Quotes: "If I am a woman, a person of color, or even poor, my body reveals enough so that I don't have to explain why I am a woman, how I became black, or why I am poor. But the disabled body must be explained, or at least tolerate the inquisitive gaze (or the averted gaze) of the questioner."
"Their [the author's parents'] defense was to say 'We are as good as anyone else' – the subaltern's defensive response. And they were as good as any other person in the South Bronx, which is to say that they were pretty badly off." LMAO
"Preindustrial societies tended to treat people with impairments as part of the social fabric, although admittedly not kindly, while postindustrial societies, instituting 'kindness,' ended up segregating and ostracizing such individuals"
"When one speaks of disability, one always associates it with a story, places it in a narrative. A person became deaf, became blind, was born blind, became quadriplegic... by narrativizing an impairment, one tends to sentimentalize it and like it to the bourgeois sensibility of individualism and the drama of an individual story"
"The movements of the hands when people use sign language are controlled not by the motor part of the brain, which controls fine movements of the hand. but rather by the language areas in the brain called Broca's region" !!!!
"The deaf experience the text at the degree zero of writing, as a text first and foremost...The text would not then be transformed into an auditory translation but would be seen as language itself."
"Blindness has been adopted by Western culture as a metaphor for insight, while deafness has been a signifier for the absence of language."
"Sign language occupies the interstice where space and silence come together; sign language is the locus where the body meets language. Like the novel, another mediator between two worlds, the language of the deaf mediates between speech and silence."
"A cautionary word must be said on the decapitated and armless Venuses... Did vandals, warriors, and adolescent males amuse themselves by committing focused acts of violence, of sexual bravado and mockery on these embodiments of desire? An armless woman is a symbol of sexual allure without the ability to resist, a headless nude captures a certain kind of male fantasy of submission."
"Even in the recent film version [of Frankenstein] by Kenneth Branagh, the creature walks with a limp and speaks with an impediment. One cannot dismiss this filtering of the creature through the lens of multiple disability. In order for the audience to fear and loathe the creature, he must be made to transcend the pathos of a single disability... Disabled people are to be pitied and ostracized; monsters are to be destroyed; audiences must not confuse the two."