Oh, to have a visual representation of a deceased loved one. This drove the craze for spirit photography in the time period surrounding the Civil War. Technological advances, such as the telephone in the early 20th Century, created interest in communication with those lost in the Great War. Spiritualists conducting seances provided peace of mind to many seeking comfort. There were those like Sir Arthur Conan Doyle who supported spiritualism while Harry Houdini, in opposition, deemed “spiritualism as a cloak to prey on the gullible” and was relentless in his quest to prove that mediums were charlatans.
Walter Stinson, 16 years old, had a talent for dowsing. Farmers for miles around, dug their wells based upon his expertise. He taught his sister Mina, 10 years his junior, to dowse. “Hold the stick…close your eyes. Do you feel the vibration? It’s wiggling…You got the talent, Mina!” When Walter left home, he found employment as a switchman in a trainyard. In March 1911, icy conditions led to a boxcar derailment and Walter’s demise. “And from that moment on I could see right into Mina’s world-exactly what she was thinking and seeing…It was like I became a part of her and she a part of me.” Walter, as narrator, tells the story of Mina “Margery” Crandon and her detractor, Harry Houdini.
The year was 1918. Surgeon Roy Crandon served in a medical unit in a New England Naval Hospital. Mina had volunteered as an ambulance driver transporting the injured to the hospital. They fell in love and married, moving to a four story brick house in the prestigious Boston neighborhood of Beacon Hill. With her life secure, she embraced the elegant lifestyle of a surgeon’s wife and enjoyed entertaining Roy’s friends and associates. She dabbled in spiritualism as a hobby.
“The wall between the physical and spirit world is not easy to crack…When (Mina) was sleeping, I finagled my way into her dreams…It simply didn’t occur to her that it really was me sending messages.” Roy’s friend Dr. Richardson mentioned that Boston was home to many talented mediums and asked Mina for her thoughts on spiritualism. The seeds were sown for Mina to embrace spiritualism with Walter as her spiritual guide. Mina conducted her first seance in May, 1923. A small gathering…a lantern with red panes…a Victrola playing a mysterious melody…participants settled around the spirit table and held hands. Roy’s acknowledgement of Mina’s powers “would turn into an albatross.”
The Setup
*Spirit messages would be sent to seance participants by Walter.
*Josephine Richardson volunteers to keep a written record of all seances.
*Roy, a control freak, determines that money and status might be in the offing.
* Mina hands control of her vocal chords over to Walter. We concentrated all our energy and worked as one. There must be no hint of trickery.
Roy, in his dogged determination to promote Mina’s mediumship and piggyback on her success, wrote to Sir Arthur Conan Doyle touting his wife’s “proclivities”. Scientific scrutiny would soon validate or disprove claims of “production of psychic phenomena.” At Roy’s insistence, Margery as Medium (Mina) entered the Scientific American contest of 1923. A prize of $2500 would be awarded “for demonstration of a bona fide psychic phenomenon” by passing rigorous tests during seances. The five judge panel included skeptic Harry Houdini. The possibility of Margery’s successful confirmation was thwarted by Harry Houdini’s plan “to guard both his reputation and that of Scientific American”. He designed a special “fraud-prevention cabinet”, a crate with openings for only the medium’s head and arms. Houdini’s all out confrontation with Margery caused her to try an unusual manifestation…a wax imprint of Walter’s thumb. Was it genuine? As for public sentiment, it might change on a dime!
A thoroughly researched, fascinating read.
Thank you Maryka Biaggio for the Print ARC in exchange for an honest review.