When Rodman Philbrick is on his game, his stories swerve from the expected path with frightening speed, morphing into something unpredictable and eerily fascinating before one can even process the sudden change in direction. The Last Book in the Universe, for example, leads the reader on a freight train of a rush into a dystopian view of tomorrow so complex in its terrors as to render tame most other authors' visions of the future. Max the Mighty has much the same sense of impromptu brilliance, following the bereaved trail of an oversized boy separated from the only one who ever understood him, and veering off into a crazy-paced adventure like I'd never seen before and have yet to encounter again. For the first half of Abduction, Rodman Philbrick (writing with his wife, Lynn Harnett) conjures much the same atmosphere of absolute unpredictability as in his finest novels, presenting two strange halves of a story that seem not to be directly linked, and running them parallel to each other as the narrative grows and secrets bleed one into the next, until the two story branches are much closer than we'd thought.
Luke Ingram isn't used to being a center of negative attention from his parents. That position is generally reserved for his fifteen-year-old younger brother, Jeff, who recently has started running with a less than wholesome crowd that keeps him out late into the night every night, causing trouble. But Luke has stirred his parents' ire recently after coming home on the wrong side of midnight without a coherent explanation of where he'd been. The truth is, Luke doesn't know where he was; he lost four hours of consciousness while walking along the road beside an electrical power source, and woke up at home in bed, not sure what happened. Luke isn't the only teenager in town losing time, however. Mandy Durgin had a similar blackout experience the same night, and can't figure out where the hours went. What happened to her during that time for which her memory cannot provide an account?
Though at first unaware of each others' incidents, Luke and Mandy search out an explanation for their troubling blackouts, crossing paths a few times before beginning to suspect they may both have been victims of the same adversary. But it's hard to find a safe place to get together and compare notes when the insufferably sleazy Quentin is hanging around leading his posse of skinhead rejects, including Luke's brother, Jeff. Quentin seems to exert a power over Luke and Mandy now, able to slow their minds and movements at will, to burrow deep inside their psyches and gain access to their most personal thoughts. It's as if Quentin can dissect the two of them with no more than an appraising glance, and Mandy in particular finds it extremely disturbing. The way Quentin's eyes rove over her body, it's as if he's violated her already, without a single unwanted touch. Though Quentin has always been an unsavory character, Mandy finds him more revolting now than ever.
Luke is the first to jump to the conclusion that an alien abduction may be the reason for their strange episodes of lost time, but Mandy is loathe to disconnect her brain and begin floating around in what she sees as a logic-free zone. There has to be an explanation for the mysterious blackouts, but surely it isn't an abduction of extraterrestrial origin. As the bizarre incidents pile up and it looks more and more like aliens actually may be the perpetrators of invasive crimes against Luke and Mandy, Mandy continues to steel herself in the face of overwhelming evidence, stubbornly refusing to believe in the manifest existence of visitors from outer space. But how long can she continue to deny Jeff's theory as it becomes more and more obvious no human could ever pull off such omniscient trickery as has beset them? How long before Mandy must face facts and band together with Luke against their common enemy...an enemy so cosmically powerful it may be impossible to stop?
The first one-third, at least, of Abduction is impressively paced and fiendishly plotted, a whirling dervish of action that draws the reader deep into the story in a matter of minutes. Besides that, I also found Mandy's struggle with her own standard of logic to be an interesting component of the story, as she invents blockade after blockade to stymie Luke in his attempts to prove to her he's right about what's going on so they can join the fight against the aliens firmly entrenched on the same side. It's easiest in any situation to believe what we've already settled in our minds as true, and set aside any inconvenient evidence that would indicate otherwise. But the challenge is always there to look outside the box and search out even the truths with which we may be uncomfortable. There's so much to understand we haven't yet even begun to grasp, and so many doors of discovery ready to open if we're willing to acknowledge the existence of the doors by admitting the possibility of realities we might rather ignore. Much of the tension in Abduction owes to this struggle in Mandy's own mind, and is a large part of why I have no trouble rounding my one-and-a-half star rating up to two. Rodman Philbrick fans are bound to find things to like about this book, and many other readers will also enjoy it as an offbeat science fiction story.