The ‘Divine’ sculptor, painter, architect, poet and engineer, Michelangelo Buonarroti exerted an unparalleled influence on the development of Western art, producing masterpieces that rank among the most famous in existence. Delphi’s groundbreaking ‘Masters of Art Series’ presents the world’s first digital e-Art books, allowing digital readers to explore the works of the world’s greatest artists in comprehensive detail. This volume presents the complete works of Michelangelo, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1)
* The complete paintings of Michelangelo — over 400 images, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * The complete ceiling and wall frescoes of the Sistine Chapel, fully indexed * Insightful introductions, giving valuable contextual information on all the paintings and sculptures * Enlarged ‘Detail’ images, allowing you to explore Michelangelo’s celebrated works in detail, as featured in traditional art books * Hundreds of images in stunning colour – highly recommended for viewing on tablets and smart phones or as a valuable reference tool on more conventional eReaders * Rare attributed works * Also includes Michelangelo's architectural, poetical and drawing works * Easily locate the works you want to view * Features three bonus biographies, including Vasari’s legendary work - discover Michelangelo's artistic and personal life * Scholarly ordering of plates into chronological order and literary genres
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CONTENTS:
The Paintings THE TORMENT OF ST. ANTHONY MADONNA AND CHILD WITH ST. JOHN AND ANGELS THE ENTOMBMENT DONI TONDO: THE HOLY FAMILY THE BATTLE OF CASCINA SISTINE CHAPEL CEILING TABLE OF CONTENTS FOR THE SISTINE CHAPEL CEILING ‘DETAIL’ IMAGES THE LAST JUDGMENT LEDA AND THE SWAN THE CONVERSION OF SAUL THE CRUCIFIXION OF ST. PETER
The Sculptures MADONNA OF THE STAIRS BATTLE OF THE CENTAURS CRUCIFIXES STATUES FOR THE ‘ARCA DI SAN DOMENICO’ BACCHUS PIETÀ DAVID MADONNA OF BRUGES PICCOLOMINI ALTARPIECE TONDO PITTI TADDEI TONDO ST. MATTHEW TOMB OF POPE JULIUS II REBELLIOUS SLAVE DYING SLAVE OTHER SLAVE STATUES THE GENIUS OF VICTORY TOMB OF GIULIANO DE’ MEDICI TOMB OF LORENZO DE’ MEDICI APOLLO-DAVID CROUCHING BOY CRISTO DELLA MINERVA BRUTUS FLORENTINE PIETÀ RONDANINI PIETÀ ATTRIBUTED SCULPTURES
The Architecture LIST OF ARCHITECTURAL WORKS
The Drawings LIST OF DRAWINGS
The Poetry ESSAY ON THE POETRY OF MICHELANGELO by Walter Pater THE SONNETS OF MICHAELANGELO BUONARROTI
The Biographies LIFE OF MICHELAGNOLO BUONARROTI by Giorgio Vasari MICHELANGELO by Romain Rolland THE LIFE OF MICHELANGELO BUONARROTI by John Addington Symonds
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Michelangelo di Lodovico Buonarroti Simoni was an Italian sculptor, painter, architect, poet, and engineer of the High Renaissance period who exerted an unparalleled influence on the development of Western art. Considered as the greatest living artist in his lifetime, he has since been held as one of the greatest artists of all time. Despite making few forays beyond the arts, his versatility in the disciplines he took up was of such a high order that he is often considered a contender for the title of the archetypal Renaissance man, along with his fellow Italian Leonardo da Vinci.
I know essentially nothing about art. This book took me a long time to get through, but reading it has given me a much greater appreciation for the circumstances in which Michelangelo produced his creations than I could ever have expected to achieve. The graphics are, as always, gorgeous, and the supplemental biographical material -- especially the lengthy, thoughtful 19th century biography with which the volume ends -- really made me feel much closer to and more enthusiastic about the works in Rome and Florence than I ever have before. Like the Velasquez book from Delphi, this one really made me feel as though I took one of those Fine Arts classes I was always s too busy to try back in school 40 years ago. Couldn't recommend this more highly to the casual reader!
Of course, who has not heard of Michelangelo, The Sistine Chapel and David, though I did not read the poetry of biography section which I might at a later date, I learned from this edition, his genius in not just painting, but architecture and his gift of poetry. It would be interesting to read about his life being a devout Catholic and living an austere life, that I briefly looked up his history on the internet, so I only scratched at the surface of this talented being. His ability to give life to his male creations is outstanding but his limited women compared to men, the women look more like men, probably due to his excelling and limited working with females in his work.
He was indeed a Renaissance man!
"To reach the chapel’s ceiling, Michelangelo designed his own scaffold, a flat wooden platform on brackets built out from holes in the wall near the top of the windows, rather than being built up from the floor. It has been speculated that this was in order to cut the cost of timber. According to Michelangelo’s pupil and biographer Ascanio Condivi, the brackets and frame that supported the steps and flooring were all put in place at the beginning of the work and a lightweight screen, possibly cloth, was suspended beneath them to catch plaster drips, dust and excess paint drips. Only half of the building was framed with scaffolding at a time and the platform was moved as the painting was completed in stages. The areas of the wall covered by the scaffolding still appear as unpainted areas across the bottom of the lunettes. Interestingly, the same holes were used again to hold scaffolding in the recent restoration."
"Contrary to popular belief, the artist painted in a standing position, not lying on his back as has been passed down into legend. According to Vasari, “The work was carried out in extremely uncomfortable conditions, from his having to work with his head tilted upwards”. The fresco painting technique involved applying the paint to damp plaster,"
"When first beginning the Sistine ceiling project, the plaster, intonaco, began to grow mould due to being too wet. Therefore, Michelangelo had to remove his initial attempts and start all over again. This time he tried a new formula created by one of his assistants, Jacopo l’Indaco, which involved resisting mould, heralding a new Italian building tradition."
"In 1873 it was decided that the statue of David was too valuable to be left outside and at risk from the weather and the chance of vandalism and so it was removed from the piazza. A smaller replica was placed in the Piazza della Signoria in 1910. David is now displayed in the Accademia Gallery in Florence, where it attracts many visitors. In 1991, a man attacked the statue with a hammer he had concealed beneath his jacket, in the process damaging the toes of the left foot, before being restrained."
What is there to say about the man who is probably the greatest visual artist ever? This collection, typical of Delphi, does a thorough job presenting the man and his work.
Besides seeing all his Art, it includes three biographies that include many letters to a d from him. All the Art is well reproduced and enlargable. All his Art in one collection. Excellent.