Tony S. Daniel decided to become a comic book artist in the 4th grade and has never looked back. He made his professional comics debut in 1993 on Comico's The Elementals and went on to illustrate X-Force for Marvel Comics and Spawn: Bloodfeud for Image Comics as well as writing and illustrating several creator-owned titles of his own: Silke, The Tenth, Adrenalynn and F5 — the last two of which led him, for a time, into the alternate reality known as Hollywood.
After being lured back into comics in 2005 to work with writer Geoff Johns on TEEN TITANS for DC Comics, Daniel landed his dream job in 2007 penciling the adventures of DC's Dark Knight Detective in BATMAN where he first collaborated with writer Grant Morrison and then went on to write and draw the book himself. In 2011 he re-launched DETECTIVE COMICS for DC’s New 52, writing and drawing most of the first year of the historic series. In 2012 Daniel moved from one icon to another when he began illustrating the adventures of Superman in ACTION COMICS.
Killing that number of enemies is a little overrated! It’s like nobody’s shooting and they are just some rag dolls. the story keeps going and the artwork is what we need in most of the dc comics!
I'm sorry, but the first page when Slade realizes he is young again, and the first thing he does is look down his pants and he realizes that he is young again is hilarious, because what guy would not do that if found out he is young again?
There is more story in this issues then the first one, and just as much blood. I always thought older Slade was a silver fox, but young Slade is fast and nice shape. Though I was afraid that giving him back his eye would take away from his character, but then I remembered he is no longer an old man, and losing his eye and adapting to it was something that was a part of his old age. I am curious where they will go with this old man in a young body concept. It works well with Doctor Who, it might work well here.