Ambiguous Borderlands: Shadow Imagery in Cold War American Culture

by Erik Mortenson

The image of the shadow in mid-twentieth-century America appeared across a variety of genres and media including poetry, pulp fiction, photography, and film. Drawing on an extensive framework that ranges from Cold War cultural histories to theorizations of psychoanalysis and the Gothic, Erik Mortenson argues that shadow imagery in 1950s and 1960s American culture not only reflected the anxiety and ambiguity of the times but also offered an imaginative space for artists to challenge the binary rhetoric associated with the Cold War.
 
After contextualizing the postwar use of shadow imagery in the wake of the atomic bomb,  Ambiguous Borderlands  looks at shadows in print works, detailing the reemergence of the pulp fiction crime fighter the Shadow in the late-1950s writings of Sylvia Plath, Amiri Baraka, and Jack Kerouac. Using Freudian and Jungian conceptions of the unconscious, Mortenson then discusses Kerouac’s and Allen Ginsberg’s shared dream of a “shrouded stranger” and how it shaped their Beat aesthetic. Turning to the visual, Mortenson examines the dehumanizing effect of shadow imagery in the Cold War photography of Robert Frank, William Klein, and Ralph Eugene Meatyard.  Mortenson concludes with an investigation of the use of chiaroscuro in 1950s film noir and the popular television series  The Twilight Zone , further detailing how the complexities of Cold War society were mirrored across these media in the ubiquitous imagery of light and dark.
 
From comics to movies, Beats to bombs,  Ambiguous Borderlands  provides a novel understanding of the Cold War cultural context through its analysis of the image of the shadow in midcentury media. Its interdisciplinary approach, ambitious subject matter, and diverse theoretical framing make it essential reading for anyone interested in American literary and popular culture during the fifties and sixties.

326 pages, Paperback

First published December 15, 2015

About the author

Erik Mortenson is an assistant professor in the Department of English and Comparative Literature at Koç University in Istanbul, Turkey. He earned his Master's degree at the University of Missouri-Columbia, and completed a PhD from Wayne State University in Detroit, before spending a year as a Fulbright Lecturer in Erlangen, Germany. His work focuses on American literary and visual texts and their intersection with the cultural concerns of the twentieth-century. Erik has published numerous journal articles and book chapters, as well as two books. He is currently finishing a third book project that explores the reception of the Beats in Turkey as "underground literature." Tentatively titled "Translating Counterculture: The Reception of the Beats in Turkey," this transnational account examines what happens when transgressive literature crosses national, political, religious, and cultural borders. Erik is also an avid translator, and a member of the Cunda International Workshop for Translators of Turkish Literature. In his spare time he enjoys playing racquet sports, swimming, and cooking for his family.