The Fall 2025 issue of Rattle pays tribute to Late Bloomers—poets who found their voices later in life, proving it’s never too late to begin again. From Michele Herman’s wry Notes on Communication to Tangerine Bell’s moving Epitaph for an Unpublished Poet, these pages are filled with wisdom, wit, and fresh starts. We also feature a rare conversation with Rattle’s elusive founder, Alan Fox, who reflects on 30 years of poetry, publishing, and the power of saying yes. The open section, as always, bursts with variety—don’t miss Richard Siken’s Pain Scale, Crystal Simone Smith’s stunning haiku, or Bruce Weigl’s nostalgic A Fabulous Night for… Whether you’re a lifelong poet or just starting out, this issue offers something to inspire.
Tribute to Late Bloomers Grandfather Ascending a Staircase by José A. Alcántara If We Knew Then by Gil Arzola Art History by Susan Auerbach Epitaph for an Unpublished Poet by Tangerine Bell Vacating by Michael Brosnan Ungently by Charles Carr Lend Your Heart to No Thing but God by Allisa Cherry Cul-de-sacs by Charles S. Cobean Tempera by Spider Dailey A Woman, a Man by Juditha Dowd Never Again by Barbara Ford Hour Children by Caprice Garvin Notes on Communication by Michele Herman Field Mouse Dangling from a Red-Tailed Hawk by Ken Hines Something Coming by Lester Graves Lennon Making Love at Our Age by Karen Whittington Nelson Lanterns by Doug Ramspeck Saudade by Robert Rice Neighbors by Lisa Seidenberg Sad Thing by Lazar Trubman
Open Poetry Deposition by Sherman Alexie Bullet by Kai Carlson-Wee Queer Poetry by Gray Davidson Carroll Penumbra by Brent Fisk A Senior’s Villanelle by Lynn Hess Prayer for a Potential Mass Murderer … by Manuel Iris Old Maid: A Pecha Kucha by Julie Kane Benny and the Stillness by Gary Lark Pretty by Suzanne Lummis The Body by Al Maginnes Our Marriage Is a Mountain Range of Dusty Rugs by Chelsea McClellan My Daughter Calls by Michelle Patton Dementia Sonnet by Justin Rigamonti Pain Scale by Richard Siken [honeysuckle breeze] and Other Haiku by Crystal Simone Smith The Death of My Shadow by J.R. Solonche The Opportunities Pantoum by James Valvis A Fabulous Night for … by Bruce Weigl
Rattle is a publication of the Rattle Foundation, an independent 501(c)3 non-profit organization whose mission is to promote the practice of poetry, and is not affiliated with any other organization. Alan C. Fox is its founder.
I won a subscription to Rattle for one year because I submitted to the Poetry Super Highway contest this year.i have previously read poems from Rattle online, especially the Poet’s Respond section and have even recited a poem by John Philip Johnson, which appeared in Rattle. That was an honor because they usually have their own people do the recitations. Anyway, this was my first time reading an issue from front to back and I enjoyed it immensely, even though I prefer Speculative Poetry. The interview with the founder, Alan Fox, was very interesting and the authors’ notes by the Late Bloomers were also fun.
cul-de-sacs, charles s. cobean “I can’t tell you how gratifying it is / to be right about something / when I was just as likely to be wrong”
dementia sonnet, justin rigamonti “Your name is another word / to cross off her list, something she doesn’t need / anymore. Nameless, you hold her hand, relieved / of your story. Relieved of everything but breath.”
I’ve subscribed to Rattle for a while now and always devour it when I get my latest copy in the mail. Edition 89 was the usual collection of poems. Some brilliant. Some ok. Some meh. If I’m being honest, sometimes it’s hard for me to read this compilation when I get it because Rattle continues to reject my submissions. So I often find myself finishing a poem thinking, “they accepted this over mine???” But when I’m able to block that jealous streak off I can enjoy the poems for what they are. And the conversation with Rattle founder Alan Fox was very good.
Still, a few of these poems don’t compare to what I submitted. . .
Really glad I discovered/subscribed to these guys this year. All the stories from folks who became serious poets after 50 were encouraging for this 31-year-old aspiring poet who often frets about his relative lack of life experience. Lots of good poems in here but my favorite would have to be Julie Kane’s devastating tribute to her eccentric aunt in “Old Maid.”
Sometimes the themes of the Rattle issues fall flat, but the section with poems from poets writing seriously after age 50 rescued an otherwise frustrating issue. I absolutely adore Allisa Cherry’s poem “Lend Your Heart to No Thing but God,” but I almost despise the Alexie poem opening the collection, which, given Alexie’s fall from public grace, reads as a whiny diatribe against the hypocrisy of the political left that “cancelled” him. The interview, too, with Rattle’s founder was disappointing. There were a few bits of interesting Rattle history—mainly brought up by Tim Green’s questions—but it seemed as though Fox was reluctant to talk about those memories or feelings or poems with any depth.