Tony Parsons knows what to do, but not exactly how to do it.
Some reviewers branded this as chick-lit. I don't know exactly how chick-lit reads, but I know that almost all good literature is made by characters. Character-driven stories, where the characters are not heroes and villains but full-fleshed human beings who drive the story with their needs and wants are the best. The Family Way is one such story. It's not the best example, but it's what it's aiming for.
It's the story of three sisters and how each of them tries to set up a family, which by their definition includes a baby, and all the other issues that follow - miscarriage, infidelity, poverty, working with child, etc. etc. That's a lot of issues, and thankfully Parsons understands that these issues are not a sun lives revolve around, but rather they're just parts of life and that's how how he treats them and avoids turning this into a soap opera. The issues, instead of sticking out in every page, come and go whenever they're relevant. Also, nobody acts like it's One Hundred Years of Solitude. Nobody does extreme bullshit like locking themselves up because they're in love.
Although Parsons avoid mining these issues for cheap emotional effect, he can't help but make the whole book revolve around Making a Baby. I think the word 'baby' appears more than any other word in this novel. It's sad, because the cast is great and believable. The three sisters aren't emotionless Strong Female Characters and aren't damsels who need men to do everything for them, but it seems like their whole lives are about Making a Baby. Parsons showed enough of their lives to convince me they want and care about things, but there wasn't enough. Almost all of the conversations are about Making a Baby, with little glimpses into the women's lives.
Some would scream misogyny, but it's more of a case of an author who's not that good at writing characters. Although the male characters come off like they've got a bit more in their lives, in terms of morality most of them are weaker. In fact, by the end of the novel it's the women who look strong and celebrate their success, and the guys were merely lucky enough to be invited to the party.
Really, it's the writing that brings down the work. Parsons has been compared to Hornby, but doesn't have enough of his imagination and creativity and probably won't write something like A Long Way Down. Like him, though, he's more interested in his characters and how they work than a thrilling plot or starting up drama. Again, it's not great, and he doesn't managew to fully flesh out the charactgers but he tries and the result is an easy, pleasant read that doesn't feel like a chucked airplane novel. If you are looking for an easy read but at the same time don't want a thriller you'll forget while you're halfway through, it's a pretty good choice.