Stephen Edwin King was born the second son of Donald and Nellie Ruth Pillsbury King. After his father left them when Stephen was two, he and his older brother, David, were raised by his mother. Parts of his childhood were spent in Fort Wayne, Indiana, where his father's family was at the time, and in Stratford, Connecticut. When Stephen was eleven, his mother brought her children back to Durham, Maine, for good. Her parents, Guy and Nellie Pillsbury, had become incapacitated with old age, and Ruth King was persuaded by her sisters to take over the physical care of them. Other family members provided a small house in Durham and financial support. After Stephen's grandparents passed away, Mrs. King found work in the kitchens of Pineland, a nearby residential facility for the mentally challenged.
Stephen attended the grammar school in Durham and Lisbon Falls High School, graduating in 1966. From his sophomore year at the University of Maine at Orono, he wrote a weekly column for the school newspaper, THE MAINE CAMPUS. He was also active in student politics, serving as a member of the Student Senate. He came to support the anti-war movement on the Orono campus, arriving at his stance from a conservative view that the war in Vietnam was unconstitutional. He graduated in 1970, with a B.A. in English and qualified to teach on the high school level. A draft board examination immediately post-graduation found him 4-F on grounds of high blood pressure, limited vision, flat feet, and punctured eardrums.
He met Tabitha Spruce in the stacks of the Fogler Library at the University, where they both worked as students; they married in January of 1971. As Stephen was unable to find placement as a teacher immediately, the Kings lived on his earnings as a laborer at an industrial laundry, and her student loan and savings, with an occasional boost from a short story sale to men's magazines.
Stephen made his first professional short story sale ("The Glass Floor") to Startling Mystery Stories in 1967. Throughout the early years of his marriage, he continued to sell stories to men's magazines. Many were gathered into the Night Shift collection or appeared in other anthologies.
In the fall of 1971, Stephen began teaching English at Hampden Academy, the public high school in Hampden, Maine. Writing in the evenings and on the weekends, he continued to produce short stories and to work on novels.
Queremos morir, por eso estamos aquí. ¿Por qué si no, Garraty? ¿Por qué si no?
Este ha sido sin duda el año de las adaptaciones de King a pantalla, ya sea grande o pequeña. Y como tal, he descubierto nuevos títulos que aún no había leído del maestro de Maine. En este caso, escrito con su pseudónimo de Richard Bachman, el cual usó para 4 novelas.
Voy a confesar primero un pecadillo lector, y es que vi antes la película que leer el libro. Y quizá sea por ese motivo, o quizá porque la película lo hace mejor en las actitudes de los personajes (que no en el final), he disfrutado más la adaptación que la lectura. La nota real sería de 3.5⭐, pero como GR no lo permite (GR, recordatorio para que pongas valoraciones sobre 10, gracias) le pongo 4 porque se ajusta más a lo que pienso del libro.
Estamos en un futuro ¿distópico? ¿alternativo? en el que algo ha debido pasar, que ha ocasionado que se implemente un "concurso" llamado La larga marcha. En esta, 100 jóvenes (que aunque no se dice explícito) no mayores de 18 años deben caminar sin bajar de cierta velocidad. Pueden recibir hasta 3 avisos por no cumplir esa velocidad, si no pueden o quieren seguir el ritmo, les sellan el pasaporte. Y sí, es un eufemismo para volarles la cabeza con metralletas.
Ray Garraty es el protagonista, uno de esos chicos. Durante la marcha, iremos viendo como se forman ciertas relaciones de ayuda mutua, de odio, estrategias para ganar, cómo da igual lo que se haya preparado cada uno cuando la naturaleza sigue su curso... La forma en que King narra esta marcha es muy buena, ya que la vives desde dentro con los chicos, mientras ellos mismos intentan explicarse por qué están allí. El grupito principal está bastante bien definido, y al final hasta acabas sintiendo pena cuando les van dando boleto. Quizá hecho en falta más presencia de algún chico que sea manifiestamente hostil a los demás, si bien uno tiene esas funciones, no es por maldad que hace las cosas. Y los militares que les siguen no dejan de ser una masa informe sin cara ni nombres, solo El comandante es un poco más llamativo, y tampoco aparece mucho.
Es muy curioso ver cómo la sociedad asiste a esta marcha no solo con falta de espanto y asco, sino con mucho entusiasmo, hasta el punto de jalear a los chavales a lo largo de su camino, intentar conseguir algo de contacto físico con alguno, y hasta de coleccionar objetos suyos, sin importarles que en cada marcha 99 de los 100 vayan a morir. El libro está escrito en 1978, pero si algo así se diese hoy día, no me cabe la menor duda de que mucha gente se comportaría así, tanto participantes como espectadores. Una dura crítica al sistema, que por desgracia parece haber servido más bien para poco.
No es una de las grandes novelas de King, aquí no hay terror (al menos del sobrenatural, vaya), ni hay giros ni sorpresas. Pero sin duda es una de las más críticas, y de las más realistas que tiene. Merece la pena leerla, al menos para ver si cala el mensaje en más gente. Y de verdad que recomiendo mucho la película.
🚶🏻🚶🏻♂️🚶🏻♀️🚶🏻🚶🏻♂️🚶🏻♀️🚶🏻🚶🏻♂️🚶🏻♀️
We want to die, that's why we're doing it. Why else, Garraty? Why else?
This has undoubtedly been the year of King adaptations for the screen, both big and small. And as such, I've discovered new titles by the Maestro of Maine that I hadn't yet read. In this case, written under his pseudonym Richard Bachman, which he used for four novels.
I'll confess a little reading sin first: I saw the movie before reading the book. And perhaps for that reason, or perhaps because the movie does a better job of portraying the characters' attitudes (though not the ending), I enjoyed the adaptation more than the book. The actual rating would be 3.5 stars, but since Goodreads doesn't allow it (Goodreads, a reminder to use 10-point ratings, thank you!), I'm giving it 4 because it's closer to my opinion of the book.
We're in a dystopian, perhaps alternate, future where something must have happened, leading to the implementation of a "contest" called The Long walk. In it, 100 young people (though not explicitly stated) no older than 18 must walk at a constant speed. They can receive up to three warnings for failing to meet the pace; if they can't or won't keep up, their passports are stamped. And yes, that's a euphemism for having their heads blown off with machine guns.
Ray Garraty is the protagonist, one of those kids. During the walk, we witness the formation of relationships of mutual support, hatred, and strategies for victory, and how each person's preparations are ultimately futile when nature takes its course. King's narrative style is excellent, allowing you to experience it from the inside with the boys as they try to understand why they are there. The main group is quite well-defined, and you even end up feeling sorry for them as they are dispatched. Perhaps I would have liked to see more of a boy who is overtly hostile to the others; while one of them has such a role, his actions aren't motivated by malice. And the soldiers following them remain a shapeless, nameless mass; only the Commandant is somewhat more prominent, and even he doesn't appear much.
It's quite curious to see how society attends this walk not only with a lack of horror and disgust, but with great enthusiasm, to the point of cheering the young people along their route, trying to make physical contact with some of them, and even collecting their belongings, without caring that in each march 99 out of 100 will die. The book was written in 1978, but if something like this were to happen today, I have no doubt that many people would behave this way, both participants and spectators. A harsh critique of the system, which unfortunately seems to have done little good.
It's not one of King's greatest novels; there's no horror here (at least not supernatural horror), nor are there any twists or surprises. But it's undoubtedly one of his most critical and realistic works. It's worth reading, at least to see if the message resonates with more people. And I highly recommend the film.
Buen libro, sin duda la parte del final es la mejor. Le pongo 3,5 estrellas, para mi iba a ser un 2 estrellas claro pero mejora un montón al final. Creo que debería ser algo más largo y tener más profundidad de personajes, o no meter tanto relleno innecesario y hacerlo más cortito. Y por dios que saquen una versión haciendo recuento de pasaportes al inicio de cada capítulo. SPOILER ABAJO
El valor de la vida y el sentido de esta y la razón de seguir caminando. Al inicio son dos realidades opuestas y sólo aquellos que les dan sentido son capaces de seguir caminando. Final predecible, pero aún así vives sin tener claro que vaya a ocurrir. Al leerlo pensé que Garraty había muerto, sin embargo creo que la figura negra que ve es su objetivo (el comandante, de ahí lo de que sienta su mano en el hombro y tal). Me gusta como acaba porque hace que el sentido del libro no sea conseguir tu objetivo inicial, sino acabar la marcha. Que curiosamente nunca llega a acabar (el ganador vive constantemente en su recuerdo), solo para los que mueren. También me gusta como expresan el sadismo de las tradiciones (el público celebrando la muerte) y cómo los participantes encuentran el sentido de la vida a medida que se agotan y mueren en un juego del que nadie les obliga a ser partícipes (muchos de ellos sin tener clara la razón por la que participan). Y la crueldad del propio ser humano, como ves morir a la gente enfrente de ti (ya seas público o participante) y no puedes hacer nada porque una persona menos es una oportunidad más…