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190 pages, Kindle Edition
First published September 1, 2015


Fire Me Up tells the story of Travis-- former MC member, former outlaw, current security analyist--and Billie—recently divorced, former artist, current gallery proprietor.
Travis returns to New Orleans to pay his respects when Priest, the President of “The Deacons” (Travis’s old MC), dies mysteriously. He feels obligated to stay and help his “brothers” get to the bottom of the suspicious death. Travis, along with three other Deacons, inherits the building that Billie rents for her gallery and apartment and he decides he’s going to stay there while he finishes up his work the MC.
**SPOILERS AHEAD**
Although the premise of the story seemed promising, there were some flaws in the writing that just made it fall short for me. The first of which are the logistics of Travis staying with Billie. He basically forces himself in and tells her he CAN since he now owns the building. Travis tells her that if she doesn’t like it she can call a lawyer, but based on her rent, he assumes she can’t afford one. She all but says, “welp, ok!” Didn’t even ask him for like, proof. Or, I don’t know, call the cops and say, “there’s a scary man demanding to live in my apartment”?
Billie keeps repeating that she will never fall into another relationship like her marriage, one where she lost herself and was controlled. She came to NOLA to spread her wings. However, her actions say otherwise. Travis basically treats her like crap, then once he apologizes, she’s totes cool. After a week together, she’s traded in her flowery, long skirts for biker babe attire and a tattoo on her ass! After he ruins her life, all he has to do is come back, put some Neosporin on her butt and say he’s sorry. That’s it! He RUINED her whole career, but he did tell to keep drawing (which her ex didn’t support), so it’s all good? I think that was one of the biggest flaws of the book: the development of the characters. They felt flat. We were told about them instead of getting to know them through plot development. Travis went from the most horrible man ever to Mr. Lovey-Dovey. I didn’t buy the transformation. Billie was supposedly some kind of artsy-bohemian, but... nah, she wasn't.
The plot was ok, but not riveting. We were told a list of activities that occurred during the time when Billie and Travis fell in love, rather than taken with them on the ride. I didn’t feel any connection to their story or them. ::shrugs shoulders::
The most exciting part was when Travis had a fight with his mom. Yep, his mom.
The best part of this book was the way that Johns writes about New Orleans. She so brought it to life that it felt like it was a character in and of itself.
Priest’s murder was never solved, although Travis did find one clue. I am assuming that will lead into the next book. I don’t care enough about these characters to read on to find out though.
Nitpicky issue: I realize that the author lives in Austrailia, but Americans don't call vacations "holidays" and an MC member would never refer to his Harley as a "motorbike."