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Паякът в раната
Матей Вишниек е роден на 29 януари 1956 г. в град Радауц, Североизточна Румъния. През 1980 г. завършва философия в Букурещкия университет. През 1987 г. емигрира във Франция. Работи като журналист в румънските секции на Би Би Си Лондон и Радио Франс Ентернасионал в Париж. Той е поет, драматург и писател. Пиесите му са преведени на десетки европейски езици и са поставени в повече от 30 страни.
„Какво представлява кратката пиеса? Това е въпрос, който си задавам от дълго време, от повече от трийсет и пет години. Всъщност, търся отговора на този въпрос, откакто пиша театрални пиеси и някои от тях се получават кратки. Кратката пиеса в действителност е дете, което в даден момент решава, че вече не иска да расте. То може да вземе това решение на три, на четири, седем и дори единайсет години, във всеки случай преди да е излязло от територията на детството... И тогава целият му жизнен потенциал остава недокоснат, в него може да бъде разгадана една цяла съдба, само че то си остава... мъничко."
Матей Вишниек
„Какво представлява кратката пиеса? Това е въпрос, който си задавам от дълго време, от повече от трийсет и пет години. Всъщност, търся отговора на този въпрос, откакто пиша театрални пиеси и някои от тях се получават кратки. Кратката пиеса в действителност е дете, което в даден момент решава, че вече не иска да расте. То може да вземе това решение на три, на четири, седем и дори единайсет години, във всеки случай преди да е излязло от територията на детството... И тогава целият му жизнен потенциал остава недокоснат, в него може да бъде разгадана една цяла съдба, само че то си остава... мъничко."
Матей Вишниек
256 pages, Paperback
First published January 1, 2007
1 person is currently reading
46 people want to read
About the author
Matei Vişniec
149 books418 followersFrom an early age, Matei Vişniec discovered literature as a space dedicated to freedom. He draws his strengths from Kafka, Dostoevsky, Poe, Lautréamont. He loves the Surrealists, the Dadaists, absurd and grotesque theatre, surrealist poetry, fantastic literature, magical realism, even the realist Anglo-Saxon theatre. He loves everything except Socialist Realism.
Vişniec studied philosophy at Bucharest University and became an active member of the so-called Eighties Generation, who left a clear stamp on the Romanian literature. He believes in cultural resistance, and in literature’s capacity to demolish totalitarianism. Above all, Matei Vişniec believes that theatre and poetry can denounce manipulation through "great ideas", as well as brainwashing through ideology.
Before 1987 Matei Vişniec had made a name for himself in Romania by his clear, lucid, bitter poetry. Starting with 1977, he wrote drama; the plays were much circulated in the literary milieus but were barred from staging. In September 1987, Vişniec left Romania for France, where he was granted political asylum. He started writing in French and began working for Radio France Internationale. At the present time, Vişniec has had many of his works staged in France, and some twenty of his plays written in French are published (Actes Sud-Papier, L'Harmattan, Lansman). His plays have been staged in more than 20 countries. In Romania, after the fall of Communism, Matei Vişniec has become one of the most frequently performed authors.
The work of Matei Vişniec has been represented in London by the performance "The Body of a Woman as a Battlefield in the Bosnian War", staged at the Young Vic Theatre, in November 2000. The play received rave reviews in the British newspapers and magazines, including The Guardian. "The Story of the Panda Bears told by a Saxophonist who has a Girlfriend in Frankfurt" has been performed at the Edinburgh Festival (August 2005). The production is by Rouge28 Theatre, London.
In Unites States, the work of Matei Vişniec has been represented in New York, Chicago, New Jersey and Hollywood.
Vişniec studied philosophy at Bucharest University and became an active member of the so-called Eighties Generation, who left a clear stamp on the Romanian literature. He believes in cultural resistance, and in literature’s capacity to demolish totalitarianism. Above all, Matei Vişniec believes that theatre and poetry can denounce manipulation through "great ideas", as well as brainwashing through ideology.
Before 1987 Matei Vişniec had made a name for himself in Romania by his clear, lucid, bitter poetry. Starting with 1977, he wrote drama; the plays were much circulated in the literary milieus but were barred from staging. In September 1987, Vişniec left Romania for France, where he was granted political asylum. He started writing in French and began working for Radio France Internationale. At the present time, Vişniec has had many of his works staged in France, and some twenty of his plays written in French are published (Actes Sud-Papier, L'Harmattan, Lansman). His plays have been staged in more than 20 countries. In Romania, after the fall of Communism, Matei Vişniec has become one of the most frequently performed authors.
The work of Matei Vişniec has been represented in London by the performance "The Body of a Woman as a Battlefield in the Bosnian War", staged at the Young Vic Theatre, in November 2000. The play received rave reviews in the British newspapers and magazines, including The Guardian. "The Story of the Panda Bears told by a Saxophonist who has a Girlfriend in Frankfurt" has been performed at the Edinburgh Festival (August 2005). The production is by Rouge28 Theatre, London.
In Unites States, the work of Matei Vişniec has been represented in New York, Chicago, New Jersey and Hollywood.
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Displaying 1 of 1 review
June 28, 2020
От много време съм почитател на Вишниек, буквално купувам всичко, което ми се изпречи с неговото име. Признавам, че това е първото ми четене на кратки пиеси. “Паякът в раната” е един много интересен подбор на кратки пиеси, които варират от смешното до трагичното. Вниманието ми беше приковано от самото начало, имаше само една пиеса, която ме разочарова (“Джобът с хляб”), а това е постижение за сборник с пиеси. Вишниек е майстор на перото, който съумява да вкара дълбочина и да те накара да се замислиш и в пиеса от 4 страници. Любимата ми пиеса носи името на книгата и е оставена за финал. Препоръчвам сборника на всеки.
Displaying 1 of 1 review