Writer and critic Graham Holderness has published over 40 books, many on Shakespeare, and hundreds of chapters and articles of criticism, theory and theology. He was one of the founders of British cultural materialism, and is acknowledged as a formative contributor to a number of branches of Shakespeare criticism and theory. He has published pioneering studies in Arabic adaptations of Shakespeare, culminating in The Arab Shakespeare Trilogy by Sulayman Al Bassam (Bloomsbury/Methuen Drama, 2014).
His more recent work has pioneered methods of critical-creative writing, exemplified by his innovative factual-fictional biography Nine Lives of William Shakespeare (Bloomsbury/Arden Shakespeare, 2011). Extending these methods, and published in 2014, are Tales from Shakespeare: Creative Collisions (Cambridge University Press, June 2014) and Re-writing Jesus: Christ in 20th Century Fiction and Film (Bloomsbury, November 2014). His latest book is The Faith of William Shakespeare (Lion Hudson, 2016).
He is also a novelist, poet and dramatist. Graham Holderness has published two Shakespearean novels: The Prince of Denmark (University of Hertfordshire Press, 2001), and the historical fantasy novel Black and Deep Desires: William Shakespeare Vampire Hunter (Top Hat Books, 2015). His poetry collection Craeft: poems from the Anglo-Saxon received a Poetry Book Society award in 2002; and his play Wholly Writ was in 2011 performed at Shakespeare’s Globe, and by Royal Shakespeare Company actors in Stratford-upon-Avon.
This is one of those books where each critic says exactly what's been floating around in my brain but in actual words... and without repeating my thesis (which is always a win)! I liked that Holderness includes interviews with 'establishment' theatre makers in which they says things that are exactly the opposite of what he's advocating for, to illustrate his point that something needs to change. Whilst the interviewer always stays polite and professional, I especially enjoyed Terry Eagleton's afterword where he then rips apart all the #problematic things they say (highlight being all the 'its not my fault I'm a white man' discourse, yikes).