This was originally a short story written for an Oxfam anthology, OxCrimes. But Phil Rickman, the author, decided to look it over again and expand it into this novella. It’s also a good introduction to Merrily Watkins.
This novella was my first acquaintance with Mr Rickman’s exorcist – sorry Diocesan Deliverance Consultant - Rev Merrily Watkins. It begins with an interview between Merrily and a reporter. In it Merrily agrees that her appointment to the role was probably ‘political’ as she was to be ‘at the coal face of Christianity.’ She also admits that she took the job because of a personal experience in the vicarage and the subsequent response that she received from the church.
She is asked for help by Zoe Mahonie who, together with her husband, Jonathan are newcomers to Hereford. They’re bought a modern house, ‘1960’s, at what they thought was a good price. However it may have come at too high a price for them. The house is described as ‘like an offcut from an arts centre from the 1960’s’ but that’s the least of its problems. The Mahonies discovered too late who the previous owner of the house had been. This was a Susan, aka Suze, Lulham, a successful and flamboyant hairdresser who owned four salons. She was making a drunken phone call to a soon to be ex-boyfriend when she started to cut herself and bled to death in her living-room.
Zoe reports lipstick messages purporting to come from Susan on a mirror, lights and the TV going on and off and a generally nasty atmosphere Merrily conducts a first stage exorcism and hopes that all will be well.
But Zoe doesn’t want it to end there and voices her frustration on social media by uploading a clip of Merrily’s exorcism.
And then comes the fateful night when Merrily and one of Zoe’s neighbours see two smeared handprints in dark red and dark spots on the window of the Mahonies house. Zoe is brought out saying that she’s started to cut herself……
‘A house that seems to want blood’ is another description of the house. The Mahonies marriage was not a happy one. Jonathan, or Jonno, wanted a divorce and was beginning to regret marrying a much younger woman. Now it’s culminated in a bloody murder and a woman who claims that she was possessed by the spirit of Susan Lulham. Now they’re looking for a scapegoat – Merrily.
The house is almost a character in itself. It jabs a ‘concrete elbow at the sky’ and in the aftermath of the murder with lights everywhere and people in and out ‘the house looked excited’ and later, ‘it grinned savagely in her mind.’
Merrily begins to investigate the background to the house and discovers a troubled, dark history. In the meantime she has to contend with her own sense of isolation and a secular society that doesn’t need her or the Church. She is an outsider but fells that a full exorcism is necessary.
But if you hear the word ‘exorcist’ and automatically think of projectile vomiting then you might be disappointed with Merrily. However, in her quiet, unassuming way she is more convincing. She is painfully aware that her job is the ‘last chance saloon’ for some people and she steels herself for the final confrontation in Zoe’s lounge by saying ‘Do the job.’
In a house that literally dripped blood from the day it was built does Susan Lulham lie easy now?