My Brother Ashley Clark Has Broke It Down To What Black Film Was, Is Present Day, And What The Future Might Be. BLAK IZ BLAK. YA-DIG? SHO-NUFF. Enjoy This BLAK CINEMATIC SCIENCE. - Spike Lee
The World of Black Film is an entertaining, informed, and thought-provoking survey of important and influential Black films from around the globe. Starting with the unfinished silent comedy Lime Kiln Club Field Day (1913) and concluding with Steve McQueen's World War II epic Blitz (2024), this book takes readers on an exciting journey through an eclectic mix of classics and hidden gems spanning more than 100 years and 30 countries. Beautifully designed and bursting with eye-catching film imagery and poster art, this is essential reading for general film fans, enthusiasts of Black cinema, educators, and students alike. Includes a foreword by Sir John Akomfrah, CBE RA.
Films and directors include: Black Orpheus (Marcel Camus, 1959) Black Girl (Ousmane Sembène, 1966) Hollywood Shuffle (Robert Townsend, 1987) Malcolm X (Spike Lee, 1992) Belle (Amma Asante, 2013) Timbuktu (Abderrahmane Sissako, 2015) Moonlight (Barry Jenkins, 2016) Black Panther (Ryan Coogler, 2018) Saint Omer (Alice Diop, 2022) Dahomey (Mati Diop, 2024) Blitz (Steve McQueen, 2024)
A really thoughtful curation of 100 essential black films. Ashley Clark appreciates the full diaspora of black film, from more mainstream classics like Malcolm X and Boyz n the Hood to incredibly niche gems like Who Killed Captain Alex (the first Ugandan action film made on a reported $85 budget and released on YouTube) and Countdown at Kusini (a pan-African film where funding came from thousands of sorority members in the US who all contributed $100).
This book describes the hostility that black filmmakers have faced in the mainstream film industry, and explores the inventive ways they have overcome these barriers to make genre-defying, transformative movies. An important read for all film lovers. Many more films are now on my to-watch list!!
Absolutely indispensable resource guide to films that are not well-known, but deserve a look from anyone seriously interested in world cinema. I understand the author's desire to restrict selections to one per filmmaker, but I sure wish there had been some leeway to allow for a longer look at Killer of Sheep, Small Axe, and, yes, Do the Right Thing.