I was given ARC’s of The Reluctant Incubus and Incubus Vampire Hunter in exchange for honest reviews. And I’d like to thank Alex for this – he’s definitely a new fiction author to watch. (and I’ll be reading those graphic novels, too!)
This is very much for people who like queer fantasy (I hesitate to call this a romantasy), especially those of us who desperately wanted to read something like this when we were growing up. Representation is very important, and I don’t think Woolfson shies away from it at all. There are a few stumbles in some of the mechanics, but I mainly attribute this to the differences between writing for comics and writing a novel - basically, Woolfson is learning a new writing style. This garners a solid four stars.
One of the first things that I noticed about this book was the amount of references to other supernatural detective series, as well as movies – Jim Butcher’s Dresden, Seanan McGuire’s Toby Daye, you name it. While I love them, the references, mixed with the setup of the novel, means that we don’t really get to hear Alvin’s narrative voice until about chapter five. The build-up of tension while establishing the world mitigates this somewhat. As does (honestly), the whole premise of a queer wizard-for-hire. I loved the idea of Butcher’s Dresden but tuned out fairly quickly because it all was just so… straight.
The folx that taught me writing were very much of the show-don’t-tell tribe, and this is one area where this is clearly a first novel. When Woolfson gets showing right, he knocks it out of the park, but much of the description is telling. You have to do some of this as an author, particularly in worldbuilding, but it’s also something that can take a reader out of the narrative if it’s too obvious. Fortunately, it’s also short, so I don’t feel like I’m reading an impromptu Wikipedia entry.
Ironically, for being the son of an (alleged) Queen of Hell, a lot of Alvin’s emotional responses felt very familiar. I grew up in a city-to-remain-unnamed that was very redneck and very Southern Baptist. My parents were Roman Catholic and this provided me an opportunity to find friends with whom I had stuff in common (and the military family thing helped, too.) As a result, Alex’s voice (internal and external) and character really resonate with me, and that makes the suspension of disbelief easier.
Warning – Spoilers Hereafter
One thing that also works well is the romantic tension: all of it. Yes, I wanted Alvin to sleep with Rafa, so Collin was a bit of a surprise, but it does add a new layer that I wasn’t expecting. (more about this in the review of Incubus Vampire Hunter.)
I was a little surprised that there wasn’t more Pilipino mythology in this – this is something that I haven’t seen in fantasy fiction of any type, tho’ it’s become popular in comics, and, while Alvin wasn’t necessarily raised in the culture, it’s something to lean into.
The sex scene and the “almosts” were well done, but I’ll be honest, the foreskin thing has been overdone in gay lit since at least the early ‘90’s – not everyone has it, not everyone likes it. Alvin’s reactions were good – not fetishized like so many others, but I still could have lived without the detail. What I would’ve liked to see were small details that hinted at Collin’s incorporeality, whether that was Alvin’s Incubus reacting differently, or other sensory details that will be different when Alvin finally does hook up with Rafa (I’m only halfway through Incubus Vampire Slayer, and we’re not there yet, damnit!)
The video-game edits into a supernatural version of augmented reality were truly original and made the read much more fun.
Two quotes stood out:
“…just like the Spanish Inquisition, no one expects an armed Monster Hunter in their basement.” (loc. 4048)
And:
“Yeah, I do want to be seduced, but there’s also something really cool about taking the power back.”(loc. 1398 – and this nailed it.)
More once I finish Incubus Vampire Slayer, and I’ll say again, thank you for the chance to review these novels!