 Constantine 🕯️ AHS: Coven 🔮 This wasn’t just a story — it was an EXPERIENCE. Rating: ⭐⭐⭐⭐⭐ (4.5 rounded up)
I absolutely loved reading The Quarter Queen. Queen! The story is full of magic, mystery, and characters that jump from the page. Ree and Marie’s mother-daughter dynamic kept me hooked, theyre so alike yet can't see eye to eye. The Quarter Queen explores theme of racism, family, and womanhood.