This survey of textile fundamentals and methods, written by the foremost textile artist of the 20th century, covers hand weaving and the loom, fundamental construction and draft notation, modified and composite weaves, early techniques of thread interlacing, interrelation of fiber and construction, tactile sensibility, and design. 9 color illustrations. 112 black-and-white plates.
An erudite and informed discussion of the art of weaving with a wealth of examples. Includes a section of Annie Albers’ own work, which is simply gorgeous. To then read her boundless admiration for Peruvian weaving is to look at this art with new eyes.
anni albers is incredibly articulate, smart, and poetic. i adore reading her writing and being able to take a little glimpse inside her genius mind. this edition also had some great essays and insights into her work.
Great insights mixed with a little history and instruction. This isn't a 'how to weave' book, Albers provides a brief overview of the evolution of weaving along with basic lessons on process. Beautiful illustrations and diagrams throughout. Essential for textile artists/designers, but not a pretentious read that would dissuade those without any knowledge on the subject.
So, I'm not a weaver, but I've seen this cited as a must-read for fiber artists. It was mentioned towards the beginning that even non-weavers could find value in some of the things discussed. While I know the terms weft, warp, and a few others, the rest of the jargon, especially the chapter with all the numbers, meant nothing to me. Abstract language, ugh. My eyes started to glaze over a bit there. I'm sure it's interesting for weavers, but if you don't have a history in it, then it's tricky to follow.
For non-weavers, it only gets interesting (relevant?) from chapter 8 onwards. I will say though, I was less interested in the essays at the end. (Some of the information in the first was repeated in the second.)
I'm glad I've read it to know what it's about, but honestly, chapters 8-10 is the only bit I'd want to revisit.
I am a new weaver. I took a class on a whim, and now I own a loom and am excitedly planning what my next project will be. And, because I am me, I went to borrow a ton of books from the library on the subject. This is not a technical weaving guide (I didn't expect it to be), but a very academic collection of essays about the history, techniques and other design components of weaving. Interesting, but a bit dry. When I am a more experienced weaver I may come back to this, and see if I understand more of what it contains.
Somewhat over my head because I haven't worked on a harness loom, only plain weave on my rigid heddle, but this volume is a wonderful meditation on weaving and craft. The beautiful techniques through the ages are illustrated in big color photographs, and it gives you a real appreciation for weaving as an ancient and tactile activity.
This is quite an old title. It is more of a art book, perhaps even a coffee table one. There are some historical details, and plates. The term itself, is no longer often used. I will need to look for some other technical details. Recommended.
This is a wonderful book: classic text by Anni Albers, gorgeous plates, and engaging essays. You don't have to be a weaver to love this one. Highly recommended.
Great book by Anni Albers. Examples of ancient weaving, her work as well as sketches. I really like the way she wrote, seems as though she is speaking directly to you as a friend.