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352 pages, Hardcover
First published January 1, 2014
Age could play strange tricks on a building, just as it could upon people.Both the US and British covers of this novel, and to a certain extent the descriptions on the back covers, suggest that this will be a light-hearted book rather in the manner of Rachel Joyce's The Unlikely Pilgrimage of Harold Fry . Octogenarian architect Otto Laird, long since retired to the mountains of Switzerland, journeys back to London to save his once-famous building from demolition, and in the process rediscovers his younger self. All true, so far as it goes. Hearing that his iconic South London tower block Marlowe House is under threat, Otto allows himself to be driven to Geneva airport by Anika, his devoted second wife, to re-enter the architectural fray he had abandoned twenty-five years earlier, at the height of his fame. He agrees to take part in a television documentary revisiting the 1960s newsreel that heralded the concrete monster as a triumph both for architecture and social engineering, promising bright homes for people from all walks of life. For the new documentary, Otto will be required to live in the building for a few days and meet some of the residents, to show that beyond the graffitti, the broken glass, and urine-stained elevators, there is still a magnificent beacon of hope deserving restoration, not demolition.
Memory is such a complex matter. It's not just mental, but physical. It's embedded in the landscape itself. Buildings are deeply interwoven with people's experiences -- with their sense of identity, if you like. It's something of which I've become acutely aware myself in recent days.But then, instead of taking up the middle part of each chapter, like the filling in a sandwich, the flashbacks began to occupy whole chapters on their own, and even sequences of chapters. We go back to Otto's childhood in Vienna, his family's flight to Antwerp where they hid in a cellar to escape the Holocaust, his early years in London, the marriage to Cynthia (not all roses, after all), his estrangement from his son Daniel, and Cynthia's death. This is a moving story in itself, and anything but trivial, but somehow Packer's beautiful balance had faltered. Instead of Otto's present-day odyssey being the connecting thread, it now seemed almost incidental in providing occasional cues for the extensive back-story. I found myself thinking of this as a three- or four-star book, rather than my original estimate of five. At the end, however, Packer pulls the threads together rather beautifully, and gives Otto his Restoration of a kind, though not entirely as one might have expected, edging me back to four stars. Certainly a book worth reading in any case; just scrap those misleading covers!