London, 1928. Lucy Darkwether has always made her own rules. After breaking off her engagement to pursue a degree in Ancient History, she's now the proud owner of London's newest antiquarian bookshop.
So when a rival shop in Cecil Court is chosen to host an exhibition of Egyptian treasures, Lucy's pride is stung - until the grand opening ends in a gruesome murder. Is this the revenge of a disgraced colleague? A private vendetta? Or a curse visited upon those who disturb the past?
Ignoring the Inspector's warning to stay out of it, Lucy refuses to stick to the script. But murder isn't a game - and what she uncovers will have consequences for them all . . .
Non gli avrei dato un euro, e invece... L'ho iniziato senza troppe aspettative, preparandomi all'ennesimo giallo semplicistico e prevedibile spacciato dalla Newton Compton per "grande thriller". E in effetti "La libreria dei delitti" possiede uno stile piano e lineare, ed è incentrato su un mistero che, fino alle ultimissime pagine, sembrava terribilmente scontato. Credendo che il colpevole potesse davvero essere io già imprecavo per la colossale perdita di tempo che questa lettura aveva rappresentato. Ma poi, in prossimità del finale, non solo viene svelato che , ma gli viene fornito anche un movente che funziona come pochi. "Funziona" nel senso che è plausibile, scioccante, ma anche abilmente insinuato nelle pagine precedenti in modo che sia sotto gli occhi del lettore senza che egli possa accorgersene. E le suggestioni esotiche provenienti dall'antico Egitto (che in primo luogo mi hanno spinto verso questa lettura), non vi ricordano forse altri capolavori della Christie architettati con la stessa maestria? È proprio questa la ragione per cui mi sento di "premiare" questo libro con le cinque stelline, dato che pochissimi thriller al giorno d'oggi sono capaci di rispondere così precisamente alla formula del giallo classico all'inglese. Ci sarebbero in verità tanti altri dettagli che mi hanno fatto propendere per questa valutazione, tra cui la scena stessa del confronto in cui viene fornita una spiegazione finale estremamente coerente e una ricostruzione degli eventi in cui ogni singolo dettaglio trova il suo posto, regalando ulteriori occasioni di stupore (come ). Senza dimenticare le dinamiche amorose, con la creazione di un inaspettato triangolo tra Un ulteriore motivo per attendere con ansia l'uscita dell'eventuale seguito.
Picked this up on a multi deal at the Works- a book about a book shop and it's a cozy murder? sold. It took me a while to warm up to the characters, particularly Lucy who was quite modern for a woman in the 1920's- wanting a formal education, her own business, independence. The egyptian mummy curse has been done before but I didn't mind it- it kept me guessing as to 'whodunnit' and although there were times when I felt Lucy was incredibly stupid I didn't feel exacerbated with her although sometimes it was close! I don't know if this is going to become a series, it has the potential to become one and I would pick up book 2 but I couldn't say that this is a must read. I fear that without a sequel coming soon this would be quite forgettable, but there is potential here.
This gets two stars as I did actually finish it and it could have been a better book with some judicious editing. There are some howlers sprinkled through the book which irritated me enormously. This was supposed to be set in the late 1920's but the writing style did not make me believe we were in the post first world war era to any great extent, nor indeed did the references to Egyptology come across as entirely convincing. The tomb of Tutankhamen was discovered in 1922 and the fever of interest in Egyptology that it engendered was absolutely huge, this is not really emphasised in the book. The faux hieroglyphics and the scene dressing with red ochre and animal furs just did not ring with authenticity to me, the fact that the heroine took all this as indicative of a knowledge of Egyptology, which she was purportedly an expert in made my teeth grind. There is reference to a greasy spoon where there are Formica tables and an espresso machine, much more redolent of the 1950's, particularly the espresso machine. Then we have a knight of the realm living in a handsome house in Islington, which at the time was a pretty shabby area. Towards the very end of the book we have the heroine meeting someone on a quiet Thursday night for lunch and then going to her parents house for tea. If you have any interest in Golden Age crime novels such as Christie (married to an archaeologist), Marsh and Allingham then stick to the originals, to avoid the teeth grinding. If you don't read the classics then this is an OK light read but do not take it as having any historical insight into the late 1920's.
I really liked the setting, it had that faint Agatha Christie vibe, with dusty old London and a hint of the Egyptian mystery of the early 1900s. The main character was great too, independent and bold woman for the time, a mix of witty and a little flirty. The plot is light, maybe a bit slow, and the ending wasn’t much of a surprise (I’d started suspecting the murderer early on), though the motive was a nice twist. Overall, a cozy, easy autumn read, not mind-blowing, but definitely nice.
Wow. Preso quasi per caso in libreria affascinata dalla copertina e dalla trama, questo libro mi ha piacevolmente sorpresa. Il colpevole poteva essere individuato senza troppe difficoltà, ma il suo movente e gli altri (svariati) colpi di scena finali mi hanno lasciata a bocca aperta.
This was a very good golden age set murder mystery and the start of a new series.
The protagonist is Lucy Darkweather, socialite, bookseller and sleuth. She has always marched to the beat of her own drum, ending her engagement to a boy of good family, going to Oxford to earn a degree in Ancient History and then horrifying her family by opening a bookstore. Her past and present collide when she attends an exhibition of Ancient Egyptian treasures and instead stumbles on a murder! Being who she is she can’t leave well enough alone and so begins investigating the crime herself. She’s aided by her friends and colleagues at the bookstore and abetted by the Inspector in charge of the case who seems to have a reluctant admiration for her.
The plot itself was well done, the red herrings were clever and the author led me where she wanted me to go with ease. I did guess the murderer but it was close to the end and in hindsight the clues were there all along. The only thing I wasn’t completely sold on was the character development. I felt that my understanding of the characters in the story was largely superficial so struggled to get invested in the outcome. Hopefully if there are more books in the series this will change.
All in all I would highly recommend this to anyone who enjoys Golden age mysteries as this is an excellent one!
"...DAILY MIRROR: LA MUMMIA SBARCA SULLE NOSTRE COSTE! È PORTATRICE DI UNA MALEDIZIONE MORTALE?"
Non è la vendetta il movente più antico del mondo? O per come pensano molti lo sporco lucro? Può la sete di conoscenza trasformarsi nella più antica delle maledizioni? “La libreria dei delitti” è uno di quei romanzi che mi ha attirato subito per l’ambientazione e un pochino per questa immagine in copertina che profuma di misteri, intrighi e come dico io, inciucio da palazzo. Londra anni Venti. Una libreria antiquaria piena di gente curiosa viene gestita da Lucy Darkwether, colta, tosta e indipendente, che sullo sfondo di un affascinante ombra dell’Antico Egitto deve svelare i retroscena di una serie di delitti. Lucy è uno spirito libero, almeno per come poteva esserlo in quei primi anni del novecento, non vuole sentir ragioni e deve portare avanti il suo sogno: mantenere in piedi la sua, non tanto prestigiosa ma piccola, libreria. Tutti ingredienti che, almeno sulla carta, promettevano di conquistarmi; in parte ci riesce ma non fino in fondo. Il libro è piacevole, scorrevole, e ha quel fascino elegante e un po’ retrò che ricorda i gialli classici, con un tocco alla Downton Abbey tra piogge londinesi, tè serviti con garbo e conversazioni piene di sottintesi. Ma fino a che punto?
La protagonista è una donna istruita, amante dei libri e della conoscenza, che si muove in un mondo ancora dominato dagli uomini. In lei si sente un sottile ma potente richiamo al femminismo, quello determinato e non urlato ma incarnato nelle scelte, nella determinazione e nella sete di fiducia in chi lei stessa è e che può ancora diventare. Anche gli altri personaggi, pur non sempre molto approfonditi, offrono un buon punto di paragone e confronto. C'è chi rappresenta la tradizione e chi, invece, il desiderio di cambiamento o il volersi migliorarare. Ho amato i temi che attraversano tutto il libro come l’amore per i libri e la cultura, la scoperta e la fascinazione per l’Antico Egitto con le sue missioni e i viaggi di ricerca, i segreti e gli enigmi arricchiti da geroglifici e messaggi, la riflessione sul ruolo delle donne nella società dell’epoca e, soprattutto ma non per l'ultimo, l’indagine sul giallo che, in questo periodo, è tutto dire. Tutti questi aspetti hanno reso la mia lettura coinvolgente, anche quando la trama non brillava per originalità e, in alcuni punti, ahimè mi dispiace dirlo, tendeva a ripetersi in modo spiacevole. Tuttavia, il problema, per me, arriva nel finale. Dopo una buona costruzione iniziale, e una parte centrale abbastanza interessante, mi aspettavo una risoluzione più intensa, più “centrata” sul mistero stesso. Invece il tutto si chiude in modo un po’ troppo frettoloso, sbrigativo e con un colpevole che, ironia della sorte, era proprio il primo individuo che avevo sospettato e poi escluso perché non solo troppo ovvio ma anche inutilmente senza un motivo. Un colpo di scena sì, ma debole. Mi è mancata quella scintilla di sorpresa che rende memorabili i gialli migliori.
Voto: 2.5/5⭐️ Su IG (antobook.halliwell) trovate la Recensione completa
Not to be one of those "I kNew wHo tHe MuRderEr waS beFoRe I oPenEd THe booK!" types (because some of us know red herrings are a thing) but I did have my suspicions very early on (and honestly, I think most people would guess the same?) and I thought that if it did end up being him, I'd be pissed. Not to mention disappointed. Because that would be too obvious, surely? It needed to be a clever red herring (even if it was a bit of a heavy-handed one). And while I waited to be proven wrong more murders took place, salacious texts were sold on the sly, secretive bets made that put the bookshop at risk, and Lucy talked with one member of the society after another, and I counted how many times the word 'groan' had been used (16 times), and (at around chapter seventeen when I realised I'd seen the word 'sighed' quite a bit so started to count those too - 14 times), still I waited. It wasn't looking good.
Then, a glimmer of hope! A confession for the murders that I was not expecting, and I was like, "Damn Gladwell, you got me! I fell for the red herring!" And it should have ended there. Only it didn't. Because there was a twist coming 😑 that's right, it turns out it is the guy I suspected all along!😮💨 (The Bookshop Murders was so close to finishing strong) and to round off on a rather placid end, Gladwell hints at the possibility of a romance between Lucy and the detective, who's as bland as wallpaper.
The Bookshop Murders was a bit dry, formulaic and predictable, with a main character who was embarrassingly dense (described as 'a bookseller with a sharp mind' on the cover - show me where exactly). I would have awarded higher if the 'twist' hadn't ruined it.
***Advance review copy received from NetGalley in return for an honest review***
London, 1928. Lucy Darkwether, an Oxford-educated historian turned antiquarian bookseller, is proud of her little shop on Cecil Court. When a rival store launches a grand exhibition of Egyptian treasures, the celebrations end in a gruesome murder. Ignoring the inspector’s advice to stay out of it, Lucy begins her own investigation, navigating professional rivalries, whispers of curses, and the dangers of prying too deeply into other people’s secrets.
I thought this was a solid read. It was a little slow to start, but as the story ramped up I really enjoyed spending time with the main characters. The setting was well realised and the bookish backdrop added a lot of charm, and at times it gave me the same sort of atmosphere as Philip Pullman’s Ruby in the Smoke. The mystery itself did not completely stand out for me, but the overall experience was enjoyable.
If you enjoy Golden Age style crime, atmospheric London settings, and strong female leads carving out their place in the 1920s, this is likely to appeal.
An entertaining historical mystery. I read an eARC of this book on NetGalley so thank you to the author and the publisher.
We meet our heroine, a bookshop owner with a passion for ancient history just before a murder takes place in the shop next to hers. She starts to receive notes hinting at the killers next crimes and finds herself compelled to investigate, to protect potential victims, to solve the case. However she puts herself in danger, earning the concern of the investigating police officers.
This is set in the 1920s and we see our main character straining against the expectations of society, she broke off her engagement, went to university and took over her bookshop. Yet she is continually underestimated by men, her family encouraging her to reconcile with her former fiancé, her choices continually questioned, friends not understanding her desire for a dusty bookshop over a life of leisure. She certainly causes a shock when she chooses to solve a murder on top of all this. Yet she is determined. Determined to solve the case and to protect her shop. She’s a fantastic main character.
There’s much to like in this book, the focus around the bookshop, the recognisable London landmarks, the reverence for ancient Egyptian history, the museums, the questioning of the past.
The first couple of pages of this book had a weird, very dramatic style but this didn’t continue beyond that intro and I thoroughly enjoyed the rest of the book.
I enjoyed this read, something different from what I usually pick up, but it was cosy, mysterious and captivating. I never expected the plot twist at the end, but all loose ends were tidied up nicely and everything made sense.
The story follows the FMC, Lucy Darkwhether, who is curious by nature, has a love for history and books. When an ancient mummy comes to town next door to her beloved bookshop, she is envious as she knows the site would have been her dream for her business. However, she goes along to the exhibition anyway, not expecting to be a witness to a murder and then later a note implicating her as well. She is involved whether she likes it or not, so now she feels she must avenge the victims and find out who committed the crime.
London is gripped with excitement to see the latest Egyptian artefacts brought back by the archeologist Gordon Lyle, the sarcophagus is to be displayed in a London bookshop prior to being taken to the British Museum. Unfortunately for Lucy Farkwether it is not her bookshop, with her Oxford degree in Ancient History and interest in Egyptology she had had hopes, but her neighbour Mr Daken’s bookshop was chosen. When a dead body is discovered beside the sarcophagus at Mr Daken’s shop Lucy gets drawn to investigate. This is a fast paced murder mystery with plenty of twists and turns. My thanks to NetGalley and the publishers for the arc.
The novel is set in the 1920s , with Lucy Drakwether and her friends as the investigators in a murder mystery. The discovery of a tomb in Egypt is at the heart of the novel and when the mummy is put on display in London, there are a series of deaths apparently linked to the curse of the tomb. Lucy, who owns a bookstore and her work colleagues set out to solve the crimes . The plot is interesting and the characters are well drawn and there is an interesting twist when the killer is revealed. I enjoyed this first novel and hope for more.
This entire review has been hidden because of spoilers.
Un giallo che vorrei tanto definire croccante. Lo sfondo storico a tema Antico Egitto non è una novità, ma gli indizi sono stati dosati molto bene permettendomi di arrivare al finale ragionando lucidamente su tutte le informazioni. Sono arrivata alla conclusione sentendomi intelligente ma comunque mai annoiata, ora me la tirerò perché ho risolto questo Cluedo storico. Lo consiglio se si ha voglia di una lettura leggera ma coinvolgente. Mi sono sentita una detective per tutto il tempo della lettura!!
Di per sé è un libro molto carino, ben fatto, ma ho trovato un po’ piatta la trama, con pochi colpi di scena se non nelle ultime 80 pagine (cosa che purtroppo noto ormai nella maggior parte dei gialli). Nota di demerito: l’edizione cartacea edita da Newton Compton è costellata di errori grammaticali, soprattutto nella prima parte, virgolette non chiuse, e addirittura in una pagina Lucy diventa Susy. Trovo assurdo che tutte queste cose siano sfuggite prima di andare in stampa perché sono almeno una decina di errori.
4.5 ⭐️ this was a such a comfort read and I loved so many parts of it. I loved the writing and the setting (it was so cozy) and I loved the prologue it instantly hooked me and made me continue reading this book. I loved our Female Main Character Lucy and her detective skills. It also has a bit of Egyptian heritage if you’re into that + I enjoyed that part. I wish that this book was a 5 star but it really wasn’t there. I recommend this book if you want a mystery and historical novel with a lot of suspense in it ❤️
Tutto sommato l’ho trovato carino, una lettura scorrevole e senza troppi passaggi complessi. Nonostante sia ambientato negli anni 20 non mi è proprio sembrato si essere in quegli anni, anzi! Forse mancava proprio l’atmosfera degli anni 20 ma comunque rimane un libro leggibile. Unica nota dolente: errore grammaticale, almeno nella versione del Kobo acquistata da me, nel capitolo 6 c’è scritto “È morto qualche hanno fa…” direi che sarebbe opportuno correggerlo e togliere quella H di troppo.
A cute, cozy historical crime fiction book that was a delight to read.
I thoroughly enjoyed this book and was hooked right to the end to find out what happened. The writing really set the scene and I could imagine where it took place and the era it was set in. Thoroughly enjoyed this book.
Intriguing and entertaining murder mystery set in London in 1928; a tribute to the Golden Age of crime fiction. Lucy Darkwether, bookshop owner of Cecil Court Books, becomes embroiled in deaths and mystery surrounding an Ancient Egyptian mummy, with newspapers drumming up lurid tales of ancient curses and retribution. Clever and intriguing with an unexpected denouement.
Molto carino, il finale è abbastanza intricato e difficile da prevedere. Peccato solo per alcuni personaggi secondari come Edward la cui caratterizzazione non è un granché e la cui storia lascia un velo di falsità alla trama (il suo comportamento è alquanto strano e poco realistico).
Comunque un bel libro facile da leggere e che scorre via bene.
Really enjoyed this one! Books and a mystery is always a winning combination. The whole 20s vibe gives the book a nice touch so it was a very pleasant reading. I felt it dragged a bit halfway through but I didn’t fully expect that character to be the murderer (had my doubts though), so the twist was unexpected.
I found it hard to get into because of the old fashioned theme to the book. Don’t read this if you don’t like books set in the 1900s. I liked the ending and genuinely didn’t expect it to be who it was.
Took quite a while to finally get to some Action but overall a nice book to read. I mean those plot twists, did not think it would be Professor Tollesbury. How representative is Lucy of a 1920’s British woman anyway?
This entire review has been hidden because of spoilers.
A quaint little cosy murder mystery. A great cast of characters as well as a fantastic setting. Anyone who likes their murder mystery novels set in the 1920s will love this A great little throwback to the golden age of crime fiction. I'm definitely hoping this is the start of a series.
Adoro i libri che parlano di libri e vado pazza per i cozy crime, pertanto non potevo lasciarmi sfuggire “La libreria dei delitti”, l’intrigante giallo di Jennifer Gladwell, appena pubblicato da Newton Compton con la traduzione di Giulia Lupieri.
Protagonista del romanzo è Lucy Darkwether, una giovane donna appartenente a una famiglia dell’alta società londinese – con qualche difficoltà economica – che ha scandalosamente annullato il fidanzamento con un facoltoso rampollo – che avrebbe rimpinguato le casse familiari – per laurearsi in Storia Antica a Oxford. Una scelta a dir poco inappropriata per i canoni di un secolo fa.
E non solo: ha anche pensato bene di aprire una libreria, grazie al sostegno del professor Tollesbury, uno suo ex docente, che ha abbandonato l’insegnamento per dedicarsi alla rilegatura dei tomi. Completano lo staff il libraio Felix, con un passato misterioso ma con uno straordinario talento da venditore, il timido apprendista rilegatore Toby e Susan, amica di vecchia data di Lucy che si occupa della contabilità. Saranno proprio loro ad aiutare Lucy a risolvere un caso agghiacciante che scuote Londra: una serie di morti legate al ritrovamento di una mummia egizia grazie a una spedizione organizzata dal British Museum. Il primo decesso è avvenuto in Egitto proprio all’apertura della tomba e pare dunque che la maledizione del re abbia iniziato a colpire tutti coloro che sono responsabili della profanazione di un luogo sacro.
L’isteria collettiva travolge la città e trasporta il lettore in un’atmosfera esotica ed esoterica, in cui non mancano piste false, colpi di scena, un colpevole che sembra scontato e invece la faccenda è molto più intricata, mitomani e immancabili tazze di té.
Il romanzo di Gladwell ha tutte le caratteristiche per essere apprezzato dagli amanti dei gialli all’inglese e da chi cerca una lettura di intrattenimento da godersi durante le ferie.