In Bad Company is set in March 2016, about three years after the events described in the previous book in the series, In the Name of Truth. Nora Linde, a prosecutor with the Economic Crimes Authority in Stockholm, is working with her colleague Leila Kacim on a tax fraud case against a shady businessman, Andreis Kovač. Although Kovač is a major drug dealer, the authorities have struggled to put together sufficient evidence of his narcotics crimes, so Nora and Leila are “doing an Al Capone” on him instead. (Mobster Al Capone, of course, was sent to prison for tax evasion after avoiding prosecution for his many other crimes.)
Meanwhile, Nora and Leila receive word that Kovač’s wife, Mina, has been admitted to the hospital with multiple injuries consistent with domestic abuse. Andreis has been arrested, but it appears unlikely that Mina will cooperate in bringing charges against him. Even though domestic abuse is not within Nora’s purview as a prosecutor, she arranges to have the matter transferred to her. She decides to do her best to protect Mina from further abuse by getting her into a shelter and trying to convince her to press charges.
With this decision, Nora turns most of her efforts to Mina’s abuse case, and that becomes the central focus of the book, with the financial fraud case fading into the background.
A story about domestic abuse provides more compelling human interest, of course, than a story about a tax evasion prosecution. But I have to confess to some disappointment. Nora is, after all, supposed to be an economic crimes prosecutor, and I’m sure Sten could have crafted an interesting story about the prosecution of a wily and arrogant drug kingpin. But it shouldn’t have surprised me that she would give precedence to the domestic abuse story, as her books have always included threads about her characters’ personal lives, including their marriages and families.
Unfortunately, Nora is an amateur in prosecuting domestic abuse cases, and although her heart is clearly in the right place, she makes several mistakes along the way that contribute to Mina’s jeopardy. Mina herself makes many more, but her mistakes can be justified by the severe trauma from which she’s suffering. I guess, though, that if Mina acted more logically and Nora acted more professionally, the book would be less suspenseful.
And the book is, in fact, very suspenseful. Andreis Kovač is portrayed as a pathological monster who is capable of doing anything to get what he wants—and in this case, what he wants is to get Mina and their young son Lukas back. Sten ratchets up the tension in the book with lots of action, presented in short chapters that propel the reader from one scene to the next.
Although I thought the book was quite good, there are a few aspects of it that I didn’t particularly like. First, the main plot line is interrupted by a dozen or so flashback chapters to Andreis’ childhood in war-torn Bosnia in 1992 and 1993. My guess is that these scenes are intended to explain why Andreis acts the way he does, but they didn’t engender sympathy for him from me. (And I have to question Sten’s decision to make the abuser a refugee/immigrant. I’m sure there are plenty of native-born Swedes who abuse their wives too.) Second, very little of the book is set on Sandamn Island. For me, Sten’s evocation of Sandamn has been one of the strengths of the series, so I missed that here.
Nonetheless, In Bad Company tells a good story and succeeds in bringing attention to a very troubling issue. If it promotes more awareness of the trauma caused by domestic abuse, it is successful for that reason alone.