How trauma became a weapon, by highly-acclaimed author of Virtue Hoarders
Traumatized traces the emergence and triumph of the concept of trauma in public life. From shell-shock and PTSD to the power of Oprah Winfrey and the authentic personal brand, Liu weaves together the history of this now ubiquitous idea and explains what it all means for our society.Trauma culture speaks to our current moment - the demise of liberalism, the expansion of social media, and the rise of surveillance capitalism. Trauma culture promised liberation from repression and oppression but has never delivered. Instead, it has been made into a weapon to individualise suffering, promoting a politics of false consensus. It undermines solidarity and eviscerated the foundations of liberal politics by demanding submission to a regime of vulnerability and accommodation. When suffering is all we have in common, what are we to do when we are all too traumatised to resist?
Catherine Liu is the director of the University of California Irvine’s Humanities Center, a professor in Film and Media Studies, and the coeditor of The Dreams of Interpretation: A Century Down the Royal Road. She is the author of Oriental Girls Desire Romance (a novel), Copying Machines: Taking Notes for the Automaton, and American Idyll: Academic Antielitism as Cultural Critique.
Thank you to NetGalley and the publisher for this ARC!
This is a fascinating book that reads as somewhat more so of a long form essay, exploring the tokenisation and alteration of trauma in the public consciousness and how we have commodified it. I found it to be somewhat alarming, but also remarkably interesting.
So often we are caught up in the narrative of suffering- what it means to have ‘lived experience’ of something versus being educated but not having actually experienced it. This leads to a concept that is, perhaps, more interesting than all others- the idea that we have invalidated research and data in favour of anecdotes.
This book goes aways to explaining this, and more. I think the part I found most interesting was the segment on Oprah and her business modelled off trauma. We have seen the rise of this even more sharply on the internet in recent years, and it’s got an undertone of ill-will underneath.
I think as the world develops further into comfort and we see the rise of a specific narrative in relation to technology, we are going to only see more of this kind of thing. I do wish that we got a little bit more about the advent of the internet in this book, but with that said, it was definitely more than fascinating.
While I know that this wasn't the intent of the author, the tone she ended up writing this in ended up coming off to me as super judgemental that trauma victims are sharing their stories publicly and incredibly dismissive. I get that she is trying to assess this trend from a Marxist point of view and to showcase it as a dark element of capitalism (especially with the Oprah chapter), but she isn't able to fully disengage her own personal bias. Better luck next time.
The word “trauma” derives directly from the Greek word τραῦμα meaning “wound” but the contemporary sense of the word, the metaphorical idea of an invisible psychic wound, only emerged at the end of the 19th century. This semantic development followed a growing psychiatric awareness of mental and nervous disorders but Liu’s book shows a deeper change in the word, beyond the inward shift from exterior wounds to psychic scars: discussing specific historical cases of trauma-related discourses (insurance claims, child-welfare interventions, the Vietnam War, and finally, the Oprah Winfrey Show), Liu explores how trauma took shape in the Anglo-American world as a new form of capital—both monetary and moral.
As Liu explains, trauma theories of the mind were first used by victims of train derailments and veterans of war to claim compensation or seek medical care; second-wave feminists invoked the concept of personal trauma (whether from domestic abuse or assault) to confer moral authority on their larger critiques of gender inequity and oppression in the public sphere; moving into mass culture, Oprah Winfrey used her own story of childhood abuse to fashion herself as an authentic, vulnerable, accessible television-host, making her traumatic upbringing part of her public brand. Trauma, in all these instances, was transmuted into a cachet that could secure money, entitlements, recognition, book contracts, moral status. To be a victim of trauma meant to be a survivor, a witness, a prophet, someone to be heard, seen, cared for, deferred to.
The confession of trauma was thereby assumed into the neoliberal commerce of social movements, entertainment media, psychiatric institutions, government agencies. Trauma became part of an activist’s political credentials; agents and publishers could take stories of trauma and repackage them for mass consumption (I love Helen DeWitt’s “The English Understand Wool” in which an editor tries to squeeze a familiar narrative of trauma and survival from a young girl who declines all the trauma cliche). As Liu points out, trauma culture and trauma narratives have sunk into everyday life: US high-school students applying to college are often taught (explicitly/implicitly) to present stories of setback, suffering and resilience, parroting these broader scripts of trauma, recovery and empowerment. Trauma and victimhood have been incorporated into the repertoire of identity and self-marketing.
Liu’s ultimate point, however, is that this commodification of trauma ultimately erases class-based consciousness, centering individual stories of trauma and ignoring systemic injustice. “Capitalism loves trauma culture,” she writes pithily. The Oprah Winfrey Show might be celebrated for its outward rhetoric of progressive feminism, Oprah herself translated her story into meaningful political action (promoting the 1993 Child Protection Act), but her interviews tend to silence discussion of class, inequality and feminism. People tune in to watch a programme of disclosure and therapy. As Liu puts it catchily, “Liberal revelations were being televised, even if the revolution was not.” Spiritual self-care, positive thinking and emotional catharsis disarm collective action and solidarity.
Catherine Liu’s book joins a critical turn against trauma (see Parul Seghal’s piece “The Case Against the Trauma Plot” in The New Yorker) and her book offers a valuable rejoinder to the mass-marketing of individual suffering as a lucrative fodder for political and commercial ends—and yet I found it strange that Catherine Liu could only see trauma as a discourse to be theorized. Her book, ultimately, lacked an obvious acknowledgement: trauma is real. At a neurological level, trauma can rewire the brain and victims of trauma may find themselves unable to disentangle past events from their present moment. Trauma for them is not some concept to be historicized but something that they are constantly reliving. Some people really do have deep psychic wounds—which cannot be solved by Marxist-informed collective awareness.
A provocative and polemical book—certainly one to court controversy. Thanks to the publishers for the advance copy!
I finished the last page of the book and felt that despite the best of intentions since the 19th Century, great harm continues.
An individual’s best of intentions can be debated because the author makes a solid case that the practitioners and lay people were/still are ill-prepared. At worst, too many in history had the intent to do further harm.
The depth of the research done in each of the chapters could be a separate book itself. For that reason, I felt it would be best served as a text in the curriculum for an undergraduate degree. It belongs with students in the social science or practicing clinicians.
I felt that it wasn’t well-suited for the casual reader. It also left a sense that trauma continues to run rampant and we aren’t any better served in present day.
I thank NetGalley, the publisher and the author for the opportunity to read this book in exchange for a fair and honest review.
What I initially thought was a book, is in reality more of a scholary essay. The first section is almost entirely inaccessible to anyone who isn't steeped in the modern college vernacular. That's not inherently a bad thing but it did catch me off guard and make the content a bit dry for my personal taste. The second section improves a bit, delving into the history of psychology as it pertains to PTSD. I really enjoyed learning about some of the early interpretations of trauma induced symptoms. The third section about Oprah really shines. I would love an entire book about daytime talk shows and the way they've shaped modern views of trauma and recovery. Absolutely fascinating. Overall this feels a bit unpolished. While it might get an A in a classroom, it doesn't quite reach that mark as a casual interest reader. The author has some great insight though and it was definitely worth the read.
Thank you to NetGalley and Verso Books for providing me with an ARC of this book. All opinions are my own.
“Traumatized” is a confronting and bold look at the emergence of trauma culture liberalism and the ways in which this ideology has failed to produce a better world and instead legitimises inequality, the proliferation of technosolutionism, and has provided cover for American imperialism.
I really appreciated this book, particularly the chapter around the mythology around social work and the way trauma culture has bypassed economic deprivation and material reality. I felt that many of the critiques made by Liu are things that have been bubbling in the corners of my brain for many years but that I’ve struggled to articulate in any meaningful way.
I would recommend reading this book alongside “Elite Capture” by Olúfẹ́mi O. Táíwò, a book I read this year that I also found particularly illuminating on the topic of identity politics and its subservience to neoliberalism.