In Transcendence for Beginners, Clare Carlisle examines life writing and philosophy across certain European and Indian traditions, exploring questions of childhood and mortality, art and religion, beauty and loss. Informed by her experience as a biographer of Søren Kierkegaard and George Eliot as well as her own life, Carlisle asks what one human existence can reveal, and how writing can transmit its truth. Intellectually stimulating and deeply moving, Transcendence for Beginners enacts a philosophy of the heart, told by a generous and compelling guide. This bold, enlivening work asserts Carlisle's place as one of our most innovative thinkers.
I found this a rich and inviting book of reflections using examples from a broad section of cultural vantage points. She has an accessible style that welcomes you in... from Proust to Plato, from George Eliot to Baruch Spinoza. It's about finding a spirit of transcendence, hard to explain, but she has some good examples. She also looks back at her own formative experiences in the Himalayas and the insights she gained from it. It also has fueled my interest in reading the Spinoza biography I have coming up soon.
Thanks to Fitzcarraldo for the E-ARC. I had never read anything by this author previously but the subject matter really intrigued me and I was very pleasantly surprised. This is a philosophical take on life and looks at life through a number of different masks. The authors use of George Eliot's writing as a comparator to some of the historical philosophers positions was particularly interesting to me as a huge George Eliot fan. The descriptions of Indian pilgrimages and religious teachings was also incredibly well done. I could have read quite a few more chapters in all honesty. Will definitely look out for this author's work in future.
“And in writing as in life, linearity combines with complexity. On the one hand, the line of writing is unidirectional. It only moves forwards. On the other hand - yet at the same time - it loops, folds, gathers, knots, stitches itself together, forming layers. For example, a recurring metaphor, a rhyme, or a repeated word tacks one point in the line to another. Life shares this double character. It flows irrevocably in one direction: sooner or later (it's taken me many years) we learn that we cannot travel back in time. […] The line of writing, like the line of living, has an intermittent and rhythmic quality.” I really enjoyed Clare Carlisle’s Transcendence for Beginners, which is based on a series of lectures in which life writing is a jumping-off point to think about philosophy, transcendence, meaning-making and so on. Steeped in Carlisle’s own experience as a biographer of George Eliot and Søren Kierkegaard, as well as drawing from her own life, this is a beautifully probing work that renders thoughtful philosophising relatively accessible and human. Carlisle’s lectures are brimming with luminous insights into life and writing as well as life writing: “The best I can do, if I write, is try to write truthfully”; “Writing a life or painting a portrait only exhibits the gift of time, as precious as it is commonplace, that we offer one another every day. These gifts are a communion of souls.” I love what she has to say about devotion and grief: “Devotion and loss are two sides of the proverbial coin. They both express love. They are so deeply part of human experience that it is difficult to imagine a life lived without them.” And I really enjoyed a brief cameo from one of my favourite painters, Celia Paul: “These paintings, quiet yet full of feeling, document Paul's search for the truth of a human life - and they find beauty in this search, even when it involves loneliness, sadness and loss.”