It all begins when Lizzie, the daughter of Wonder Woman, embarks on her most dangerous adventure yet to enter the time stream to find her father. As the young hero knows, messing with time has its consequences, but that doesn’t mean she learned her lesson the first time. And things are about to get ruff when her Super Sons babysitters literally go to the dogs.Eisner Award-winning writer Tom King and Eisner Award-nominated artist Belén Ortega return to tell this full-size adventure for breakout star Trinity!
Pues al final no terminó siendo una serie regular sino otra miniserie. Como me pasó anteriormente, amé, AMÉ a Wonder Robin (Lizzie de niña) y no tanto su versión ya siendo adolescente y joven adulta. En realidad creo que la miniserie sería de tres estrellas y media por lo mismo. Me gustó que hay pequeños guiños a cosas que habían pasado antes (por ejemplo Alfred amarrándole los zapatos a Lizzie y ella diciéndole que Demian le había enseñado de la misma manera. Ahora,
Como también comenté en la entrada anterior, creo que DC está desaprovechando un personaje que podría tener un éxito brutal si saliera por todos lados. En fin, ellos sabrán.
Dato curioso: La portada del número cuatro, con Lizzie y el pastel de bodas es de lo mas bonito que he visto y obvio fue la mejor portada del año pasado. Si aún comprara cómics, obviamente me encantaría tenerla en mi colección (o quizás como póster).
I don't think I've read Tom King writing a comedy book before. After reading this, I hope he does it more often.
Lizzie, daughter of Wonder Woman, teams up with herself from two other time periods for a time-jumping caper in which the three of them must find and retrieve six adorable corgi versions of her favourite people, Jon Kent and Damian Wayne. Yeah, that's a premise I can get behind.
We get issues set around famous DC events like Crisis On Infinite Earths, Death In The Family, and the Batman/Catwoman wedding, with some clever references as well as attempts at changing history that go about as well as you'd think. And in the background, there's a Steve Trevor subplot that feeds directly back into the main Wonder Woman series, so while this does stand alone, it also works as part of King's grander Wonder Woman narrative too.
Plus it's all wrapped up in Belen Ortega's beautiful artwork, really letting him shine with some full issues rather than just the back-up stuff he's handled for Lizzie before.
Comics are meant to be a good time, and this book is definitely that. It's got a big heart, and I'm not just talking about the corgis' six fluffy butts either.
I was willing to give King benefit of the doubt initially during his main run (before I got bored and dropped it), but it’s crazy that in a book titled WONDER WOMAN, and here in Trinity: Daughter of WONDER WOMAN, Trinity and Wonder Woman do not have a single conversation. A few issues of this were sorta fun but I got tired of it pretty quick, this should be called Trinity: Daughter of Steve Trevor, or perhaps Sister of Robin and Superman. It’s bananas that King took the famously feminist superhero and went “but how do I make this about the fellas?” Also Gotham seems to make more appearances in these books than Themyscira??
And the subplot with young Jason in the past makes no sense, this girl’s crying about how he’s gonna die and she’ll never see him again but the guys only canonically dead for like six months! With all the time these kids spend in Gotham you’re telling me she never met Red Hood in her present??