Growing up on shows in the early to mid-1960s which portrayed American life as the traditional working and slightly harassed father, "homemaker" mother, and 2 or 3 children who got into occasional "scrapes" now and then but nothing too serious, perhaps the show that best epitomized these idealized values was "Father Knows Best." I was one of 3 in my family, with a girl on either side of me, so it was probably natural that I identified most with this show. In addition, my older sister was somewhat of a "princess" like, well, Princess on "Father" and my younger sister was a tomboy like Kathy or 'Kitten' on "Father."
Reading the autobiography of the girl who grew up in front of all of us playing Kathy, Lauren Chapin, was occasionally unpleasant but ultimately a rewarding read. Chapin pulls no punches, but doesn't seem to go out of her way to exploit her long, sad journey from TV fame to drugs, alcoholism and prostitution and eventually towards ultimate faith and redemption. Indeed, she hardly needs to. The facts alone would fill 10 volumes. Molested by her own father, physically abused by her older brother, Billy, also an actor (there was a still older brother who doesn't figure that much in the story as he was often away at school), and others, Chapin grew up fast in terms of harsh and even sordid experiences but was ill equipped to deal with any of it as she'd hardly had anything approximating a "normal" childhood like the girl she portrayed on television.
It's a sad denouement of the price of "young" fame. Ultimately, Chapin became a slave to her own desires, bad choices and addictions. Some of the story sounds the same tones as Linda Lovelace's "Ordeal." For a time, Chapin was practically held in bondage and forced to prostitute herself.
I agree with another reviewer that the end comes quickly, and seems rather matter of fact in terms of how Chapin ultimately finds strength in God and other positive forces, and finally surrounds herself with people she can rely on. It's almost as if she received her page limit from the publisher and realized she had to end the story quickly. For example, the man she finally married and remained with is pictured in the photographs included, but not even mentioned in the text. After all the harrowing experiences with drugs, sex and booze, the fact that Chapin turns her life around in the matter of a few pages and then bids us adieu leaves the reader thinking, "Well, that just happened, didn't it."
On the other hand, the book is still well worth reading. Chapin doesn't try to make herself out to be much of a victim. She names names. She seems to try to give credit where it's due, and even though her stereotypical stage mother is presented as something of a villain, there doesn't seem to be any hate or animosity in the portrayal. Truly, as Sidney Poitier says to the Elizabeth Hartman character in "A Patch of Blue," Chapin was "much sinned against."
It is good to know that Chapin ultimately found peace through faith in God and other means. It is heartbreaking to know what she had to go through to get there though. At times the book is terrifying in its depiction of the pain and humiliation and degradation that Chapin suffered. But if you have read books such as Lovelace's "Ordeal," or more religious oriented redemption stories where the famous took a similar path such as B. J. Thomas' "Home Where I Belong," then I think you will enjoy and get much out of reading Chapin's story.