I’ve read about a million versions of Grimm’s fairytales by now, so you’ll forgive me for skipping the prose in this edition and going straight for Gris Grimly’s illustrations. They are, after all, what we came for when we set our eye on purchasing this gift edition. Grimly is one of my favourite illustrators currently working, and his macabre stylings paired with off-kilter stories have always spoken to the inner weird child in me, so it was with abject delight that I discovered that he had turned his talents towards bringing to life the tales of the Brothers Grimm. We have all seen the sweetened Disney versions of these stories before, but the folkloric origins of the tales reside well within the depths of the Black Forest and contain chilling undertones that are far more suited to the strange and slightly sinister airs that Grimly brings to life on the page. As I opened the tome - of decent size and heft, to my delight - I puzzled over the table of contents in brief, spotting many familiar tales and not a few from the deeper catalogue cuttings, before diving straight into the collection. Imagine my surprise when I found myself puzzling further as I encountered each of Grimly’s sparse illustrations. As I turned page after page, rarely did I spy a familiar face and I was hard pressed to match many with their narration without dipping quickly back into the surrounding stories to find their scenic settings. Well done, Grimly, for choosing to illustrate the unexpected (though, as readers we should not be surprised by this choice), and for forcing us to dig into the loam once again to learn our lessons from the Volkskunde. Of course, we were delighted by every illustration we encountered - disappointingly sparse though they were, as if Grimly had been given a maximum quota meant to emphasize the Grimm’s words, and keep his illustrations from consuming the tales whole. Considering that even in their darkest moments, the brothers rarely give details that are too gristly in their tales (the mere hint and subtext is enough to send a chill down our spines), and Grimly can easily veer off into the very depths of fright (and does, on occasion), it is possibly a good thing that the editor of the collection enforced a sense of balance - after all, I doubt that this book was marketed towards the horror crowd, and was instead destined for the bedside tables of the slightly odd (but not sociopathic) child. Overall, a bit of an odd collection; not quite meeting my expectations for the delicious macabre Grimly that I continue to crave, and yet not entirely disappointing either.