CAUTION: This review is filled with spoilers like you wouldn't believe. Definitely don't read this review unless you've read the book or unless you're positively sure you never will—come back later if you think you may read it at some point in the future, because The Great Forgetting definitely benefits from its surprises, wacky and flawed as they may be.
I don't think there's any better way to describe my experience with The Great Forgetting than to relate two separate encounters I had while reading it.
I was halfway into Part 2 when my friend saw me reading this book. "Any good?" she asked. I nodded fiercely. "I can't wait to finish it. It's just so wild!"
The next time she saw me reading it, a few days later, I was mere pages from the end. "Almost done, huh?" she asked. I sighed heavily and nodded. "I can't wait to finish it. It's just so... wild."
"Good wild?"
I shook my head. "Bad wild."
See, the very thing that drew me into the story in the first place—the craziness of it—was the same thing that became so grating by the end. With every new aspect the author introduced, my disbelief became harder and harder to suspend until it was so ludicrous I rolled my eyes several times per chapter.
But let's backtrack for a second. The Great Forgetting is what I would call conspiracy fiction—it imagines not an alternate world from our own but the same one we live in, with all the secrets and covert plots laid bare. When the only main conspiracy Renner tackled was the titular one (radio signals causing people's minds to be wiped, allowing them to partake in a communal delusion and a shared yet false history) I was hooked. It was just in the right place between "plausible" and "crackpot nonsense" that reading about the protagonist delving further into something he initially dismissed was simultaneously entertaining and really engaging. But then Renner just had to go and through every single goddamned conspiracy theory ever hatched into this book, and it was just. Too much. Don't believe me? Here's a list of conspiracies The Great Forgetting incorporates into its plot, just off the top of my head:
- Bigfoot
- Nazi scientists
- the Holocaust
- fluoridated water
- Amelia Earhart
- D. B. Cooper
- the lost continent of Mu
- Alcatraz escapees
- fabricated history
- faked deaths
- genetically engineered humanoids
- chemtrails
- the 9/11 attacks
- Malaysia Airlines Flight 370
- Area 51
- Morgellons Syndrome
- secret tunnels through mountain ranges
- underground cities
- and practically everything but lizard people. And to be honest, I was kind of surprised that after all this nonsense, Mr Renner didn't just throw a repitilian overlord into the mix for shits and giggles.
But the ludicrous amount of conspiracies—even a few of which are too many to keep from scoffing at outright—wasn't the only bloated part of this novel. There were also way too many characters, several of which could easily be eliminated (such as Becky, Zaharie, Nils, and who the fuck even was Constance?). This issue isn't helped by the fact that every single character gets at least one mini-chapter where the omniscient narrator is in their head, so we see things from their point of view. It keeps the story from ever feeling focused on one plot, one issue, until the very end, and by then it's far too late. Plus, most of the conflicts that these alternate POV passages bring up are never touched on again, let alone resolved, rendering this tactic doubly ineffective.
Further, the characters themselves aren't interesting enough to warrant such a large number of them. The protagonist, Jack Felter, is pretty boring, being constantly moral and responsible and perfect and just generally not having a personality. His love interest Sam has a bit more going on, but her interesting tragic backstory was mentioned in the beginning and rarely seemed to affect her afterwards. And don't even get me started about Tony—Tony was just a fucking mystery to me. I guess I'm just supposed to accept his last-act transformation into a villain, and the fact that he was practically the human equivalent of a stale cracker despite everyone loving him and willing to walk the world for him.
Also... I refuse to believe that I'm reading into this just because I'm gay—there was definitely something happening between Tony and Jack, right? What the hell was that relationship? Jack remembers feeling closer to Tony than he'd ever felt with anyone else (even Sam, apparently). As kids they slept so close together in their sleeping bags that Jack fell asleep with Tony's breath on his face. They say they love each other pretty often—and before you come at me with that "they're just good friends" and "men can be vulnerable and loving with their friends, too", hang on! Jack doesn't just mention loving Tony, he mentions falling in love with him, and he says that it happened "the same way it happened with women." Okay, so I guess we just have to leave it at that, because Renner just sort of drops it without any real elaboration or exploration of this relationship. I guess they're just two straight guys who fell in love... straightly? And then fell in love with the same woman? (And speaking of, what the hell was up with that situation? The author acts like "falling into bed" with your best friend and his girlfriend is a totally natural thing that happens, but, uh, you know, it's definitely not. I don't casually visit people and wind up—oops!—sleeping with them and their significant other. Sam, Tony, and Jack's whole threesome/side-relationship thing was just baffling and it came out of absolutely nowhere.)
I don't mean to disparage all of the characters, though. Cole and the Captain were pretty great. Jean was great, too. What united these side characters, interestingly enough, is that they have compelling backstories AND flaws. They're layered and they're human and they're far from perfect. Their chapters were the only thing that redeemed the multiple-POV format.
Onto the writing. The prose in this book is nothing to write home about, but it's tremendously readable from start to finish so credit to Mr Renner for keeping things flowing smoothly there. Renner has a very specific talent that I noted a few times: he's very good at describing sound. I remember one noise being described as a thousand rubber balls rolling down staircases, for example. So that was pretty cool. But tonally, this book really confused me. I could never put my finger on how seriously it wanted to be taken. In some places, it seemed like Renner was being almost tongue-in-cheek with his scores of conspiracy references, but in others it seemed like he genuinely wanted to make a larger point about humanity. There were some serious and thought-provoking passages about memory, immediately followed by these madcap chases by Nazi-created yeti-men with teleportation belts that totally threw the whole thing off. It was like tonal whiplash.
There was also a huge missed opportunity for some awesome meta-mindfuckery with the mention that some of the memories we'd previously read were altered—but nothing ever came of it. You never know why some memories were changed, or what they were originally. Which really bummed me out because I was ready for my head to be screwed with in a way that wasn't just another rehashing of that "alternate history where the Nazis took over" shtick.
I feel like I'm tearing this book to shreds and I really don't mean to. The first third is so interesting and engaging, and the parts with Cole showing Jack the "gradient," where you're not sure if he's trying to pull Jack into his delusions or if he's really perfectly sane, are fantastic. There was a delicious tension and conflict between what Jack believed and what he was being told, and later between what he believed and what he saw. I loved Cole's manipulation, earnest and clever as it was, and the moment when Jack had to decide whether to believe that he was crazy, or that there truly was a conspiracy so far-reaching it effected everyone else in the world. But once Jack threw himself into the conspiracy of the Great Forgetting, everything became so much more contrived.
One last thing before I go. The denouement of this story was just so problematic. I already had lowered my expectations after the "paradise island where everything and everyone is happy and perfect" segment, but good god did the ending just wreck it all. Not only did it involve all but two of the main cast of characters crashing suddenly to their deaths, but there was so much "Aha, I knew you would do that, which is why I did THIS! Bwahahaha!" it was just embarrassing. I feel like the rushed ending was the final nail in the coffin for me here, and the only reason this book was spared from getting two stars is because I really did love it in the beginning. Alas, sometimes a story just derails after a promising start. It's a special kind of disappointing.