A piercing satire about a journalist working the night shift at a tabloid and the explosive consequences of her “harmless” clickbait.
Washed-up New York journalist Frankie Miller is getting desperate. Since the twenty-nine-year-old lost her dream job at a glossy magazine three months ago, her days have been filled with overdue bills, cereal for dinner, and a flood of rejection emails (not to mention her ex has a new girlfriend). So when she’s offered a job at The Scoop, a notorious tabloid website run by tyrannical editor-in-chief David Brown, she can’t exactly afford to say no—even if it means swallowing her pride for clicks. Besides, for Frankie, it’s just a paycheck, a temporary detour. It’s not forever.
But the deeper she’s pulled into the breakneck world of tabloid journalism, the blurrier the line between ambition and morality becomes—until she crosses it. When her reporting humiliates a beloved pop star and dredges up grief over her late mother, Frankie sets off a chain reaction that spirals beyond her control. In an industry where reputation is currency and outrage sells, how far is Frankie willing to go—and how much is she willing to lose—to win at this ruthless game?
Sharp, witty, and unflinchingly bold, The Scoop is a searing exploration of ambition, exploitation, and the human toll of the 24/7 news cycle.
Erin Van Der Meer is a writer and former journalist whose work has appeared in publications including The New York Times, The Daily Beast, and Elle. She was a Spruceton Inn Artist Resident in 2024. Born in Sydney, Australia, she now lives in Brooklyn. The Scoop is her debut.
Thank you to NetGalley for this advanced copy. This book left a lot to be desired, for me. I felt like it was attempting to talk about ethical gray areas and human nuance, but so much of felt almost cartoonish in how clearly Good v Bad it was. The “bad guys” were all supervillain-level evil. And the (very few) “good guys” were really half-baked characters. A majority of the main cast attempted to exist somehow between the two extremes, but largely felt too faux self-aware to feel realistic in what decisions they grappled with— often making the very clearly Bad one. This would be fine if we as the readers were not expect to follow along with their “redemption” arcs with any semblance of believability. It also felt like characters were all given some level of tragic backstory just to make the protagonist (though she was included in this) understand them more, but these stories largely fell very flat to me. I found that the tone of this whole book was a bit too embittered and cynical to ever meaningfully land its satire. I find this issue with a lot of Millennial fiction; characters all constantly articulate every feeling they have and every issue they grapple with to paint a very clear moral picture for the reader. In the case of this book, it just didn’t work for me. How many stories do we need about how bad legacy media is? We get it. You tell us that on page one. Why don’t you take a step to talk about what’s next?
From the jump, this book had me intrigued. Francesca Miller takes on a job as a night editor at a publication called The Scoop, “reporting” and publishing stories in the dead of night. But, all of it goes awry when Frankie puts out a story that upends everything. Dealing with backlash, judgement, and insane circumstances, she must decide what to do in the face of controversy.
This was a fantastically crafted story that kept my interest throughout the whole book. The characters are deep and human, flaws and all, but you can’t help sympathizing with them, even when they make more than questionable decisions. The trajectory of this plot was both funnily satirical and eerily thrilling; I wasn’t sure how the ending was going to happen. The crowning glory for this, in my opinion, is the voice of the author; genuine moments of laughing-out-loud commentary and descriptions, mixed with witty and sharp barbs of layered truth. Overall, a whirlwind of a ride, and one that I won’t forget for a long time.
A huge thank you to Rachel Rodriquez at Grand Central Publishing and NetGalley for this ARC!
Thanks to NetGalley and Grand Central Publishing for an eARC in exchange for honest feedback.
I absolutely loved this book! It was dark…it was funny…and uncomfortably felt a little too real. I was 100% invested in Frankie’s journey and could definitely relate to her in so many ways. It was equal parts fascinating and horrifying to watch her essentially trade her integrity as an upstanding journalist, for relevance one trashy headline at a time. Watching her justify each step was painful, yet I couldn’t look away!
The author somehow managed to tell a darkly comedic tale using clickbait, gossip, and workplace toxicity, while also weaving in genuine grief and insecurity providing emotional heart to the story along the way. It was messy and morally grey…just the way I like it! Such a fun read.
Thank you to NetGalley and publishers for this ARC in exchange for an honest review.
The Scoop follows Francesca “Frankie” Miller as she navigates her career after being let go from Marie Claire. Unable to find another journalism job and needing to pay rent, Frankie sells her soul to the British devil David Brown and works as a night editor at the tabloid paper The Scoop, hoping to work her way up to a journalist at Business Day, a well-respected financial newspaper. She battles with her morals, torn between needing to please her boss in order to receive a promotion, and not wanting to tear apart people’s lives just to write a story. She gives in to the whispering dollar signs after receiving attention for her bylines on Amanda Myles. In her chase for success, to prove herself worthy to work at Business Day, she becomes as ruthless as her boss, pushing to push the juiciest story first without disregard for any parties affected. I felt a thrill every time Frankie fell deeper into the ugly world of tabloid news, and I was chewing my nails reading Frankie publish the Halloween costume article of Amanda. I cringe yet can’t wait to see how Frankie cannonballs into messes after misunderstanding others’ intentions. I admit it’s so satisfying to see situations blow up in her face. Erin van Der Meer gives readers a behind-the-scenes look at the tabloid publishing world, commenting on the exploitation of lives in an era where people can record others at any moment for their own advantage.
Me on This Book in Eight Ironic English Words: Fiction Book exposes the dishonesty in USian journalism.
Rating: ⭐⭐⭐⭐⭐
"I smiled bigger and wider still in the mirror, as unnatural as it looked, and felt. I worked harder than everyone else, and I wanted it more than anyone else. This, I believed, was enough." p131
In Short: This is a story about journalistic muck-raking and how moral nastiness spreads down and infects the people who prop up the wizard's curtains.
It's sort of about where personal principle meets the principles of capitalism and what gets crushed in that encounter.
It's also about the value of data, how easy it is to begin looking at the world as salable data, and what gets lost in that transaction.
This book addresses more than one critical subject, and that can go awry, but doesn't do so here. I'm always a little skeptical of journalism in fictional stories, but it was the perfect container for this one.
One comment on form: the newspaper articles contain plot points, so don't doze off for them! I did not read this book so much as processed some current trauma through it, and for me, that was oddly successful.
I cried a lot listening to this one, and felt deeply; but that could be my flavor of weirdo and not because this book was dark. But it was...truthful. And I loved it. Five stars.
Preread: Another female rage novel plus categorically impossible news was a complete pick me. Hope it works for me
Thank you NetGalley and publisher for the arc!📚
"Content Warnings:" violation of privacy, tabloid journalism, digital journalism, performance capitalism, toxic work environment, abusive bosses, professional dissociation, end of friendship, copyright infringement, plagiarism
I wasn’t sure how I would feel about this book when I started it but it was funny at times and it really held my interest.
I don’t know much about the journalism world or the publishing world and I know this book is meant to be satire but it gives a perspective that the normal person wouldn’t see. There were crazy moments throughout and I had to find out how this story would end.
Thank you to the publisher for a copy of this book via NetGalley!
Frankie, an inspiring journalist, is affected by the slow death of the publishing industry. Having lost her job at Marie Claire, with very little leads, she gets hired as a night editor by a sleazy tabloid. But is a paycheck and a sliver of hope for a future promotion enough to sell your soul? I enjoyed this book more than I thought I would. The writing was interesting, character development worked enough for me. Decent plot that made me wanna know how it all works out. The part with her mom's passing was a bit daunting but I can see how it helped to convey Frankie's loneliness. Thank you, Netgalley, publisher, and author for the ARC
Loved the plot and especially Frankie as a main character. Her desperation is relatable as she has to do what she doesn’t truly want to in order to get by as a tabloid reporter. The themes of morality in reporting were very well explored in this book. Given the times we live in now, this really had me stop and think about the effect it can have on the reporter not just the reported. Certainly a must read! I received an advance review copy for free, and I am leaving this review voluntarily.
SThe Scoop by Aaron Vandemere, Francesca is having a horrible summer she’s been laid off by Marie Claire magazine and it doesn’t help that her best friend Audrey got hired by the times thanks to nepotism. She also recently lost her mother and of course broke up with her longtime boyfriend due to him cheating. So once she gets hired by a company a kin to Fox News she takes the job due to her financial situation but it’s totally embarrassed by it. She works a night shift and to make matters worse they’re the tabloid portion of the magazine. Her boss David said if she does good he’ll get her in with Business Week something she is banking on. The only problem is she wasn’t prepared for the icky feeling some of the articles gave her having to defend her new job and how she can come to a peaceful place and still be able to pay her rent. this book was just OK and I did find it interesting at times and I thought her friends really had no clue what it was like to have to pay your own rent and really should’ve kept their judgement to their self. As for Patrick he was just a jerk it’s nice to make an ethical stand into defend people when you can also feed and clothe yourself so I guess I saw this book different than most people. The days of being poor with little children and me and my husband scraping to to buy food for everyone. there was times my husband rode his bike 7 miles there and 7 miles back just so he could get a paycheck so yeah I think I’m the wrong person for this book. Being poor and going without is deeply woven into my psyche and I know how hard that is so someone working at a magazine so she can pay rent when she has no other family I don’t see that justified way to judge her. I still found the book only OK but someone may like it it really was written by someone with talent intelligence and wit but I just found it almost pointless. Only somebody who’s wealthy could write a book that makes working or not working an ethical issue. #NetGalley, #TheBlindReviewer, #MyHonestReview,
This wasn't anything particularly groundbreaking or novel (we all hope, in the year of our lord two thousand and twenty-six) about the vultures that are tabloids and the skeevy business of selling your words and photos to them to churn out for clicks. What is truly engaging here is the story of Frankie (Francesca), a thirty-year-old journalist who was laid off from a relatively prestigious assignment at Marie Claire and is now forced to reckon with poverty and no support from familial money or family connections to get a job.
Frankie takes a job at an online-only gossip rag called The Scoop to try and work her way to the promised land: Business Now, an esteemed financial publication acquired by the parent company. The author does an excellent job of making Frankie an interesting character to follow despite the many concessions she's making to get to a respectable assignment. As the night editor for The Scoop, she has multiple tests of her morality, an abusive boss yelling at her about any moral qualms, and striving to balance journalistic integrity with needing money to live.
I had a great time reading this, and it's a solid, if not surprising, look into the inner workings of gossip publications and how they cause real harm.
"The Scoop" offers up a timely bit of commentary on the media, especially the corner of modern journalism focused on the foibles of minor celebrities. What's a young writer to do: Stick to her principles or bend her ethics in service of a much-needed paycheck? It's a great premise, but the book just does not deliver on it. First-time novelist Erin Van Der Meer brings a heavy hand to basically every part of the story. Francesca, our plucky heroine, loses her job at Marie Claire magazine and — after a long summer of unemployment — lands at a tabloid website that's run by a company much like News Corp. As Frankie morphs from Serious Writer to Hack Who'll Do Anything for a Scoop, the story sticks to an all-too-predictable arc. I wanted to love this book, but it just didn't fulfill its potential.
Note: I received a free ARC of this book from Netgally in exchange for my honest review.
2.5 rounded up. Decent but nothing that really stood out. Easy characters with morals at each extreme, no gray areas. There was some interesting color with Frankie slowly being seduced into being good at her awful job and sinking into the muck, but she basically just bounced right back afterward. One thing that was strange was how much the summary gave away. I feel the bit about "beloved pop star and grief over her dead mother" happens so late in the book to be included. But that may be a personal opinion that others wouldn't even blink an eye at.
Rounded up from 3.5 because the point that tabloid journalism, especially owned by the right wing is incredibly dangerous. The novel had its intended effect of being incredibly bleak about the state of journalism today.
This book was great! I thought the desperation of the journalist and the themes of class, ethics in capitalism and ethics of media were really interesting. I also loved the inner conversation Frankie has at the end with herself and the reminder to be brave despite what others may think. (This is a cheap summary of what it was) I found the plot and character development entertaining. All that said this book was probably a 3.5 for me. I would still recommend it though!
Frankie Miller is a journalist living in NYC, was recently let go from her magazine job and is desperate for another one. She ends up taking a job as the night editor at The Scoop, an online tabloid. She finds her journalistic ethics quickly slipping away as she tries to make it in the cutthroat world of tabloids and clickbait. A pop star from the past gets in the crosshairs of The Scoop, and Frankie has to decide if there is a line she won't cross to keep her job.
Okay, I get it. This is a satire. It's skewering media in general and tabloid media in particular, and how ruthless they can be to get views and clicks, and that's a very valid perspective and an important thing for people to understand. As far as this aspect of the book goes, the author did a great job conveying this side of the media. Sometimes novels these days feel like the writing is kind of "dumbed down," for lack of a better term, but that was not the case here. This author is talented when it comes to crafting a story.
However, this book was painful to read. Frankie's moral compass skewed off course ridiculously fast, and the things she was willing to do within a matter of days were concerning. The lines she was willing to cross were quite honestly disturbing. It's a satire, I know, I know! But she was not a very good person even before she took this job. She was mooching off of her roommate with a "secret tab" of all of the food she was eating without even asking her roommate if she could or confirming with her roommate that she would replace it. (Did she ever? We never find out.) She was nursing a bad breakup by having sloppy afternoon sex with newly-separated-but-not-yet-actually-divorced dads in Brooklyn. She had a really big chip on her shoulder about her best friend's wealthy upbringing and job connections, and it came through in how she assumed the worst about her friend's judgments toward herself. Her mother's death was hard on her, and I really feel for her, but almost a decade later, she was almost using it as an excuse for her poor choices and bad attitudes. She wasn't really likable before the job, and she became a monster after she took it. And she acted like she had no choice but to take this job because her only options were this horrible job or becoming a sex worker, yet I am sure there were many other alternatives.
On top of all of this, there was a LOT of swearing, including copious amounts of f-words and c-words. Lots of talk of sex, no actual sexual content.
The book itself was well-crafted, and the author is a talented writer (that's the only reason I'm not giving this one star), but the unsavory content and the unredeemable main character made this book a huge miss for me.
Thank you to Grand Central Publishing for the ARC through a Goodreads Giveaway.
- frankie is let go from her dream job at marie claire and, after a summer full of interviews that go nowhere, accepts a job as the night editor a right-wing-backed tabloid website. she tries to maintain her journalistic integrity, but with the promise of a transfer to a much more reputable outlet dangling over her, she accepts that integrity isn't what generates clicks - (more of a 3.5ish) - was prepared to hate this because at first i thought it was going to be 300 pages of millennial complaining about how oh no, i picked the fun career field that everyone wants to go into and now i can't work my absolute dream job! (like, i get it, but at least you got a shot at following your passions! we pitiful gen z-ers were told "you're going into a stem field and you're going to like it" and still can't get hired anywhere!) - but it's actually more about the ethics of doing certain jobs and how life circumstance can push people to take jobs that may conflict with their morals (specifically within the journalism industry, but i think it's broader than that as well) - that's something that's been on my mind a lot recently so i really enjoyed turning over all the ways the characters who work at the scoop rationalize their decision to work there as well as the discussions of how privilege allows some characters to avoid taking jobs like frankie's - been thinking about the image at the beginning of frankie driving the car away from her mom's house too like damn that was good! - where the book lost me was a handful of unrealistic character moments - frankie's turn from apprehension of what she's expected to do at the scoop to almost delight in it happened pretty suddenly imo - also i think she's a bit unrealistically naive about the prospect of a job at business day. i had a similar thing at an old job (though much less dramatic and consequential and not at an evil company, lmao) where they dangled the work i actually wanted to do in front of me like a carrot on a stick, but i always knew there was the possibility of it not panning out. and it didn't! and i wasn't surprised! and i was like 22, not 29! frankie takes david's promise of a transfer as a given even though she knows he's fairly high up at an unscrupulous organization and that never made sense to me. - also can't decide how i feel about this being set in 2014/2015. makes everything that happened in the book really bleak in hindsight but at the same time i think it was smart of the author to not make herself write around the trumpification of the news cycle lmao. - anyway interesting discussion to be had here but there wasn't a ton in the story itself that will stick with me beyond that.
**thank you to goodreads and the publisher for the free copy!**
I requested this on Netgalley and was fortunate to be given the opportunity to read it. I will be purchasing a copy.
Francesca (Frankie) Miller, our main character, once employed in her dream job at Marie Claire’s glossy magazine, has found herself unemployed and desperate. She has been searching for another journalistic position for three months, has a pile of overdue bills, lives on cereal and is dealing with the fact her ex-boyfriend now has a new girlfriend. She has had more rejection emails than anyone's self-esteem can handle.
The Scoop, a tabloid website, has offered her a night editor position and she battles with the ethics of taking it or holding out for something better. The tabloid is run by a despotic editor-in-chief that has a history of scandalous behavior in reporting. She can't exactly afford to say no so she decides she'll take the temporary diversion.
It doesn't take long and the line between ambition and morality begins to blur. Once she crosses it, a chain reaction is set off and she loses all control of the situation. The 24/7 news cycle is ruthless. Outrage sells. Killing someone's reputation is gold.
The book concentrates on how far Frankie will go and how much she's willing to lose. Will she mentally survive this merciless game?
I was on the edge of my seat for most of this read. I was a journalism major and worked for multiple newspapers before I realized the career wasn't for me. I have a byline on numerous articles and have had a photograph published alongside a story. The rush is sweet but then you're immediately on to the next story, which may not be near as exciting as the former. I was naive in the thought I would graduate and head to Rolling Stone. It doesn't quite work that way.
I relate to Frankie and empathize with what she is going through. I can't say I wouldn't have done the same if I were in her position. Peer pressure can be overwhelming in that environment and Frankie fell victim. But…victim she was not. After her first moral failure, she knew exactly what she was doing and was ruthless in the process. I had some pretty unfavorable feelings toward her and her decisions but it was easy for me to judge, lounging on my chaise and reading her story.
I love this book! I will highly recommend it and I think it's important and relevant concerning today's news cycle. You definitely sit with it and consider what your place would be if you were in that position. I will be purchasing a copy for my shelves as I think it might be one I revisit at some point. The ending was unexpected but perfect. I think any avid reader will feel the same.
My thanks to NetGalley and Grand Central Publishing/Hachette Book Group for the ARC of "The Scoop" in exchange for an honest review.
Fasten your seatbelts for this one......a book that takes a reader on a cringe-filled safari through the most vicious Heart-of-Darkness contemporary jungle imaginable......the absolute abyss of a tabloid website. It's where the moral compasses of journalists spin faster than helicopter blades in the pursuit of click-bait dirt. It's where misery, tragedy and celebrity collide and we just can't help ourselves if we stop in to munch on a few tasty McNuggets of bad news for the Rich and Famous among us.
29 year old magazine writer Frankie Miller, unemployed and desperate to continue living her dream of a journalism career, sells her soul to 'The Scoop' an on-line tabloid ruthlessly overseen by its Editor-in-Chief David Brown. Newly installed as the 'The Scoop's night editor, Frankie at first tries holding on to what's left of her scruples but....fat chance. David's brutal tirades give her a boot camp schooling in the world of the take-no-prisoners tabloid meat grinder. that needs constant feeding.
When a long forgotten pop singer's spotted in less than flattering photos, David targets her for non-stop humiliation, contrived scandal and around the clock paparazzi stalking. And Frankie, now enraptured with the nationwide and worldwide attention her bylines earn for her, succumbs and embraces her notorious success, even at the cost of losing her closest friends. But what happens when the repercussions of her choices finally come back to shake her to her core?
I can only say that you do NOT want to miss Frankie's response and ultimate ironic fate. .
Author Erin Van Der Meer not only eviscerates the tabloid world but takes a knowing, unflinching look at the challenges faced by ambitious, talented working women in a Patriarchal marketplace.. And I was amazed at how absorbed I became with Frankie's calamities given that her shifting morality renders her unlikable and the book spends a little too much time with her repetitious internal anxieties.
There's real live wire energy in the storytelling here and a sense of cruel wit runs through the entire book. Not a pretty picture of the way we digest news these days, but you won't want to stop reading till Frankie (and author Van Der Meer) have the last word.
‘The Scoop’ by Erin Van Der Meer is an okay read, as far as debuts go, but it isn’t as engaging, thought-provoking, or memorable as many other novels. I’m not sure why it has been categorised under Literary Fiction, as there is nothing literary about it, and this will inevitably to lead to disappointment for anyone hoping for something with more depth and nuance and a higher quality of writing.
The novel is described as “sharp, witty, and unflinchingly bold”, and it is said it “pulls back the curtain on tabloid culture and the human toll of the 24/7 news cycle”. I didn’t get any of this when reading it. I found the discussion of class issues to be one-sided and lacking in nuance, and just like the discussions of the portrayal of women in the media and what is fair game when it comes to reporting on celebrities, it didn’t say anything new. Sure, the novel is set in 2014, but it would have been nice to have seen a fresh take on these debates.
The writing itself is readable, but not great. The story is very heavy on the backstory, and includes details from the protagonist’s past, such as the account of her break-up with her most significant ex, that aren’t relevant to the story being told in the present. The details that are more relevant, such as the death of her mother, are too long and suffer from extreme repetition. The book could easily have been trimmed to half its length.
Repetitiveness is a common theme in this novel, with the author feeling the need to frequently restate what has already been said, rather than trusting the reader to remember events from one chapter to the next. This slows the pace of the story, and causes a dip in interest. The author also has a bad habit of jumping forward to after an event, then using narrative summary to catch the reader up on how the character got there, rather than allowing the story to play out in direct scene; this technique draws attention to itself, so feels repetitive when overused, and it also distances the reader from the story, reducing potential for engagement.
Overall, an intriguing premise, but a failure to deliver on the promises. ‘The Scoop’ feels to me like one of those books that got taken up due to contacts rather than its strengths.
Many thanks to NetGalley, Erin Van Der Meer and Wildfire for the ARC.
⚠️ Misogyny, body shaming, death of a parent, drug use, suicide attempt
The Scoop is the story of Francesca "Frankie" Miller, a former Marie Claire journalist who is at the end of her rope after being downsized and unable to find a new job. Taking on the role of night editor for the online tabloid The Scoop is her last chance- she is promised a role at the esteemed Business Day paper if she sticks it out for a few months. At first, Frankie is appalled at the stories that The Scoop covers (a girl who sells her jarred farts, really?), but as she settles into her new role, she is willing to scrape the bottom of the barrel for any "breaking news" story that will get her into her boss's good graces. Frankie finds herself going above and beyond to generate the newest "scoop", even if it means ending friendships, using shady business practices and humiliating former celebrity idols. Eventually she goes a step too far- and has to decide what's more important, her integrity or her dreams.
Well well well, Ms. Van Der Meer, you've written yourself a Very Good Main Character. Frankie is at first a sympathetic character: down on her luck, dreaming of bigger things, and maybe a bit naive about what it will take to survive in the cutthroat world of journalism. As I read, I found myself agreeing with a lot of Frankie's decisions: Wouldn't I take the last job left in the field? Wouldn't I hold my nose and hit "post" on a story I didn't 100% agree with if it meant a shot at my dream job? As the story continues and Frankie continues to make hard choices, I found myself souring on Frankie and actively avoiding picking up this book because I didn't want to see the consequences of Frankie's actions. On the second day of saving this book until last, I realized that Van Der Meer had written such a good character that I was having a visceral reaction to her actions (mainly disgust at that point) and that I needed to see this story through, because Frankie is so well-written that whatever her final action, it would make sense for Frankie and all that she'd been through. I was not disappointed: Frankie has a powerful character arc, and her insight into the world of sensationalist journalism is spot on.
This was a good book, folks. Definitely recommend!
The premise for this was really cool, and a topic that I don’t see often talked about in books but is relevant to the publishing industry as a whole and we should pay more attention to. It was a propulsive read, and I found myself itching to get back to the story whenever I was doing something else. I also had pretty high hopes for this one bc I’m seeing this author in conversation with an author I really like who wrote a similar book, Victim, but ultimately I think this comparison downgraded the book a little for me because I think Victim pulls off the grifter story better.
The main thing I didn’t like was how tell-y it was and how I don’t really believe that Frankie truly felt the massive consequences to her actions. When the 3rd act happens, we get a whole chapter basically just explaining her psyche to us when I think it should’ve been explored through a longer mental breakdown. I agree with the ending in which 1) she runs a tabloid story on The Scoop itself and 2) turns down that NYT “job” (only an interview, but the implication is clear) but I think we moved on far too quickly from the extreme shame, guilt, and anger that she felt after Amanda Myles nearly dies. Like I just don’t think everything could be emotionally tidied up the way that it was after knowing that you could’ve been a direct cause for someone’s suicide. I think the actions Frankie took should’ve stayed the same, but she should’ve been a wreck of a person for far longer. I also think we could’ve lingered a little longer on the ways in which legacy media is complicit and in its underbelly, not much better. This argument is made multiple times in the book but we don’t get a real example as to why that is apart for maybe the end.
Also, I was expecting to get something about the dubious ethics of journalism in general (because there are dynamics that really should be examined i.e read the New Yorker story “The Journalist and the Murderer“) but the book only focuses on the big bad of tabloid media and not nearly as much Legacy media or journalism in general.
Overall, a fun interesting journey that should be examined in this social media news age, but the execution falls a bit short for me. Still excited for the event tho
This entire review has been hidden because of spoilers.
This was a thoroughly impressive debut novel that kept me on the edge of my seat the entire way through. It’s written so well and keeps you pulled into the story.
Francesca’s character path is such an interesting one and asks the question of how much of your morals are you willing to sacrifice to get ahead in life? At first, you really feel her dilemma, here is this opportunity that comes along at such a low point in her life, is she really in a place to say no to it? She lives in New York, one of the most expensive cities in the world and doesn’t have any income to support herself.
Sure, The Scoop is basically the TMZ equivalent in this fictitious version of the world, (TMZ is actually one of their direct competitors) but when she accepts the job as their nighttime editor, she truly has no other options and genuinely believes that this job is paying her dues until she gets moved over to the more reputable newsroom of the parent company that owns them both.
But then comes Amanda Myles into the fold, a former celebrity turned private citizen, and everything changes. One heavily edited story turns into another and the praise from her boss plus the viral aspect of the stories brings out something in Francesca that she never realized was in her. She pretty much sells her soul to the devil and becomes everything that she hates, but she’s so far gone that she can’t even really see it. Until she’s SO far gone that she sees it and chooses not to care.
It is a FASCINATING character study of how far Francesca ends up willing to go for the sake of a story. You start as very sympathetic towards her but it very quickly turns into no, no, no, what are you doing???
Even before I read at the end that Erin Van Der Meer was a former journalist, you could absolutely tell from the writing that she knew what she was talking about and had experience in the field. Really excited to see what she comes out with next!
What an intriguing read this was! It’s a sharp, witty and insightful look into the seedier side of journalism, and how far a journalist is willing to go to achieve success.
It’s told from the POV of Frankie Miller who has recently lost a much-loved job at a magazine and, with spiralling debts, desperately needs to find another one. She decides to take the only journalist job she is offered - at The Scoop - but little does she know that her morals will be called into question, and her integrity challenged to the max!
The narrative follows Frankie and her team as they search for that unique piece of news/gossip which will bring thousands of viewers to their news site - and please their boss ‘David Brown’ who is one of the most callous and ruthless men in the business.
We watch Frankie, a kind and caring young woman, change before our eyes as she is absorbed in this world of meeting targets and chasing her rather naive dream. Despite this, I did really like Frankie and, although she did a lot of harm, I hoped she’d see sense and find a way out.
Reading this made me think about how journalists get hold of stories nowadays, and what motivates them to potentially ruin someone’s life. It also made me think of similar real-life scenarios which have been front page news, and what had gone on behind the scenes to put it there.
It’s a compelling story, and I read it in a couple of sittings as I didn’t want to put it down. It’s a tough read in places, especially the way some journalists talk about the people they are writing about. There’s no empathy or sympathy towards the person being targeted by the news outlets.
It’s a fascinating read, and a great debut novel. I feel like I’ve had a really good insight into this area of journalism, especially as the author used to be a journalist herself.
I was sent a copy of this book by the publisher in exchange for an honest review. All opinions are my own.
Much as we don't want to face/believe it, we all know really that we are manipulated daily by what we read around us, that can only now be easier with advances in technology.
Here we have an inside story of this, with an ex-magazine journalist desperate for work taking on a job as a night editor at a notorious publication that prints celebrity gossip and tacky contact, stopping at nothing to encourage higher clicks. Even when it's not substantiated.
Promised the carrot of a role in a reputable publication later, Frankie takes the job at the Scoop, rationalising it to herself and her friends in the industry as something temporary, harmless, a means to an end.
We see straightaway the depths the night staff go to for stories, for approval from their constantly whip-wielding editor in chief. And when one story hits a home run, a former celebrity with *gasp shock horror* cheese in her shopping bag, it starts a chain of stories and events that lead to moral quandaries, potential real harm, and life-changing decisions to be made for Frankie.
This was a devourable short read for me, fascinating inside look at the industry and sadly all too believable as what really does happen behind all those ridiculous headlines we scroll past multiple times a day. And we are probably part of the problem.
Great story, I liked the characters and I just loved the ending, was really pleased with the last-minute turns that were incredibly satisfying. Well told and gave a lot of pause for thought.
With thanks to Netgalley for providing a sample reading copy.
Sharp, witty, and unflinchingly bold, The Scoop is a searing exploration of ambition, exploitation, and the human toll of the 24/7 news cycle.
The Scoop is a fast and interesting satire about tabloid journalism, ambition, celebrity, and the moral compromises people make when they need a paycheck.
As print media starts to die, Frankie loses her dream position at Marie Claire. Months into unemployment, she has one job bite: at a horrid tabloid run by the equivalent of a right-wing Fox News corporation. Believing this is her only path to fiscal security and to getting back on track in her chosen profession, Frankie hesitantly agrees to take the position of night manager.
As she begins work at the online tabloid, Frankie pushes back against questionable decisions that dehumanize the news media's targets. But as she learns how the game is played and what it takes to get her career back on track, she slowly convinces herself to play along. Over time, she goes from trying to hold the moral line to pursuing a former star musician who clearly isn't handling the tabloid attention well.
This gave me the messy behind-the-scenes media drama I like: bad incentives, public scandal, ambition, and people working hard to convince themselves they are still basically good. Think tabloid news with the same addictive energy as UnREAL and Flack. The satire ultimately asks what it means to participate in an economic system that requires us to be complicit in the exploitation of other people.
My only real disappointment is that I wanted it to go harder. The setup is strong, but I wanted the book to go uglier.
Still, I recommend this to those of you who, like me, enjoy stories about media, celebrity, work, and people justifying their way through rotten systems.
Thank you to NetGalley and Grand Central Publishing for the ARC of this book in exchange for my honest review.