Clay Hensley is an impressive character. Reminiscent of some of the best work produced by the great Barbara Park during her years as a novelist, the construction of Clay's personality is inspired at every turn. He's hilarious, with a faultless ability to assess the risk/reward of any situation and a smart enough tongue that he hardly ever gets in trouble for his shenanigans unless he wants to, and even then he's good at talking himself out of any real trouble. Like his brother, Mitch, before him, Clay has been a troublemaking prodigy since his first days of school, making mischief and talking circles of absurdist logic around the school's authority figures until they can no longer tell if punishment is appropriate or not. Clay revels in the strength of the reputation he's earned over the years, and why shouldn't he? By now, entering sixth grade, Clay is one of the top dogs of his class in terms of popularity. While he never fails for long to become involved in some kind of trouble, Clay's roguery is always of a playful nature, mostly poking fun at those in charge while eliciting laughs from his peers. Sixth grade is set to be his best school year so far, as popularity among the student body begins to rise in importance and having a reputation as a fun-loving guy can be the best way of making new friends of either gender.
It may seem as if it's the picture Clay draws that changes everything, but it really isn't. With the way things were going, Clay's confrontation with his older brother was inevitable, and it just happens to be the picture that brings it about. Clay is quite the rising artist in addition to his skill as a prankster, but when he draws an unflattering portrait of the school principal to lampoon him in retaliation for a disciplinary remark he made to Clay a few days earlier, he gets in trouble again. This is standard fare for Clay; what he did isn't bad enough for any serious punishment, just a stern talking-to and a few admonitions that future misbehavior will lead to steeper consequences. Clay almost seems to enjoy the "interrogation" in the principal's office, though not nearly as much as does the receptionist, Mrs. Ormin. It's been her duty (privilege?) to take notes on every meeting between the irascible Clay and the principal since the boy started school, and the most entertaining parts of her day always come courtesy of Clay's verbal high jinks.
Since Clay's brother, now almost twenty, was a lot like Clay when he was in school, Clay looks forward to informing him all about the derogatory picture he drew of the school principal, and how much fun it was to get a free shot at the man in charge. What a surprise it is to Clay to find that his brother's short stint in jail has changed his outlook completely, and the former rascal in whose footsteps Clay has been happy to follow wants no part of that old lifestyle. Mitch has seen prison; he knows what can be the end result when one's tricks and pranks escalate until they culminate in illegal activities; he knows what it means to be afraid all the time and have one's freedom taken away, and he's not going to let that happen to him ever again. That's not the future he wants for his younger brother, either, and he lets Clay know it in no uncertain terms. Things with Mitch sure are different now, Clay sees, and his brother's intensity surprises him more than a little. Yet Clay has always listened to what Mitch had to tell him in the past; why should this time be any different?
Mitch has genuinely turned around his own life, and he's not going to let Clay slip through the cracks of the system and get into really big trouble, either, if he can help it. Using milder versions of the rigid disciplinary techniques favored in jail, Mitch tries to reform his charmingly impish brother practically overnight, and in doing so goes overboard in some respects, restricting Clay's avenues of personal expression in ways that aren't likely to be helpful to the cause. But Clay knows Mitch means business, and his brother's fear of going down the wrong path has had its affect on Clay. Maybe now really is the time for him to tone down his troublemaking activities, he thinks, to filter out the bad while keeping the lovable spontaneousness of his personality and giving others the chance to like and respect him for who he is, not just the high-profile pranks he commits.
Clay's resolve to take Mitch's regiment of self-improvement seriously won't be easy to maintain. The closer he sticks to the new plan, however, the better the chance that when an anonymous act of vandalism is traced back to Clay, his denial of guilt will be believed by those closest to him: his family, friends and even one or two others whose opinions Clay had never previously valued. Maybe he really can make this new lifestyle of a kinder, less tricksterly Clay stick for good, and he won't have to worry about ever facing the bad things that caused Mitch to finally make changes in his own life. Maybe Clay's turnaround has happened just in time to give him a new start without all the baggage of the past, able to make his way in junior high and beyond without the "troublemaker" label attached to his name. If anyone is smart and capable enough to manage such a transformation, it's Clay Hensley.
Andrew Clements does a nice job of bringing this story around full circle by the end, tying up all the loose ends meaningfully and memorably. Clay is someone I know I won't soon forget, a lavishly talented and delightfully scampish boy who can be just as sensitive and sincere as he can be hilarious, the kind of kid everyone should be lucky enough to have for a friend. Because of Clay's presence in the book, I would certainly consider two and a half stars for Troublemaker. I had a good time with this story, and I thank Andrew Clements for writing it.