It'll be a while until I can pick up copies of the next couple of volumes in this series, so be warned, you might get some current overall thoughts now that I'm past the halfway point in this re-read. Generalized bullet points again because that's about what my stress levels and mush brain can handle at the moment. (Working in a hospital during this pandemic really takes it out of me.) Be warned, I'm probably going to be a bit harsher with my swearing this time around.
- Personally I don't feel this volume started out the best, but it got better as it went on.
- I'm glad that we're finally getting to see some ACTUAL character growth in Keitaro. It only took 8 volumes (out of the 14 in the series) and 62 chapters to reach this point, so it's about damn time, but hey, growth is growth! I love seeing him break away from this constant cycle he's been in and actually maturing, finding joy in the moment, finding rewarding work, and getting an idea of what he wants to do with his life for a career. He has been so focused on getting into Tokyo University it feels like he's not bothered to actually consider what he wants to do once he's enrolled, so it's nice to see him figure some of that out, at least in part.
- Kind of annoyed that it took the introduction of Nyamo, a POC doppelganger of Shinobu, to actually point out to us Shinobu's growth, but that's still something, and I do appreciate the tentative friendship the two girls strike up with each other.
- The more I re-read this series, the less I like Naru. As a teenager, I liked her. As an adult, I feel like, for a character who's supposed to be mature beyond her years, a whole fucking lot of the issues in this series could be avoided or more easily resolved if she'd pull her head out of her damn ass for two fucking minutes and LISTEN to ANYONE ELSE when they try to talk with her.
- Personally I feel like Ken Akamatsu's art style is more same-face-heavy than I remember it being when I read this as a teenager. But considering that a HUGE chunk of the characters in the Negima! manga look just like the ones here in Love Hina, perhaps it needs to be stated? Doesn't help either that when any of the characters in the series show an expression other than their default resting face, the faces start to blend together.
- I remembered the oversaturation of fanservice in this series, but I didn't remember it being THIS bad (regarding all 8 volumes I've read to this point.) Fanservice in any harem manga or anime is inevitable, but when it continuously stalls or derails the plot, there's too much. I love the absurdity of several other aspects of this series, because it does play into the comedic nature, but the level of absurdity with the fanservice no longer sits well with the writer in me.
Please note, I am actually enjoying my revisit of the series. I really am. The actual plot regarding the "ronin trio" struggling to make it into Tokyo University as a group is good. And I am glad that I'm collecting the Tokyopop volumes from Thriftbooks and other used sites and places, because I feel like Love Hina is SO text-heavy, collecting the omnibus volumes and trying to read them probably would have been too overwhelming. But trying to re-read from a more objective standpoint, there's just a lot of stuff I can't overlook now that I'm older. [And even then, please take my words with a grain of salt, because I can't be completely 100% objective; I'm pretty sure I have unfair standards regarding any harem series since I grew up on Tenchi and it set the bar really, really fucking high for me.]