This is another delightful entry into the Evander Mills series! It is clear that Lev. A. C. Rosen cares about character, as the characters in this novel continued to shine. Our main character, Andy, is continuing to grow and develop and discover new paths in his journey, which is really exciting, and feels authentic. Seeing him continue to develop over these four books has been really wonderful, and a testament to Rosen’s writing and character work. We don’t spend too much time with the main cast of ancillary characters we have built up over the last three books, though what we do see is fun and intimate, letting us recognize how the characters’ relationships have only deepened. In their place we get a bunch of new characters, and I would happily spend many hours with all of them! The characters are wildly diverse, showing off a whole range of what queer life in mid-twentieth century USA looked like, which has always been the case with Rosen’s characters. Sometimes characters do feel like they could be flirting with caricatures or stereotypes, but they also feel like real, lived-in people whose ownership of their voices and stories have been too long denied them or made into caricatures for the sake of others’ amusement and/or derision. That is all to say that, flirting with stereotypes or not, there is still an air of authenticity to the characters that is refreshing.
The writing is playful and propulsive as usual. The writing does complement the noir tone well, fully identifying itself as within the genre but also insisting it is doing things its own way, too, notably emphasizing emotion and interiority in a way that noir isn’t always known for. Some of the writing this time around feels a little tamer than in past entries, a little more tongue-in-cheek and almost bordering on cozy or YA, but I don’t mean that in a bad way. It was appropriate for the story told and continues to make our detective and his exploits appealing, genuine page turners. The actual mystery and plotting here are thoughtful and keep the reader interested. I really appreciated the change of scenery, which gave our main character some much needed breathing room. In all three of the previous novels there is a continued fear that one of his previous co-workers on the police force will recognize him, it serves as an over-arching pressure point for the series, and it was nice to be away from that for a novel as it had begun to feel a little perfunctory. The stakes in this novel don’t feel quite as high as in the previous novels, though situations do… escalate, shall we say. I actually appreciate this, because it feels a realistic expectation of what this character’s life would be like, and even without the high stakes there is solid investigation work and intrigue, and the plot then allows a secondary storyline with higher emotional stakes to share narrative space in a way that feels fulfilling. I wouldn’t have minded if there was a little more grit, especially as a few subplots resolved a little bit too conveniently for my tastes (including one that set up a rather neat bit of action but then just blended into the background). That is to say I wouldn’t have minded an additional twenty pages that added a little more meat to those subplots and added a few bloody knuckles and broken noses, metaphorical or otherwise, in the process. While there is some emotional tension I never felt any physical tension or threat for our main character, and I wouldn’t have minded a bit more of that—again, the feeling that there were a little higher stakes, if not for Andy then at least for his primary client or for some of the friends he met on the way. Maybe that is why this one felt like it was teasing the cozy mystery subgenre, which is well and good but softer than what Rosen has given in the first three novels (which are not particularly dark, gritty, or violent but do all feel like they have weightier consequences at play than we have in this novel).
The story continues to explore what it means to know and be yourself. Ideas of representation and authenticity, culpability, and compliancy are all up for grabs, as Andy continues to discover how his values translate into the life he is desperately trying to build for himself. There are important questions about family and relationships (platonic and romantic), and what you would do, or sacrifice, to support those you care for. This series has always explored the fear of recognizing and being fully yourself, valid fears born from an unjust and harmful society, and those continue in very explicit ways here, showing some of the potential outcomes of social pressure and internalized homophobia. These ideas are all expertly woven into the fabric of the story and the characters, and the novel is able to be expressive and exploratory in ways that feel germane to the story.
With all of that said: the central mystery was fun, the resolution felt justified and was rewarding, and it was a joy to spend more time with this character and his growing coterie. I really appreciate the historical setting and while it did feel like some liberties were taken here and there the overall representation feels genuine, honoring the very real lives of our queer forebears. If you enjoyed the previous novels in the series then you will find this to be a fun addition, with meaningful character growth wrapped in an entertaining mystery. You can jump into the series here and Rosen gives enough information, without ever feeling like an exposition dump, to make sure you are up to speed, you will still have a fun time, though you will miss out on my favorite part of this series, which is the continued inner journey of the main character. Overall, I am really glad I found this series, it is consistently fun and full of heart, and this latest entry is no exception to that rule.
I want to thank the author, the publisher St, Martin’s Press / Minotaur Books, and NetGalley, who provided a complimentary eARC for review. I am leaving this review voluntarily.