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The Vow: A Novel
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1 pages, Audio CD
Published August 26, 2025
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Displaying 1 - 30 of 50 reviews
September 4, 2025
Recommend-O-Meter: Yawn
Listen, I picked up this book because I was interested in reading about Angelica Kaufmann as an artist. Did it talk about that? I mean sure I guess, but the art felt more like a backdrop to whatever was going on in Angelica’s romantic life.
So supposedly we follow Angelica as she grows in renown as an artist and meets all sorts of people. And along with that, she makes a vow to never marry. But does she follow this vow? Uh, no. Which would be fine I guess, if the romance was in any way interesting to read about. But alas, it was not so. It was like whiplash, the way she would talk about not wanting to marry and then suddenly start flirting with whomever guy in the next paragraph. Yes, I get that the vow itself and her attraction can be separate things, but I just don’t think it was portrayed well enough to work. And whatever that thing with Goethe was at the end, that was Weird with a capital W.
Moreover, the bigger sin in my opinion is that there was simply not enough art in what is supposed to be a novel about a historical artist! For example, in the summary itself, Angelica is said to have become a founding member of the Royal Academy. But in the book, this particular detail got maybe half a page’s worth of lines in total. For something so noteworthy for a woman of her time, it was hardly even mentioned.
I don’t know. I really didn’t like this one. As a story about an artist, I didn’t see nearly enough art. And even as a romance, it was quite boring. I did like the melody of Berman’s writing, but overall I’m just glad to be done reading.
Audio Assessment: Despite my misgivings about the book itself, I did more or less like the narrator’s voice. Especially towards the end, I could really feel the emotion in it. Some accents (I’m looking at you, Goethe) were a bit distracting, though.
[I received an ALC of this book from the publisher on NetGalley. This does not in any way affect the contents of my review.]
Listen, I picked up this book because I was interested in reading about Angelica Kaufmann as an artist. Did it talk about that? I mean sure I guess, but the art felt more like a backdrop to whatever was going on in Angelica’s romantic life.
So supposedly we follow Angelica as she grows in renown as an artist and meets all sorts of people. And along with that, she makes a vow to never marry. But does she follow this vow? Uh, no. Which would be fine I guess, if the romance was in any way interesting to read about. But alas, it was not so. It was like whiplash, the way she would talk about not wanting to marry and then suddenly start flirting with whomever guy in the next paragraph. Yes, I get that the vow itself and her attraction can be separate things, but I just don’t think it was portrayed well enough to work. And whatever that thing with Goethe was at the end, that was Weird with a capital W.
Moreover, the bigger sin in my opinion is that there was simply not enough art in what is supposed to be a novel about a historical artist! For example, in the summary itself, Angelica is said to have become a founding member of the Royal Academy. But in the book, this particular detail got maybe half a page’s worth of lines in total. For something so noteworthy for a woman of her time, it was hardly even mentioned.
I don’t know. I really didn’t like this one. As a story about an artist, I didn’t see nearly enough art. And even as a romance, it was quite boring. I did like the melody of Berman’s writing, but overall I’m just glad to be done reading.
Audio Assessment: Despite my misgivings about the book itself, I did more or less like the narrator’s voice. Especially towards the end, I could really feel the emotion in it. Some accents (I’m looking at you, Goethe) were a bit distracting, though.
[I received an ALC of this book from the publisher on NetGalley. This does not in any way affect the contents of my review.]
December 15, 2024
I received an advance review copy for free, and I am leaving this review voluntarily. This novel is a product of great research and I was happy to learn about a successful woman I have never heard of before. It is a successful fictionalization of a life story. A fantastic read for anyone interested in art, biographies and even romance. I thank BookSirens, the author and the publisher for a chance to read this novel.
September 16, 2024
Jude Berman does a fantastic job in bringing Angelica Kauffman alive in this novel. It felt like something that could happen in this time. It was fascinating to learn about Angelica as I really didn't know a lot about her. The rest of the characters had that element of life that Angelica did and enjoyed the story with these characters.
I received an advance review copy for free, and I am leaving this review voluntarily.
I received an advance review copy for free, and I am leaving this review voluntarily.
May 10, 2024
This book is catnip for art lovers. Jude Berman poignantly explores the rewards and challenges of being a creative woman in a man's world, in a way that resonates with modern readers. Filled with rich descriptions of eighteenth-century Europe, it's a well-researched, timeless look at how powerfully the soul can guide us, both in art and in love.
August 30, 2025
Thank you to NetGalley and Tantor Media for a copy of this ALC for me to review!
The premise of this book seemed very strong: a woman in the eighteenth-century trying to make it as an artist amongst a world of men. Constantly being belittled and told that women did not belong in the profession of painting historical pictures, Angelica has sworn to make it her life's goal to dedicate her entire being to creating paintings. She has even sworn off the prospect of marriage and children to achieve this goal. Angelica is faced with many obstacles, like love and hardships among society, and has to overcome them to stay committed to her vow of becoming a female historical painter.
Unfortunately, this novel was not to my taste. I did not feel connected to Angelica, and I believe it's because of how boring her life seemed to be, and how uneventful her relationships with others were. I do think the author's prose was beautiful and the story has potential, but again it just wasn't for me. I also felt the narrator was a bit boring and lackluster, making me uninterested at multiple points in the story, causing me to have to rewind because I zoned out and missed a scene.
Overall, 2/5 stars.
The premise of this book seemed very strong: a woman in the eighteenth-century trying to make it as an artist amongst a world of men. Constantly being belittled and told that women did not belong in the profession of painting historical pictures, Angelica has sworn to make it her life's goal to dedicate her entire being to creating paintings. She has even sworn off the prospect of marriage and children to achieve this goal. Angelica is faced with many obstacles, like love and hardships among society, and has to overcome them to stay committed to her vow of becoming a female historical painter.
Unfortunately, this novel was not to my taste. I did not feel connected to Angelica, and I believe it's because of how boring her life seemed to be, and how uneventful her relationships with others were. I do think the author's prose was beautiful and the story has potential, but again it just wasn't for me. I also felt the narrator was a bit boring and lackluster, making me uninterested at multiple points in the story, causing me to have to rewind because I zoned out and missed a scene.
Overall, 2/5 stars.
August 13, 2025
Historical fiction based on the life of the neoclassical painter, Angelica Kauffman. Although I was immediately drawn to a lot of the passages discussing art and creativity, I found the writing choppy and many of Angelica’s thoughts and choices to be inexplicable and frustrating.
Book club: I would like to dedicate the entire book club meeting to dissecting the Wolfgang obsession because that guy was not it.
Book club: I would like to dedicate the entire book club meeting to dissecting the Wolfgang obsession because that guy was not it.
August 25, 2025
The Vow centers around Angelica Kauffman, accused of dressing as a boy in order to study at the prestigious art galleries in Italy and the trials of being a female artist at this time. A career as a history painter is not something available to women and in an effort to ensure her success, Angelica vows she will never marry.
When Angelica is whisked off to London by a new patron, she is confronted by the new rules of a society and meets famous artists and painters, establishing herself as a painter of value. One Swedish count threatens all of that.
Angelica is constantly faced with the struggles of being a woman in a male dominated field. The vows she makes to herself are constantly confronted and reevaluated. I found Angelica to be an incredible complex character, she navigates her life with a fierceness that is well balanced by the surprising love story in the book.
The author integrated works of art and art references throughout in a way that allowed the reader to picture the moments and the works of art themselves (I found myself looking several of them up) and even without having an art history degree, I never felt like it was intended to go over the readers head.
I received an advanced audio copy from Netgalley, thank you!
When Angelica is whisked off to London by a new patron, she is confronted by the new rules of a society and meets famous artists and painters, establishing herself as a painter of value. One Swedish count threatens all of that.
Angelica is constantly faced with the struggles of being a woman in a male dominated field. The vows she makes to herself are constantly confronted and reevaluated. I found Angelica to be an incredible complex character, she navigates her life with a fierceness that is well balanced by the surprising love story in the book.
The author integrated works of art and art references throughout in a way that allowed the reader to picture the moments and the works of art themselves (I found myself looking several of them up) and even without having an art history degree, I never felt like it was intended to go over the readers head.
I received an advanced audio copy from Netgalley, thank you!
September 7, 2025
The story of child prodigy, Angelica Kauffman, a renowned eighteenth century artist who rose to fame for her skills as a portrait painter whose real passion was history painting. She achieved great wealth and success for a woman of that time, and was fiercely protective of her independence. The love, understanding and support her father showed for her chosen lifestyle left her free to pursue her love of art. She traveled across Europe, mixing with royalty and other famous creatives of that time, including Sir Joshua Reynolds, who founded the Royal Academy of Art, and Johann Wolfgang von Goethe, German polymath and influential writer.
Hugely talented and intelligent, this story also portrays her as flirtatious, naive and gullible, particularly in matters of the heart
An interesting story about a woman who refused to be tied by the boundaries of her time.
4.5 stars from me. I enjoyed this story; it was well written and it’s always interesting to find out more about talented women who refuse to be bound by convention, but it didn’t quite capture my heart.
The Vow published on 26 August, and I’d like to thank NetGalley and Tantor Media for the chance to listen to an ARC, skilfully narrated by Shiromi Arserio.
Hugely talented and intelligent, this story also portrays her as flirtatious, naive and gullible, particularly in matters of the heart
An interesting story about a woman who refused to be tied by the boundaries of her time.
4.5 stars from me. I enjoyed this story; it was well written and it’s always interesting to find out more about talented women who refuse to be bound by convention, but it didn’t quite capture my heart.
The Vow published on 26 August, and I’d like to thank NetGalley and Tantor Media for the chance to listen to an ARC, skilfully narrated by Shiromi Arserio.
October 31, 2025
I wish I had enjoyed this book more. As a fan of Angelica Kauffman and a student of art history, I had such high hopes, but I found Angelica's character frustrating and unlikable, but more than that, the 1st person POV resulted in a whole lot of telling, not showing. More time was spent on Angelica repeating her inner monologues about being so talented, not wanting to marry, etc. than the actual travels and adventures of her life. For a character who spends all of her time talking about being an artist, most of the book is about men falling in love with her, and her being like "oh deary me, how could I have given them that impression (even though I am so clever and pretty and great!) when I must paint?" There are so many time jumps that I never felt like we got to dig deeply into her life as an artist.
October 15, 2024
In this fascinating and complex historical fiction novel, Jude Berman brings 18th century painter Angelica Kauffman to life. Focusing on her artistic career from Italy to England and back again to Italy, readers explore the life of an ambitious young woman with incredible artistic skill. As she crosses paths with the greats of Europe and learns the joys and perils of international renown and celebrity, readers too experience these moments with Angelica as her career continues to thrive. With fascinating historical cameos and beautiful historic locations, Berman brings the magic and detail of 18th century Europe to life in this powerful and vibrant historical fiction novel. Angelica is a complicated yet flawed narrator, but readers cannot help but be on her side throughout everything, and her relationships with her father and other figures throughout the novel add to her character growth over the course of the book. With the focus on art styles and techniques from the period, Berman has really done her research into Angelica and her contemporaries, all of whom are also complex characters that play pivotal roles in Angelica’s story. A fascinating, immersive historical fiction novel, Berman’s latest book is a fantastic addition to the genre perfect for those interested in capable lady artists and a who’s who of 18th century Europe.
Thanks to BookSirens and SheWrites Press for the advance copy.
Thanks to BookSirens and SheWrites Press for the advance copy.
October 16, 2024
“She strokes my cheek. “For such a talented artist, love will surely conquer all.”
No, I want to reply, for me, art will conquer love. But one can’t contradict Her Royal Highness.”
Angelica is such an insanely compelling and complex character, you keep forgetting that most of her traits and plot lines are real. I’m also extremely impressed by the author’s ability to literally create literary historical paintings (not portraits or landscapes or engravings, don’t get them twisted) with each scene and minute movement. Also, I’m a reader who loves having historical facts sprinkled in throughout a work, and I was not disappointed. I never once felt out of place for not having an art history degree, philosophy textbook, or general knowledge of Roman/Greek mythology, because the author really does treat the reader like a true Renaissance man. Also, also, I don’t think I can forgive this book for introducing real soulmate heartbreak. Pardon the lack of a through line with this review, but the ending packs a (bittersweet) punch I really didn’t anticipate.
I received an advance review copy for free, and I am leaving this review voluntarily.
No, I want to reply, for me, art will conquer love. But one can’t contradict Her Royal Highness.”
Angelica is such an insanely compelling and complex character, you keep forgetting that most of her traits and plot lines are real. I’m also extremely impressed by the author’s ability to literally create literary historical paintings (not portraits or landscapes or engravings, don’t get them twisted) with each scene and minute movement. Also, I’m a reader who loves having historical facts sprinkled in throughout a work, and I was not disappointed. I never once felt out of place for not having an art history degree, philosophy textbook, or general knowledge of Roman/Greek mythology, because the author really does treat the reader like a true Renaissance man. Also, also, I don’t think I can forgive this book for introducing real soulmate heartbreak. Pardon the lack of a through line with this review, but the ending packs a (bittersweet) punch I really didn’t anticipate.
I received an advance review copy for free, and I am leaving this review voluntarily.
May 7, 2024
Within the atmospheric pages of The Vow, readers are transported to the vibrant world of Renaissance Europe where the talented Angelica emerges as a beacon of strength and determination. In this mesmerizing tale woven by Jude Berman, the intricate dance between ambition and betrayal unfolds with breathtaking elegance. With skillful prose and classical descriptions, Berman paints a vivid portrait of a woman defying the constraints of her time, making this novel an unforgettable masterpiece in its own right.
September 18, 2024
I was provided a reader copy of this book via Book Sirens to write an honest review. I hope it's helpful for others in deciding whether to read it, and will get more people to discover and check out this lush, beautiful work.
I fell in love with the premise and writing of this novel. I am the farthest thing from a child art prodigy but am learning to draw in my 40s, so art and artists are a subject of growing interest. A famous and influential woman artist was all the more intriguing to me, and the writing was so vivid in describing an artist's life, including the way an artist thinks and details like finances, pigments, and washing brushes. This verisimilitude probably owes much to the author Berman herself being a painter as well as a writer. I kept imagining the scenes as film shots in my head, it was that vivid.
The book is ambitious and even epic in its scope of both time and place, starting with Angelica Kauffman in Venice as an early-career (but famous and sought-after even then) artist in her early 20s, and ending with her death in Rome at the age of 66. The body of the book is divided mostly between the meteoric rise of her career in London and its established maturity later in life at Rome. Not only are there references to many other travels, but the cast is truly international as well, from Kauffman herself as a Swiss-born artist who started out in Austria and moved all across Europe and to England, to her clients and professional contacts from Weimar, England, Ireland, Russia, Italy, and more, and suitors from almost as broad a range of countries. I loved how the book brings to life the bustling international scope of Europe in the 18th century.
Despite covering most of the artist's lifetime the book keeps a deft pace in the first half, making liberal use of time skips and retrospection, something that went well with the choice of first-person present tense point of view and heightened the cinematic sense of the writing. I wasn't as sure about the second half when the story and the protagonist were consumed by a plot I didn't particularly care about, but I think many will find it a compelling narrative of two passionate, flawed souls striving toward and against each other.
I thought the greatest missed opportunity was the characterization of Mary Moser, Kauffman's contemporary and colleague in London who was another prominent woman artist of the time. I'm afraid that from The Vow alone readers will come away with the impression that Moser was a fragile domestic-minded soul, not a fellow founder of the Royal Academy of Arts (the only woman other than Kauffman) who had her own personal and romantic adventures. This is not by itself a problem or a disservice, since it's obvious that Angelica, the fictional protagonist based on Kauffman, has her own biases and limitations and her perception should not be taken as objective fact. Still, they're artists, not the Highlanders--it's not like There Can Only Be One Cool Girl, and I thought the book would have been even better if creative and powerful women were shown more in conversation and solidarity with each other rather than second fiddles and adversaries.
Other than the star taken off for those highly subjective reasons, I found The Vow to be a masterclass in historical fiction and a sympathetic, poignant depiction of an artist's life. Angelica Kauffman was restricted in so many ways by the patriarchal restrictions placed on women; "nevertheless, she persisted" to thrive in life and leave an outsize legacy after her death. I think anyone who has been told they can't/don't deserve to/shouldn't create or follow the trajectory of their soul can resonate with that.
I fell in love with the premise and writing of this novel. I am the farthest thing from a child art prodigy but am learning to draw in my 40s, so art and artists are a subject of growing interest. A famous and influential woman artist was all the more intriguing to me, and the writing was so vivid in describing an artist's life, including the way an artist thinks and details like finances, pigments, and washing brushes. This verisimilitude probably owes much to the author Berman herself being a painter as well as a writer. I kept imagining the scenes as film shots in my head, it was that vivid.
The book is ambitious and even epic in its scope of both time and place, starting with Angelica Kauffman in Venice as an early-career (but famous and sought-after even then) artist in her early 20s, and ending with her death in Rome at the age of 66. The body of the book is divided mostly between the meteoric rise of her career in London and its established maturity later in life at Rome. Not only are there references to many other travels, but the cast is truly international as well, from Kauffman herself as a Swiss-born artist who started out in Austria and moved all across Europe and to England, to her clients and professional contacts from Weimar, England, Ireland, Russia, Italy, and more, and suitors from almost as broad a range of countries. I loved how the book brings to life the bustling international scope of Europe in the 18th century.
Despite covering most of the artist's lifetime the book keeps a deft pace in the first half, making liberal use of time skips and retrospection, something that went well with the choice of first-person present tense point of view and heightened the cinematic sense of the writing. I wasn't as sure about the second half when the story and the protagonist were consumed by a plot I didn't particularly care about, but I think many will find it a compelling narrative of two passionate, flawed souls striving toward and against each other.
I thought the greatest missed opportunity was the characterization of Mary Moser, Kauffman's contemporary and colleague in London who was another prominent woman artist of the time. I'm afraid that from The Vow alone readers will come away with the impression that Moser was a fragile domestic-minded soul, not a fellow founder of the Royal Academy of Arts (the only woman other than Kauffman) who had her own personal and romantic adventures. This is not by itself a problem or a disservice, since it's obvious that Angelica, the fictional protagonist based on Kauffman, has her own biases and limitations and her perception should not be taken as objective fact. Still, they're artists, not the Highlanders--it's not like There Can Only Be One Cool Girl, and I thought the book would have been even better if creative and powerful women were shown more in conversation and solidarity with each other rather than second fiddles and adversaries.
Other than the star taken off for those highly subjective reasons, I found The Vow to be a masterclass in historical fiction and a sympathetic, poignant depiction of an artist's life. Angelica Kauffman was restricted in so many ways by the patriarchal restrictions placed on women; "nevertheless, she persisted" to thrive in life and leave an outsize legacy after her death. I think anyone who has been told they can't/don't deserve to/shouldn't create or follow the trajectory of their soul can resonate with that.
November 11, 2024
Review of “The Vow” by Jude Berman
If you are looking for a story that takes you to familiar lands but earlier times; if you want vivid color and historical accuracy; if you wish you could have been present to hear conversations among brilliant artists and thinkers; if you are inspired by the dedication and perseverance necessary to accomplish great things; if you can relate to love and loss—then “The Vow” is a must-read for you.
This book is about the life of Angelica Kauffman, the late 18th-century painter. She was friends with the likes of Joshua Reynolds and Wolfgang von Goethe, as well as many other famous people of culture and politics. To me, a mind that can hold its own and be comfortable hobnobbing with these is a mind I would love to have witnessed personally. This book is a good substitute for the necessary time travel.
Kauffman the artist had few equals in her time, yet is today not well known or appreciated. This story begins with her end, a deathbed reliving of her life, told with such detailed immediacy that soon the reader is not conscious it’s a memoir from her final day.
One must either already have the eye of an artist, or learn to have it, in order to convey this story. Author Jude Berman has that eye. Her writing throughout is quite visual, and the scenes are therefore easy to imagine. A movie director would have no problem transferring this book to film.
It seems a difficult project to write a biography that believably portrays life in another time and yet does not insert a modern perspective, one that could only have been written later. Ms. Berman is able to capture how people in the late 18th century would have viewed their lives and times in situ, with no private wink and nod from the future.
___________________
Mandatory Note—"I received an advance review copy for free, and I am leaving this review voluntarily."
___________________
What is more, attempting to humanize legendary figures as people and not legends is somewhat like swimming upstream in a river of conclusions already arrived at by others. Yet Ms. Berman is able to circumnavigate, showing us the humanity, the frailties, and the foibles lying behind curtains of greatness, at the same time illustrating that happiness in love is not guaranteed by one’s talent, however great it may be. We see love and loss experienced by other characters, not just Angelica. Relationships wax, and eventually, may wane.
The constant tug within Angelica—her strong spirit resisting acquiescence to the expectations of women in her time—gives encouragement, not just to girls and women to break free from restrictive norms and be who they truly are, but is a lesson for all. Her overarching promise to herself to be authentic, spoken more than two centuries ago, is just as relevant today. But “The Vow” is not the story of a single solemn promise. It’s about the conflicts between promises, about how one promise may oppose and preclude another, and about the emotional effects of one triumphing while another languishes. Such moments gripped this reader.
I did not read without interruptions. As a lover of history, I found that reading the book pulled at me to investigate the many people, events, art concepts, etc. that are woven into the story from beginning to end. I had to stop occasionally and do my own bits of research. In many ways, reading “The Vow” was like taking an enjoyable humanities class.
I recommend “The Vow” to lovers of history, lovers of detail, lovers of motivation, lovers of tenderness and heartbreak, and of more. They will receive much satisfaction.
Chris Erwin
If you are looking for a story that takes you to familiar lands but earlier times; if you want vivid color and historical accuracy; if you wish you could have been present to hear conversations among brilliant artists and thinkers; if you are inspired by the dedication and perseverance necessary to accomplish great things; if you can relate to love and loss—then “The Vow” is a must-read for you.
This book is about the life of Angelica Kauffman, the late 18th-century painter. She was friends with the likes of Joshua Reynolds and Wolfgang von Goethe, as well as many other famous people of culture and politics. To me, a mind that can hold its own and be comfortable hobnobbing with these is a mind I would love to have witnessed personally. This book is a good substitute for the necessary time travel.
Kauffman the artist had few equals in her time, yet is today not well known or appreciated. This story begins with her end, a deathbed reliving of her life, told with such detailed immediacy that soon the reader is not conscious it’s a memoir from her final day.
One must either already have the eye of an artist, or learn to have it, in order to convey this story. Author Jude Berman has that eye. Her writing throughout is quite visual, and the scenes are therefore easy to imagine. A movie director would have no problem transferring this book to film.
It seems a difficult project to write a biography that believably portrays life in another time and yet does not insert a modern perspective, one that could only have been written later. Ms. Berman is able to capture how people in the late 18th century would have viewed their lives and times in situ, with no private wink and nod from the future.
___________________
Mandatory Note—"I received an advance review copy for free, and I am leaving this review voluntarily."
___________________
What is more, attempting to humanize legendary figures as people and not legends is somewhat like swimming upstream in a river of conclusions already arrived at by others. Yet Ms. Berman is able to circumnavigate, showing us the humanity, the frailties, and the foibles lying behind curtains of greatness, at the same time illustrating that happiness in love is not guaranteed by one’s talent, however great it may be. We see love and loss experienced by other characters, not just Angelica. Relationships wax, and eventually, may wane.
The constant tug within Angelica—her strong spirit resisting acquiescence to the expectations of women in her time—gives encouragement, not just to girls and women to break free from restrictive norms and be who they truly are, but is a lesson for all. Her overarching promise to herself to be authentic, spoken more than two centuries ago, is just as relevant today. But “The Vow” is not the story of a single solemn promise. It’s about the conflicts between promises, about how one promise may oppose and preclude another, and about the emotional effects of one triumphing while another languishes. Such moments gripped this reader.
I did not read without interruptions. As a lover of history, I found that reading the book pulled at me to investigate the many people, events, art concepts, etc. that are woven into the story from beginning to end. I had to stop occasionally and do my own bits of research. In many ways, reading “The Vow” was like taking an enjoyable humanities class.
I recommend “The Vow” to lovers of history, lovers of detail, lovers of motivation, lovers of tenderness and heartbreak, and of more. They will receive much satisfaction.
Chris Erwin
October 7, 2024
My enjoyment of this book surprised me. Historical fiction is a favorite genre of mine. Romance novels, historical or not, do not interest me. Jude Berman’s The Vow: A Novel, a work of feminist fiction about Angelica Kauffman, won me over with beautiful rhetoric and vivid descriptions of European settings society in the eighteenth-century. It paints an engaging portrait of a Swiss portrait, landscape and history painter who had a successful career in London and Rome and was one of two female Founder Members of the Royal Academy of Arts in 1768.
The references to art are numerous and the paintings come to life with the words chosen to depict them. The reader does not need to be an art connoisseur to be entranced by the written representations of the portraits and history paintings in the book. The writing allows the reader to feel as though they are watching the portrait being painted with details of the dress and manner of the sitter of the portrait. The Gods, heroes and heroines of the history paintings are brought to life through the characters love for them. The many people of historical importance mentioned throughout the novel sets the stage for the art and politics of the time. Kauffman befriended the famous portraitist Sir Joshua Reynolds, founder and first president of the Royal Academy of Arts, as well as Sir Nathaniel Dance, George Michael Moser, and Henry Fuseli, all founding members of the academy. She painted portraits of royalty, including Queen Charlotte. The English actor and playwright David Garrick plays a part as does Johann Wolfgang von Goethe, an acclaimed German writer, playwright, novelist and critic. It is with von Goethe that Kauffman develops an intense, although platonic, relationship in the book.
The essence of this book was, to me, the importance to Angelica that she live an independent life as defined by her vow not to marry. My disinterest in love stories, real or imagined, was felt even more strongly with this book as I was disappointed in the dissolution of Angelica’s vow not once, but twice, through the course of her story. Her inner strength and determination to devote herself completely and singularly to her art was to be admired. I do not know if her friendship with von Goethe really played such a large role in her life or if her relationship to the Swedish count is true but I would have been far more interested in Angelica as the accomplished woman she was as a female artist able to steer her own career and fate within the confines of the times. The wonder of a historical novel such as this is that the truly interested reader is compelled to do some research on their own. I learned much about each of the people represented in the book as well as the art. It was a privilege and pleasure. My takeaways from this novel are the love of life and art that Angelica and her acquaintances shared and Angelica’s friendships with people of such miraculous talent.
I would like to thank BookSirens for an advance review copy of this novel in return for an honest review.
The references to art are numerous and the paintings come to life with the words chosen to depict them. The reader does not need to be an art connoisseur to be entranced by the written representations of the portraits and history paintings in the book. The writing allows the reader to feel as though they are watching the portrait being painted with details of the dress and manner of the sitter of the portrait. The Gods, heroes and heroines of the history paintings are brought to life through the characters love for them. The many people of historical importance mentioned throughout the novel sets the stage for the art and politics of the time. Kauffman befriended the famous portraitist Sir Joshua Reynolds, founder and first president of the Royal Academy of Arts, as well as Sir Nathaniel Dance, George Michael Moser, and Henry Fuseli, all founding members of the academy. She painted portraits of royalty, including Queen Charlotte. The English actor and playwright David Garrick plays a part as does Johann Wolfgang von Goethe, an acclaimed German writer, playwright, novelist and critic. It is with von Goethe that Kauffman develops an intense, although platonic, relationship in the book.
The essence of this book was, to me, the importance to Angelica that she live an independent life as defined by her vow not to marry. My disinterest in love stories, real or imagined, was felt even more strongly with this book as I was disappointed in the dissolution of Angelica’s vow not once, but twice, through the course of her story. Her inner strength and determination to devote herself completely and singularly to her art was to be admired. I do not know if her friendship with von Goethe really played such a large role in her life or if her relationship to the Swedish count is true but I would have been far more interested in Angelica as the accomplished woman she was as a female artist able to steer her own career and fate within the confines of the times. The wonder of a historical novel such as this is that the truly interested reader is compelled to do some research on their own. I learned much about each of the people represented in the book as well as the art. It was a privilege and pleasure. My takeaways from this novel are the love of life and art that Angelica and her acquaintances shared and Angelica’s friendships with people of such miraculous talent.
I would like to thank BookSirens for an advance review copy of this novel in return for an honest review.
December 24, 2024
The Vow tells the story of Angelica Kauffman, an 18th-century artist I had never heard of. She is a remarkable woman, more interesting and accomplished than many who fill history books.
As a woman in 18th-century Europe, Angelica faces the pressures of a patriarchal society where women are expected to marry and have children, and little else. She has other plans though: to devote herself to art instead of marriage, and to achieve the highest levels of success in history painting, a male-dominated field where women are not welcome.
She struggles in a world where people—even friends—try to turn her into what they want her to be without considering what she wants. She also struggles with herself, sometimes questioning whether her focus on art over love is misguided, and wondering if she can have both.
The book has a strong feminist theme, and rightly so. For example, if she were to marry, she would have no legal ownership of her paintings—an appalling reality of the time. The themes run broader though, and apply to both women and men. Angelica’s journey speaks to anyone navigating a society that feels ill-fitting, pursuing a dream others discourage, or searching for love in a dating pool with people who don’t fit.
In an introspective moment early in the book, Angelica says she sometimes views herself as separate from the world, painting her interpretation of the world around her, but unable to engage in life herself. At other times, she views herself as living more fully than others, immersed in art and life.
Other memorable lines from the book include:
“Being an observer of the world, I explain, doesn’t mean an artist is insensitive; quite the opposite: We can be artists because we’re sensitive.” - Angelica in conversation with a friend.
“No matter what I write, I’m writing about myself. All my works are one great confession. I just hope it isn’t too transparent to readers.” - Goethe in conversation with Angelica.
Historical fiction is sometimes dense and hard to read. Not so with this book. The writing flows beautifully, immersing the reader in Angelica’s world and vividly portraying her thoughts and feelings. I connected with her from the opening line to the final page.
The Vow blends historical fiction, art, love, and the search for an authentic life. Informative, thought-provoking, and sensual, with evocative descriptions of the creative process, the book delivers a compelling story in an accessible, beautifully written style.
As a woman in 18th-century Europe, Angelica faces the pressures of a patriarchal society where women are expected to marry and have children, and little else. She has other plans though: to devote herself to art instead of marriage, and to achieve the highest levels of success in history painting, a male-dominated field where women are not welcome.
She struggles in a world where people—even friends—try to turn her into what they want her to be without considering what she wants. She also struggles with herself, sometimes questioning whether her focus on art over love is misguided, and wondering if she can have both.
The book has a strong feminist theme, and rightly so. For example, if she were to marry, she would have no legal ownership of her paintings—an appalling reality of the time. The themes run broader though, and apply to both women and men. Angelica’s journey speaks to anyone navigating a society that feels ill-fitting, pursuing a dream others discourage, or searching for love in a dating pool with people who don’t fit.
In an introspective moment early in the book, Angelica says she sometimes views herself as separate from the world, painting her interpretation of the world around her, but unable to engage in life herself. At other times, she views herself as living more fully than others, immersed in art and life.
Other memorable lines from the book include:
“Being an observer of the world, I explain, doesn’t mean an artist is insensitive; quite the opposite: We can be artists because we’re sensitive.” - Angelica in conversation with a friend.
“No matter what I write, I’m writing about myself. All my works are one great confession. I just hope it isn’t too transparent to readers.” - Goethe in conversation with Angelica.
Historical fiction is sometimes dense and hard to read. Not so with this book. The writing flows beautifully, immersing the reader in Angelica’s world and vividly portraying her thoughts and feelings. I connected with her from the opening line to the final page.
The Vow blends historical fiction, art, love, and the search for an authentic life. Informative, thought-provoking, and sensual, with evocative descriptions of the creative process, the book delivers a compelling story in an accessible, beautifully written style.
November 14, 2024
Author Jude Berman captures the life of Angelica Kauffman in this beautifully fascinating historical fiction portraying the successes, friendships, and desires of this intriguing woman. If like me you had not previously heard of the artist Angelica Kauffman, you too will be in for quite a delightful story.
Despite taking place in the 1700s, traversing Switzerland, Venice, London, and Rome, “The Vow” held a surprisingly overwhelming relevance to present day. As a woman, in any field but especially male dominated ones, the sacrifices we make, barriers we face, and rumors we must overcome remain ever prevalent. Berman expertly uses this historical fiction, taking place centuries ago, to shine a glaring light on the atrocities women faced, as well as the internal battles Kauffman waged, as readers compare to their own experiences presently. From facing backlash with chins held high, to nasty publicized rumors, male dominance, ownership, and constant marriage pressures, Angelica Kauffman faced it all.
As the title suggests, this book shows the many vows we make throughout our lives. Vows of determination, friendship, love and more. Kauffman made each vow with a steadfast intent, but as circumstances, pressures, and life dragged on her views evolved. Using art as the backdrop, Berman shows readers the nuances of life as a woman. Single, dedicated solely to becoming a history painter, Angelica must navigate a man’s world while taking on portrait work, supporting her father, dodging the advances of men seeking marriage, and carefully traversing society.
Showing the power of mentors, both male and female, the negativity of stereotypes and rumors, and the barriers that females faced then, and now, “The Vow” is a captivating romance of art and desire.
Despite taking place in the 1700s, traversing Switzerland, Venice, London, and Rome, “The Vow” held a surprisingly overwhelming relevance to present day. As a woman, in any field but especially male dominated ones, the sacrifices we make, barriers we face, and rumors we must overcome remain ever prevalent. Berman expertly uses this historical fiction, taking place centuries ago, to shine a glaring light on the atrocities women faced, as well as the internal battles Kauffman waged, as readers compare to their own experiences presently. From facing backlash with chins held high, to nasty publicized rumors, male dominance, ownership, and constant marriage pressures, Angelica Kauffman faced it all.
As the title suggests, this book shows the many vows we make throughout our lives. Vows of determination, friendship, love and more. Kauffman made each vow with a steadfast intent, but as circumstances, pressures, and life dragged on her views evolved. Using art as the backdrop, Berman shows readers the nuances of life as a woman. Single, dedicated solely to becoming a history painter, Angelica must navigate a man’s world while taking on portrait work, supporting her father, dodging the advances of men seeking marriage, and carefully traversing society.
Showing the power of mentors, both male and female, the negativity of stereotypes and rumors, and the barriers that females faced then, and now, “The Vow” is a captivating romance of art and desire.
October 27, 2025
The Vow by Jude Berman (and contributors) is a carefully researched historical novel based on the life of Angelica Kauffman, a Swiss painter who lived in the second half of the eighteenth century, famous for her portraits, landscapes, and historical scenes. Written in the first person, using lyrical prose, Berman takes us inside the mind of this woman, who achieved reknown in the art worlds of London and Italy despite being female in an age where the vast majority of recognized painters were male. The novel recognizes Kauffman’s passion for color and for classical myths. Her sensual need to paint drives her, but leaves her ambivalent about the more ordinary desires for sexual pleasure and companionship. Her romantic suitors in real life cannot measure up to the partner she imagines—someone who can see into her soul and understand her yearnings. Her closest friendships include the famour English portrait painter, Joshua Reynolds, and German author Goethe. She also marries twice, once to an imposter pretending to be a Swedish count, and the second time to her father’s unattractive and dominating friend. It is unclear in the novel if either relationship is actually consummated. Her female friendships are also important to her, but tend to be frought with conflict and emotional break-ups. Although Kauffman does not wish to be limited by her gender, she is also a devout Catholic and greatly values her relationship with her father. Some of her vows are based on her concerns about sin and some are inspired by her determination to center her life on her art. At the end, however, the author gives us a sense of professional fulfillment but personal sadness at never quite having the full communion with another person that she craved.
June 7, 2025
Would art exist absent the artist’s human desires? The Vow opens a tantalizing portal into the mind of Angelica Kauffman, a pioneer female history painter who crossed paths with the titans of art and society in late 18th century London and Rome. I read its chapters into the night, fascinated by the emotional complexity of the woman Jude Berman recreates in these pages. Torn between her earthly and creative passions, Angelica’s life is populated by a vivid cast of male characters, each with his own designs on her body, her time, and her talent. Their betrayals, large and small, provide rich context to the series of vows she makes over her long and illustrious career, and make her achievements seem even more remarkable. The prose is beautiful and thought provoking, and Berman’s thorough knowledge of her subject enhances its elegance. I loved this book, and know you will, too.The Vow: A NovelThe Vow: A Novel
August 29, 2025
This audiobook was such a calming, warm experience, I loved Shiromi’s voice. Angelica Kauffman’s story was new to me and I went into this not realizing it was historical fiction, so once I noticed I went into a rabbit hole trying to learn more about Angelica.
I agree I would’ve loved to read more about Angelica’s dilemma of wanting to be a history painter (a male dominated field) and settling for many years to be a portrait painter (in a time where it wasn’t respectable to get a portrait done by a woman) these things felt like footnotes, and it felt more like the setting and not the main theme.
I loved seeing the different romantic situationships and how each person affected Angelica’s life and worldview and eventually led her to change her mind about many things. Above all I adored how Angelica’s voice was sincere, idealistic and poetic, the prose was beautiful and the passages where Angelica described her relationship with her art and how inspiration struck her were like a warm hug to my soul.
I’m so glad I came into this book knowing nothing about it, I was left pleasently surprised and excited about the prospect of reading more books by Jude Berman.
Thanks to NetGalley and Tantor Media for providing me with an ARC in exchange for an honest review.
I agree I would’ve loved to read more about Angelica’s dilemma of wanting to be a history painter (a male dominated field) and settling for many years to be a portrait painter (in a time where it wasn’t respectable to get a portrait done by a woman) these things felt like footnotes, and it felt more like the setting and not the main theme.
I loved seeing the different romantic situationships and how each person affected Angelica’s life and worldview and eventually led her to change her mind about many things. Above all I adored how Angelica’s voice was sincere, idealistic and poetic, the prose was beautiful and the passages where Angelica described her relationship with her art and how inspiration struck her were like a warm hug to my soul.
I’m so glad I came into this book knowing nothing about it, I was left pleasently surprised and excited about the prospect of reading more books by Jude Berman.
Thanks to NetGalley and Tantor Media for providing me with an ARC in exchange for an honest review.
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April 14, 2025This book blends history and imagination. It highlights the life and legacy of Angelica Kauffman, a remarkable eighteenth-century artist. With passion and eloquence, it depicts a woman determined to find her place in a world that disregards her talents.
From her early days, disguising herself as a boy to study art in Italy, Angelica emerges as a skilled painter and visionary, seeking more than society offers women. Her journey led her to London, where she gained royal patronage and became a founding member of the Royal Academy—an impressive feat for a woman of her time. Along the way, she meets historical figures like Goethe and a fascinating Swedish count who challenges her vows.
This novel is more than a record of accomplishments; it explores Angelica's inner life—her desires, sacrifices, and the tension between love, art, and identity. Each challenge she faces reflects a struggle against societal norms and the choices that define her spirit. The writing is emotionally rich, with historical details as vivid as a finely crafted oil painting.
Worth a try.
I received an advance review copy for free, and I am leaving this review voluntarily.
From her early days, disguising herself as a boy to study art in Italy, Angelica emerges as a skilled painter and visionary, seeking more than society offers women. Her journey led her to London, where she gained royal patronage and became a founding member of the Royal Academy—an impressive feat for a woman of her time. Along the way, she meets historical figures like Goethe and a fascinating Swedish count who challenges her vows.
This novel is more than a record of accomplishments; it explores Angelica's inner life—her desires, sacrifices, and the tension between love, art, and identity. Each challenge she faces reflects a struggle against societal norms and the choices that define her spirit. The writing is emotionally rich, with historical details as vivid as a finely crafted oil painting.
Worth a try.
I received an advance review copy for free, and I am leaving this review voluntarily.
April 15, 2024
Jude Berman's The Vow is the story of Angelica Kauffman, an 18th-century Swiss painter who vowed to live an independent life and paint — a profession only assigned to men in her time. Known as the "poetess of the paintbrush," Angelica's vow to herself is challenged by men who enter her life and work. It is a universal struggle that women continue to have even today — teetering between independence and love, and how to negotiate a compromise between the desire to love and the desire to reach one's potential as an artist in a world and period that relegates women to domestic roles that inhabit only women's work. Berman develops the character of Angelica in a realistic and moving way that allows today's women to nod with appreciation at the struggle women continue to face — as artists, businesswomen, travelers, and scholars — in their attempt to have it all: love and independence without one ruling over or muting the other. Written with rich historical detail that brings the characters and time period to life, Berman has crafted a novel worthy of attention and respect.
August 12, 2025
I really enjoyed this book. Historical Fiction is my favorite genre and this one did not disappoint. I knew nothing about the 18th century Swiss painter Angelica Kauffman before beginning the book. She truly was amazing and it is a shame that more hasn't been taught about her in art history. The characters in the book were well developed and I was drawn in from the start. I can't quite put my finger on what kept this book at a 4 instead of 5 star read for me. My five star reads leave me thinking of the book/characters for long after I finish reading it and although I enjoyed this book quite a bit, it doesn't meet that standard. I will recommend this book though to anyone interested in artists, true stories of feminist before their time, historical fiction readers and anyone who just enjoys a good story.
I received an advance review copy for free, and I am leaving this honest review voluntarily.
I received an advance review copy for free, and I am leaving this honest review voluntarily.
September 7, 2025
I picked this up because I’m always drawn to stories about women artists and the uphill battles they faced in a world that didn’t want them to succeed. I thought this would lean more into Angelica Kauffman’s career and her fight to be taken seriously as a painter, but it’s really more of a romance. There’s a lot of yearning and social games, and not much about the art itself.
Most of the characters felt unlikable, and there wasn’t much growth, especially for Angelica. For someone who vowed not to let love get in the way of her work, most of her focus was still on men, which didn’t feel believable to me. The storyline with the Swedish count was the most interesting part, but it faded too quickly and after that I struggled to stay engaged.
On the plus side, Jude Berman’s prose is lovely, and I did enjoy the touches of art history and 18th-century detail woven through. The audiobook narrator, Shiromi Arserio, has such a soothing voice - she made it easy to listen even when the story wasn’t grabbing me. In the end, it wasn’t the art-driven historical fiction I was hoping for, and the focus on romance and social games kept me from really connecting with the characters, but the writing and atmosphere were still enjoyable.
Thank you NetGalley and Tantor Media for this ALC in exchange for my honest review.
Most of the characters felt unlikable, and there wasn’t much growth, especially for Angelica. For someone who vowed not to let love get in the way of her work, most of her focus was still on men, which didn’t feel believable to me. The storyline with the Swedish count was the most interesting part, but it faded too quickly and after that I struggled to stay engaged.
On the plus side, Jude Berman’s prose is lovely, and I did enjoy the touches of art history and 18th-century detail woven through. The audiobook narrator, Shiromi Arserio, has such a soothing voice - she made it easy to listen even when the story wasn’t grabbing me. In the end, it wasn’t the art-driven historical fiction I was hoping for, and the focus on romance and social games kept me from really connecting with the characters, but the writing and atmosphere were still enjoyable.
Thank you NetGalley and Tantor Media for this ALC in exchange for my honest review.
October 30, 2024
Jude Berman’s The Vow is a brilliantly written novel exploring the life of Angelica Kauffman as she emerges as an artist, fighting the traditional roles assumed for women during the 18th century. Filled with images, I traveled from London to Rome as this artist I knew little about came to life via vivid scenes and beautiful prose. I love how the author explored the universal theme of strong women seeking their passion in life when society viewed marriage and children as their main purpose. The novel is well-researched and filled my need for a cultural experience one rainy weekend. This historical fiction story is a must-read for those who love the world of art, written with a female protagonist earning her place in the world despite the men in an era set against her.
I want to thank the author, the publisher, and Book Sirens for the opportunity to read The Vow as a free ARC. This review is voluntary and mine alone.
I want to thank the author, the publisher, and Book Sirens for the opportunity to read The Vow as a free ARC. This review is voluntary and mine alone.
August 29, 2025
Thank you Netgalley and RBMedia for free access to this audiobook.
This is not going to be a positive review, unfortunately, but it is all on me. I shouldn't have requested this book, knowing it was a fictional retelling of the story of real life painter Angelica Kauffman. I don't like this type of books, I did not enjoy The Marriage Portrait by Maggie O'Farrell either, and both books are similar in the way that they fictionalize real women.
Berman did a great job with the research for this book. I learned so much about Kauffman, it made me want to find a book dedicated to her art. Also, some scenes are well written and we can even see ourselves in the setting. However, that was the only part of her writing I liked. I found it overly and unnecessarily dramatic. Again, not for me.
The audiobook narrator did a great job. Her narration added so much to the book, she's the reason I actually finished it.
So, if you like fictionalized biographies or real women, this book is for you.
This is not going to be a positive review, unfortunately, but it is all on me. I shouldn't have requested this book, knowing it was a fictional retelling of the story of real life painter Angelica Kauffman. I don't like this type of books, I did not enjoy The Marriage Portrait by Maggie O'Farrell either, and both books are similar in the way that they fictionalize real women.
Berman did a great job with the research for this book. I learned so much about Kauffman, it made me want to find a book dedicated to her art. Also, some scenes are well written and we can even see ourselves in the setting. However, that was the only part of her writing I liked. I found it overly and unnecessarily dramatic. Again, not for me.
The audiobook narrator did a great job. Her narration added so much to the book, she's the reason I actually finished it.
So, if you like fictionalized biographies or real women, this book is for you.
November 17, 2024
Deeply inspiring & evocative - a must-read!
I devoured this book! “The Vow” has all the elements I love: a strong, passionate, protagonist; the exploration of art and its creation and the sensual, spiritual way it can connect us more deeply to ourselves and the divine; and complex relationships that make characters (and readers) question what is really important to them. And the fact that it’s based on a real woman’s life and struggles makes it all the more impactful.
Berman’s writing is superb. The pages are full of descriptive imagery that makes this time period and the protagonist’s journey come alive. She is both generous and succinct with her writing, which makes for an engaging, moving tale that swept me up and made me want to keep reading. And even after reading the last page, the story continues to linger on, inspiring possibilities in my own life. I highly recommend!
I devoured this book! “The Vow” has all the elements I love: a strong, passionate, protagonist; the exploration of art and its creation and the sensual, spiritual way it can connect us more deeply to ourselves and the divine; and complex relationships that make characters (and readers) question what is really important to them. And the fact that it’s based on a real woman’s life and struggles makes it all the more impactful.
Berman’s writing is superb. The pages are full of descriptive imagery that makes this time period and the protagonist’s journey come alive. She is both generous and succinct with her writing, which makes for an engaging, moving tale that swept me up and made me want to keep reading. And even after reading the last page, the story continues to linger on, inspiring possibilities in my own life. I highly recommend!
September 8, 2025
Thank you NetGalley and RBmedia for the ALC of The Vow
A historical fiction which follows the life of Angelica Kauffman who was an 18th century Swiss painter. To be honest I had no idea who Angelica was prior to reading, however I do feel like I got a decent understanding of her (fictional) life from the book and it did make me want to understand more about who she was. It was beautifully written and atmospheric, and I especially enjoyed the Narrator who I think has such a calming and easy to listen to voice, in fact I think the narrator was what kept me going with this book as it was a little bit… boring. Not to mention how Angelicas whole story is around how she would never give up her freedom for marriage or a man… yet is obsessed with any man who looks twice at her 😅 (maybe this is just what Angelica was like in real life, I have no idea)
A historical fiction which follows the life of Angelica Kauffman who was an 18th century Swiss painter. To be honest I had no idea who Angelica was prior to reading, however I do feel like I got a decent understanding of her (fictional) life from the book and it did make me want to understand more about who she was. It was beautifully written and atmospheric, and I especially enjoyed the Narrator who I think has such a calming and easy to listen to voice, in fact I think the narrator was what kept me going with this book as it was a little bit… boring. Not to mention how Angelicas whole story is around how she would never give up her freedom for marriage or a man… yet is obsessed with any man who looks twice at her 😅 (maybe this is just what Angelica was like in real life, I have no idea)
December 29, 2025
I’m gonna need someone to explain to me how reducing a tremendously talented and historically important artist to almost nothing but their romantic relationships qualifies as “feminist historical fiction.”
The writing here is fine, I just think it’s embarrassing to write about someone lauded for their art as though they are the subject of a romance novel. It’s boring and reductive and I can’t believe this stuff still makes it out into the world.
That the details of Kaufmann’a personal life are accurate is good, but it doesn’t help. There’s very little discussion of the actual art here, and I hate thinking about how painful that would be for Kaufmann herself, who broke so many barriers in art and society and should be remembered for her talent, determination, and courage rather than who she dated or married. Yuck.
The writing here is fine, I just think it’s embarrassing to write about someone lauded for their art as though they are the subject of a romance novel. It’s boring and reductive and I can’t believe this stuff still makes it out into the world.
That the details of Kaufmann’a personal life are accurate is good, but it doesn’t help. There’s very little discussion of the actual art here, and I hate thinking about how painful that would be for Kaufmann herself, who broke so many barriers in art and society and should be remembered for her talent, determination, and courage rather than who she dated or married. Yuck.
April 15, 2024
Must-read for art-loving historical fiction readers. Enthralling, beautiful portrait of the talented Neoclassical artist Angelica Kauffman whose fierce passion for independence drove her love and ambition. Berman’s vivid dialogue recreates the fascinating tug between Kauffman’s sensual artistry and clever intellect. We retrace the artist’s footsteps in Venice, London and Rome, and how she maneuvered through court and society intrigue and deceit. Her incredible accomplishments as a historical painter, portraitist, musician and more are told through a first person point-of-view, giving us the romantic lens in which she viewed her place in the world. Skillfully evocative of time and place, THE VOW is a must-read for art-loving historical fiction readers.
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