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The Moon Is Following Us #6-10
The Moon is Following Us, Volume 2
128 pages, Paperback
First published December 30, 2025
About the author
Daniel Warren Johnson
197 books459 followersDaniel Warren Johnson is a Chicago-based comic book writer, artist, and illustrator. He's worked on titles for most major publishers, including Marvel, DC, Dark Horse, and Image. His current series with Skybound/Image Comics is EXTREMITY, a sci-fi/fantasy title he is writing and drawing, and continues to update his webcomic Space-Mullet in his spare time.
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Displaying 1 - 29 of 29 reviews
May 18, 2026
Daniel Warren Johnson just can’t help himself — dude always brings the heart and this is no exception. Sam and Duncan are two parents who will burn the world down to get their daughter Penny back, and that compelling family dynamic is wrapped inside wild worldbuilding that runs on the rule of cool that’s a blend of action, fantasy, and sci-fi staples yet somehow all fits together. The characters are fantastic, Brio the toad instantly became one of my favorite new characters , and the DWJ/Rossmo art combo is a dream team pairing. Both artists bring this expressive, dynamic figure work with bold ink styles that are so compatible it reads as one homogeneous whole that’s just genuinely impressive. A really fun read with way more emotional punch than you expect going in.
July 21, 2025
The core idea is interesting — the exploration of the subconscious and dream world, and what each character represents and how they can help us. But the story itself felt lacking to me; many pages were about the endless war, and there wasn’t much real progress. For some reason, I also had the feeling that I’ve seen something similar before — I mean the “normal” characters suddenly thrown into a child’s world. Luckily, it’s not overly long and it does feel complete, it just didn’t offer as much as I had hoped
January 29, 2026
It hits different when you are a parent.
August 12, 2025
With their backs against the wall, Duncan and Sam turn to unlikely allies to combat the beings that haunt their daughter. Trauma from their past hunts them, and a harrowing moon hangs high over their quest.
Damn it am I gonna cry every time something happens to dads in media now!? Ugh! The other golden Cascade that haunts him made my skin crawl, and him facing his demons is a lesson to those who never open up to those they should trust. You shouldn't have to carry your burden alone, but like he said, the admission of its existence makes it real.
Is it hokey/cheesy to have a happier ending than expected? Where people are saved? Sure. But it can work. I love a "magical girl" fights back evil bit in comics/manga. I do feel there was a bit more to mine from the Duncan plot, but it'll do. My heart just breaks for the man. Penny finally got to be a little more of a character at the end here. DWJ seems to always tap into that emotional devastation of parents and kids, and that really works if you identify with it.
Moon was another excellent offering from DWJ and co, even if I have nitpicks with plot elements (they wrapped up the Sam Cascade dynamic rather quick). One of these days, DWJ won't write something that'll tug at your heartstrings, but I don't know if it'll be the same.
Damn it am I gonna cry every time something happens to dads in media now!? Ugh! The other golden Cascade that haunts him made my skin crawl, and him facing his demons is a lesson to those who never open up to those they should trust. You shouldn't have to carry your burden alone, but like he said, the admission of its existence makes it real.
Is it hokey/cheesy to have a happier ending than expected? Where people are saved? Sure. But it can work. I love a "magical girl" fights back evil bit in comics/manga. I do feel there was a bit more to mine from the Duncan plot, but it'll do. My heart just breaks for the man. Penny finally got to be a little more of a character at the end here. DWJ seems to always tap into that emotional devastation of parents and kids, and that really works if you identify with it.
Moon was another excellent offering from DWJ and co, even if I have nitpicks with plot elements (they wrapped up the Sam Cascade dynamic rather quick). One of these days, DWJ won't write something that'll tug at your heartstrings, but I don't know if it'll be the same.
April 30, 2026
When some of the good guys turn bad, and some of the bad guys turn good, it's hard to discern whether the problem one aims to solve is truly the most critical obstacle of the moment. In THE MOON IS FOLLOWING US v2, Duncan and Samantha push forward with changed expectations.
This second and concluding trade collection posits a modest shift in the story's conflict conjecture: The nightmares that plague Penny's mind are problematic, but they aren't the problem. Indeed, a child's mental health is a fragmented fractal of their parent's mental health. And if Samantha must conquer her own emotional pain (to free her daughter), then so too must Duncan. But it's not that easy. It never is. Breaking free from the lethargy and the trauma that shackle themselves to one's overvalued sense of self means one must speak openly and honestly about the harm that's been done. Will Sam and Dun do the right thing? For their daughter's sake? For their own?
THE MOON IS FOLLOWING US v2 expands the story's fantastical, maniacal worldbuilding to include a massive crab tank, a battle-tested spider-person-thing, a rhinoceros unicorn, and a papercraft ogre. The book also shifts and twists the story such that Sam and Dun, whereupon finding themselves betrayed by the old magician, Tash, subsequently ally themselves with a handful of Penny's nightmares. The dreams and hopes died horrid deaths on the battlefield, but the nightmares are tough as nails, and it's the nightmares who survive long enough to push the hero characters on toward greater success.
In the current volume, characters' thematic journeys pivot from the emotionally wrought to the downright traumatic. Sam makes good on breaking down the generational angst she pulled from her mother (and thus may have passed down to her own daughter). Dun is another matter entirely, and the creative team wields a clever and effective array of lighting, coloring, and perspective to engender the terror, shame, and uncertainty that tends to follow traumatized children into their adulthood. Dun doesn't warm to confronting his pain in the same way Sam does, and he's willing to bear the consequences as a result.
Readers who harbor an erstwhile affection for DWJ's dramatic sound effects and inlaid text, or perhaps his increasingly dynamic application of page composition to facilitate story pace and direction, will find numerous things to enjoy about this book. Overall, THE MOON IS FOLLOWING US v2 is an entertaining read. The story's visually chaotic character designs and broad lack of background and environmental context contribute to the book's engaging, but not memorable, action. But the book's artistic and technical uniqueness likely surpass its attempt at storytelling originality.
This second and concluding trade collection posits a modest shift in the story's conflict conjecture: The nightmares that plague Penny's mind are problematic, but they aren't the problem. Indeed, a child's mental health is a fragmented fractal of their parent's mental health. And if Samantha must conquer her own emotional pain (to free her daughter), then so too must Duncan. But it's not that easy. It never is. Breaking free from the lethargy and the trauma that shackle themselves to one's overvalued sense of self means one must speak openly and honestly about the harm that's been done. Will Sam and Dun do the right thing? For their daughter's sake? For their own?
THE MOON IS FOLLOWING US v2 expands the story's fantastical, maniacal worldbuilding to include a massive crab tank, a battle-tested spider-person-thing, a rhinoceros unicorn, and a papercraft ogre. The book also shifts and twists the story such that Sam and Dun, whereupon finding themselves betrayed by the old magician, Tash, subsequently ally themselves with a handful of Penny's nightmares. The dreams and hopes died horrid deaths on the battlefield, but the nightmares are tough as nails, and it's the nightmares who survive long enough to push the hero characters on toward greater success.
In the current volume, characters' thematic journeys pivot from the emotionally wrought to the downright traumatic. Sam makes good on breaking down the generational angst she pulled from her mother (and thus may have passed down to her own daughter). Dun is another matter entirely, and the creative team wields a clever and effective array of lighting, coloring, and perspective to engender the terror, shame, and uncertainty that tends to follow traumatized children into their adulthood. Dun doesn't warm to confronting his pain in the same way Sam does, and he's willing to bear the consequences as a result.
Readers who harbor an erstwhile affection for DWJ's dramatic sound effects and inlaid text, or perhaps his increasingly dynamic application of page composition to facilitate story pace and direction, will find numerous things to enjoy about this book. Overall, THE MOON IS FOLLOWING US v2 is an entertaining read. The story's visually chaotic character designs and broad lack of background and environmental context contribute to the book's engaging, but not memorable, action. But the book's artistic and technical uniqueness likely surpass its attempt at storytelling originality.
May 28, 2026
I already wasn't a big fan of the first volume, but the conclusion of this story didn't really do any favors in my opinion. While I'm all for comics tackling difficult discussions like the topic that is presented at the end of issue 7, I don't think this series handles that discussion remotely well, and I think it hangs over the rest of the series in a way that takes away any momentum that the series had. It also completely sways the focus of the story to become about something completely different, in a way that makes the narrative disjointed. I understand some of the ideas that are being explored, but I simply don't think this was a thoughtful or tactful way of talking about it. Personally, I found it rather triggering, and the conclusion, while superficially poignant, left me feeling really pessimistic about the series as a whole.
And I think all of this only works to showcase how shallow these characters feel and how, while there is good intent here, nothing about this series struck me as thoughtful. The core takeaway is a recognition that our nightmares/monsters will haunt our next generation if we don't deal with them ourselves, but that very idea feels contradicted by the final issue and the overall conclusion. It also feels like it takes away something from Duncan's character for me. As a man who related to a lot of Duncan's mannerisms throughout the early portions of this series, it feels like it retroactively paints some of Duncan's characteristics as a result of his nightmare. What was a portrayal of a passive man that could be anyone becomes a man who is victimized and acts in a passive way exclusively because of that nightmare. And while I think this is a valid way of presenting him, it again works to highlight how out-of-left-field that revelation feels.
I think I've spent a lot of words ultimately trying to express that TMiFU drops a bomb on the readers midway through this volume that transforms the entire text in ways that I don't think benefited this story. While I would love to see that topic be more thoroughly explored elsewhere, this felt like it derailed the story in a way that makes this a book I would avoid recommending, as I wouldn't want others to feel triggered by what feels like a narrative jump scare in the same ways I did.
And I think all of this only works to showcase how shallow these characters feel and how, while there is good intent here, nothing about this series struck me as thoughtful. The core takeaway is a recognition that our nightmares/monsters will haunt our next generation if we don't deal with them ourselves, but that very idea feels contradicted by the final issue and the overall conclusion. It also feels like it takes away something from Duncan's character for me. As a man who related to a lot of Duncan's mannerisms throughout the early portions of this series, it feels like it retroactively paints some of Duncan's characteristics as a result of his nightmare. What was a portrayal of a passive man that could be anyone becomes a man who is victimized and acts in a passive way exclusively because of that nightmare. And while I think this is a valid way of presenting him, it again works to highlight how out-of-left-field that revelation feels.
I think I've spent a lot of words ultimately trying to express that TMiFU drops a bomb on the readers midway through this volume that transforms the entire text in ways that I don't think benefited this story. While I would love to see that topic be more thoroughly explored elsewhere, this felt like it derailed the story in a way that makes this a book I would avoid recommending, as I wouldn't want others to feel triggered by what feels like a narrative jump scare in the same ways I did.
March 24, 2026
Wait, WHAT?! Okay, I'll admit that I was losing interest in this series by the last couple issues in Volume 1, but I really wanted to give this one a chance (because I love DWJ). Maybe I'm just completely burned out on comic books these days (quite likely), but this really didn't work for me.
There is so much heart here, but it felt drowned out by the nonstop, neverending battle scenes. It feels like trying to have a heartfelt conversation with someone while you're standing in front of an amp at a black metal concert. There's some HEAVY stuff in here, but it never gets the chance to breathe before you're bombarded with more battle scenes. And then it just kinda ends... MUCH too abruptly, in my opinion. The art is spectacular, but dizzying. I usually adore a technicolor dream explosion, but I did feel utterly overwhelmed by it tonight. Overwhelmed by the art, and underwhelmed by everything else.
There is so much heart here, but it felt drowned out by the nonstop, neverending battle scenes. It feels like trying to have a heartfelt conversation with someone while you're standing in front of an amp at a black metal concert. There's some HEAVY stuff in here, but it never gets the chance to breathe before you're bombarded with more battle scenes. And then it just kinda ends... MUCH too abruptly, in my opinion. The art is spectacular, but dizzying. I usually adore a technicolor dream explosion, but I did feel utterly overwhelmed by it tonight. Overwhelmed by the art, and underwhelmed by everything else.
June 17, 2026
Nicely closes out Daniel Warren Johnson's extremely affecting miniseries. Each parent has to learn a lesson and confront their pasts, while also accommodating their own daughter's interests and fears. So many lessons learned here as the previous volume's villains are turned on their heads.
The art continues to be vibrant and exciting, elevating what is essentially an extended dream sequence. A story like this is hard to wrap up neatly, so it's no surprise that Johnson doesn't quite stick the landing. The conclusion is sweet, but also a bit too clean and simple for the story that's been told. Also, both volumes should really be read back-to-back since it's easy to forget who's who among the large cast.
The art continues to be vibrant and exciting, elevating what is essentially an extended dream sequence. A story like this is hard to wrap up neatly, so it's no surprise that Johnson doesn't quite stick the landing. The conclusion is sweet, but also a bit too clean and simple for the story that's been told. Also, both volumes should really be read back-to-back since it's easy to forget who's who among the large cast.
July 22, 2026
Solid conclusion to this heartfelt story of healing and moving on from tragedy.
DWJ is able to thread such a meaningful theme and message throughout this story, while still making it fun and action packed. Sam and Duncan finally are able to save Penny from her dreams. I really enjoyed how that concluded, and how Penny was the one to saver her parents from everything. Very fitting.
The ending was bittersweet, heartbreaking, but also beautiful too. This is definitely not my favorite DWJ project, as I felt there needed to be some more meat in this story. The pacing felt way too fast at times too, and I wanted things to slow down.
All in all pretty good. Not the first DWJ comic I’d recommend to people tho.
DWJ is able to thread such a meaningful theme and message throughout this story, while still making it fun and action packed. Sam and Duncan finally are able to save Penny from her dreams. I really enjoyed how that concluded, and how Penny was the one to saver her parents from everything. Very fitting.
The ending was bittersweet, heartbreaking, but also beautiful too. This is definitely not my favorite DWJ project, as I felt there needed to be some more meat in this story. The pacing felt way too fast at times too, and I wanted things to slow down.
All in all pretty good. Not the first DWJ comic I’d recommend to people tho.
July 18, 2025
Do you like stories about family, fantasy, and stuff that pulls at your heart?
Than I suggest giving both volumes a try (I've read both, but this is fresher in my mind).
Sam and Duncan feel more real to many than some parents whom I've read in fantasy stories like this. They're not perfect. They're not perfect parents either, and that realization becomes part of the story of rescuing, Penny their daughter.
BTW I really enjoyed Penny's time in this volume. Much more than I expected for a story that begins as two parents trying to save their daughter locked in a coma/dream/fantasy world.
Than I suggest giving both volumes a try (I've read both, but this is fresher in my mind).
Sam and Duncan feel more real to many than some parents whom I've read in fantasy stories like this. They're not perfect. They're not perfect parents either, and that realization becomes part of the story of rescuing, Penny their daughter.
BTW I really enjoyed Penny's time in this volume. Much more than I expected for a story that begins as two parents trying to save their daughter locked in a coma/dream/fantasy world.
June 27, 2026
The Moon is Following Us, Volume 2, Daniel Warren Johnson, Riley Rossmo.
This story is quirky, creative and imaginative. In this volume Sam and Duncan's daughter's nightmares are personified and surprisingly become their allies in freeing all three of them from the dream-world they are trapped in.
Great artwork and unique characters.
Issue 6 - "We operate in the dark, and that is how we can try to save your daughter."
Issue 7 - "Proceed inside and prepare for battle issue!"
Issue 8 - "Retreat to the Labyrinth! Like we planned!"
Issue 9 - "And whatever you do, don't stop. You'll find your way out."
Issue 10 - "I woke up as soon as you killed all the monsters."
This story is quirky, creative and imaginative. In this volume Sam and Duncan's daughter's nightmares are personified and surprisingly become their allies in freeing all three of them from the dream-world they are trapped in.
Great artwork and unique characters.
Issue 6 - "We operate in the dark, and that is how we can try to save your daughter."
Issue 7 - "Proceed inside and prepare for battle issue!"
Issue 8 - "Retreat to the Labyrinth! Like we planned!"
Issue 9 - "And whatever you do, don't stop. You'll find your way out."
Issue 10 - "I woke up as soon as you killed all the monsters."
August 24, 2025
This was so awesome. I really enjoy when writers get to do their own stuff, this is so much better then all the transformer volumes he has written. I have read at least three volumes and they dont even compare.
The art is creative and amazing (❤️ the Pennycorn) the writing was splendid. There was even a little homage to ‘do a powerbomb’.
4.4✨
The art is creative and amazing (❤️ the Pennycorn) the writing was splendid. There was even a little homage to ‘do a powerbomb’.
4.4✨
January 18, 2026
DWJ crafts another masterful story full of emotions beats, thought provoking dialog, and shows people struggling with trauma.
The protagonists hold onto hope in hopeless situations. At the very end we see a unforeseen hero.
The protagonists hold onto hope in hopeless situations. At the very end we see a unforeseen hero.
This entire review has been hidden because of spoilers.
March 14, 2026
What are you willing to do for your family? This book answers that for this family is such an epic way full of action and characters and heart. Well crafted and drawn, this was an adventure. DWJ cannot miss.
May 24, 2026
Believe it or not my ONE gripe is that the father “dying” made me full on sob, but the weight of that sacrifice was dulled by him coming back—even if it did shorten his lifespan
Otherwise, phenomenally crafted, brilliantly drawn, and highly emotional work 🩷
Otherwise, phenomenally crafted, brilliantly drawn, and highly emotional work 🩷
This entire review has been hidden because of spoilers.
September 8, 2025
DWJ, sabe tocar fibras sensibles, pese a contar una historia de acción y violencia
November 5, 2025
I shouldn't have doubted you, DWJ - that stuck the landing.
Once we get the twist in the last volume, the book has a lot more fun and room to breathe.
As per usual, DWJ pulls on the heartstrings and gives us an emotional story with a satisfying ending.
Once we get the twist in the last volume, the book has a lot more fun and room to breathe.
As per usual, DWJ pulls on the heartstrings and gives us an emotional story with a satisfying ending.
Review of advance copy received from Publisher
Great series!
January 12, 2026
DWJ comics🤝 crying uncontrollably
This entire review has been hidden because of spoilers.
January 14, 2026
Its kind of an all-ages book.
It's fun and imaginative, but wasn't really for me.
If you like DWJ then you'll like this - very much 'more of the same'.
It's fun and imaginative, but wasn't really for me.
If you like DWJ then you'll like this - very much 'more of the same'.
January 16, 2026
Five stars because once again Daniel Warren Johnson made me cry.
February 22, 2026
I can't shake feeling my overall review of this story would have been better if DWJ had done all the artwork
April 23, 2026
Suite satisfaisante avec de bons rebondissements. Pas sa meilleure histoire, mais c'est surtout pcq c'est un excellent auteur
April 23, 2026
A gut punch of a conclusion. This story if intergenerational trauma and how far a parent will go to protect their child really cued up the tears for me.
May 12, 2026
🥲 Holy shit. DWJ got me again.
June 7, 2026
A continuation of the excellent and imaginative story of two parents lost in a dream world trying to save their daughter.
June 15, 2026
Fun, imaginative and ten tons of heart. I had a blast
July 16, 2026
Finishes out the series. Overall it’s my least favorite, but I bet DWJ had fun drawing these.
Displaying 1 - 29 of 29 reviews