Haru cannot get a job to save her life and that despair is bleeding into her relationship with Hinoto. Suddenly, the two throw it all away and run for an island, which might bring new meaning to the term ‘yuri paradise’.
So, this does a couple of things really well, but it ultimately left me a little flat in terms of storytelling and what I actually got out of it. There’s enough to mildly recommend it since it’s only a three volume series (uh-oh), but don’t expect greatness.
The story captures the agonizing feeling of not being able to gain employment no matter what you try. Having been turned down for many a job in my day, the experience Haru has is relatable, if not exactly the same, given the cultural divide.
The story is at its best in this moment, with one grim series of panels illustrating Haru’s breakdown in the middle of the street. The stress piles upon her until she rejects corporate life for good and brings Hinoto along on her plan to run from it all.
Where this hits trouble is that I do not especially care about these two characters. Starting the story in media res isn’t the worst idea, but it has to make the audience care and, for me, the attempt falls flat. We don’t sit with the characters nearly enough to get why they care for one another.
Part of that is intentional - Haru is so dull that she has no activities or interests, presumably so this new life can let her blossom. But you’re dealing with a serialized story where we’ll be waiting months for the payoff to this and what we get in the meantime is very thin.
Yes, they love one another, but, as I said, the why of it all is very vague. Hinoto decides to give up her job search as well, but until she declares this it’s not even obvious that she’s even been looking. Her defining trait is how much she loves Haru.
And it’s great that they’re all sweet and frisky with one another and want to get married. The story deals with the problematic nature of that in Japan, at least. But there’s no reason for any of it - they skip right to dessert without serving the main course.
The island stuff is fine, if inconsequential. This volume is mostly the journey there and the freedom and consequences thereof. There’s an odd tendency to sexualize all the named female characters in the story, which, hey, no need to shy away from sex, but was noticeable.
It doesn’t feel like they’re running all that far either. They make some hay about not having money, but they also seem to have run off without their possessions and end up in a house anyway, so it’s not exactly the most gripping stakes here. Even the pretty lame Days of Love At Seagull Villa managed to get the island life part right.
Here? It mostly feels like they’re on vacation. Yeah, I know, it’s the freedom of it all, but it’s all not enough of anything to make it into a something.
What it boils down to is that this isn’t written especially well. It’s not bad either, it just sort of exists and I’m sceptical that it will get any deeper with subsequent volumes. If you are looking for lesbian romance, that’s there, but there are better ways to get it.
3 stars - eh, it’s fine. Not worth getting mad about, it has the germ of a good idea, but its expression of that idea could be a lot better.