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256 pages, Paperback
First published October 1, 1931
"The Gods of Bal-Sagoth" is a fun story. The primary engagements are the action scenes, Howard's vivid descriptions, and the pair of protagonists: Turlogh and Athelstane. The protagonist-pair have a wonderful chemistry about them and, whilst I am not one to frequently ship characters, they follow my favourite trope of close comradery which is so easy to imagine budding into a quite-wholesome romantic relationship. (A trope I also greatly appreciated in Burroughs' Martian tales) It is a real shame, then, that Gael-Saxon is not even hinted at in "The Dark Man" (the weird tale preceding this one) which is, to my knowledge, the only other story in which both Turlogh and Athelstane appear.
If one reads the “The Gods of Bal-Sagoth” for the premise instead of the Howardian story-flavours they will be majorly disappointed. Bal-Sagoth and her gods are the weakest part of the story. Events are mentioned, but only elaborated upon just enough to make the world feel full and the not-so-detailed world possesses magic portrayed in Howard's typical fashion: unknowable, inconsistent, simple, and vague. The simplicity of the storytelling also lent itself to a trope I (for my fondness of Burroughs' tales) quite enjoy: luck getting the characters into and out of trouble. For that reason, I quite like the story's climactic ending.
After reading this simple story for a third time I thought I would not read it again and yet, today, when I wanted to listen to something non-musical at work which would not fully engage my attention this tale made itself known. It is odd that this is a piece of comfort media but I accept it as the first of that sort I believe I have encountered. (Now I really need to get a paperback edition for my library.)