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DEN GAMLE MAND OG HAVET
95 pages, Paperback
Published August 8, 2025
About the author
Ernest Hemingway
2,135 books33.4k followersErnest Miller Hemingway was an American novelist, short-story writer and journalist. Best known for an economical, understated style that significantly influenced later 20th-century writers, he is often romanticized for his adventurous lifestyle, and outspoken and blunt public image. Most of Hemingway's works were published between the mid-1920s and mid-1950s, including seven novels, six short-story collections and two non-fiction works. His writings have become classics of American literature; he was awarded the 1954 Nobel Prize in Literature, while three of his novels, four short-story collections and three nonfiction works were published posthumously.
Hemingway was raised in Oak Park, Illinois. After high school, he spent six months as a cub reporter for The Kansas City Star before enlisting in the Red Cross. He served as an ambulance driver on the Italian Front in World War I and was seriously wounded in 1918. His wartime experiences formed the basis for his 1929 novel A Farewell to Arms. He married Hadley Richardson in 1921, the first of four wives. They moved to Paris where he worked as a foreign correspondent for the Toronto Star and fell under the influence of the modernist writers and artists of the 1920s' "Lost Generation" expatriate community. His debut novel The Sun Also Rises was published in 1926.
He divorced Richardson in 1927 and married Pauline Pfeiffer. They divorced after he returned from the Spanish Civil War, where he had worked as a journalist and which formed the basis for his 1940 novel For Whom the Bell Tolls. Martha Gellhorn became his third wife in 1940. He and Gellhorn separated after he met Mary Welsh Hemingway in London during World War II. Hemingway was present with Allied troops as a journalist at the Normandy landings and the liberation of Paris. He maintained permanent residences in Key West, Florida, in the 1930s and in Cuba in the 1940s and 1950s. On a 1954 trip to Africa, he was seriously injured in two plane accidents on successive days, leaving him in pain and ill health for much of the rest of his life. In 1959, he bought a house in Ketchum, Idaho, where, on July 2, 1961 (a couple weeks before his 62nd birthday), he killed himself using one of his shotguns.
Hemingway was raised in Oak Park, Illinois. After high school, he spent six months as a cub reporter for The Kansas City Star before enlisting in the Red Cross. He served as an ambulance driver on the Italian Front in World War I and was seriously wounded in 1918. His wartime experiences formed the basis for his 1929 novel A Farewell to Arms. He married Hadley Richardson in 1921, the first of four wives. They moved to Paris where he worked as a foreign correspondent for the Toronto Star and fell under the influence of the modernist writers and artists of the 1920s' "Lost Generation" expatriate community. His debut novel The Sun Also Rises was published in 1926.
He divorced Richardson in 1927 and married Pauline Pfeiffer. They divorced after he returned from the Spanish Civil War, where he had worked as a journalist and which formed the basis for his 1940 novel For Whom the Bell Tolls. Martha Gellhorn became his third wife in 1940. He and Gellhorn separated after he met Mary Welsh Hemingway in London during World War II. Hemingway was present with Allied troops as a journalist at the Normandy landings and the liberation of Paris. He maintained permanent residences in Key West, Florida, in the 1930s and in Cuba in the 1940s and 1950s. On a 1954 trip to Africa, he was seriously injured in two plane accidents on successive days, leaving him in pain and ill health for much of the rest of his life. In 1959, he bought a house in Ketchum, Idaho, where, on July 2, 1961 (a couple weeks before his 62nd birthday), he killed himself using one of his shotguns.
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Displaying 1 - 3 of 3 reviews
June 21, 2026
Hemingway ér en sprogets mester. Til tider kort, kontant og uden fyldord; til andre tider sensitiv, følsom og poetisk.
“Havet kan være venligt og meget smukt. Men det kan også være grusomt, og det kommer så pludseligt, og alle de små fugle, der flyver og dykker og jager, med deres spæde, vemodige stemmer, de er skabt alt for spinkle til havet.”
Jeg er så 100% enig med anmelderen, der i The Sunday Times skrev:
“Ikke én eneste side i denne bog kunne gøres bedre eller anderledes.”
Bare ‘Wow!’ 🙏🏼
“Havet kan være venligt og meget smukt. Men det kan også være grusomt, og det kommer så pludseligt, og alle de små fugle, der flyver og dykker og jager, med deres spæde, vemodige stemmer, de er skabt alt for spinkle til havet.”
Jeg er så 100% enig med anmelderen, der i The Sunday Times skrev:
“Ikke én eneste side i denne bog kunne gøres bedre eller anderledes.”
Bare ‘Wow!’ 🙏🏼
August 7, 2026
Den gamle mand og havet af Ernest Hemingway handler om den gamle, uheldige cubanske fisker Santiago. Han har ikke fanget en fisk i 84 dage. Han sejler langt ud på havet, fanger en kæmpe marlin-sværdfisk og kæmper en hård kamp for at bringe den hjem, før hajer spiser den.
Hovedpunkter i handlingen
Uheld og mod: Santiago tager alene ud på det store hav, selvom folk tror, han er færdig som fisker.
Den store kamp: En kæmpe marlin bider på. Den trækker båden i flere dage. Santiago lider, men giver ikke op.
Hajernes angreb: Da det lykkes ham at dræbe fisken og binde den til båden, lugter hajer blodet. Han må kæmpe mod dem for at redde sin fangst, men de ender med at spise det meste af fisken.
Hjemkomst: Han vender tomhændet tilbage til landsbyen, træt men med æren i behold.
Bogens temaer:
Kamp og værdighed: Mennesket kan lide nederlag, men det vigtigste er at kæmpe stolt og værdigt ("et menneske kan ødelægges, men ikke besejres").
Venskab: Forholdet mellem den gamle mand og en lille dreng, der trofast støtter ham.
Natur: Havet er både en ven og en stærk, farlig modstander.
Den gamle mand og havet af Ernest Hemingway bruger centrale symboler som den værdige marlin-sværdfisk, ødelæggende hajer, drømme om løver og den loyale dreng, Manolin, til at fortælle en historie om menneskets indre styrke og opofrelse. Romanen er berømt for sine skildringer af livets kampe, hvor hovedpersonen Santiago gennemlever fysisk og psykisk lidelse i sin jagt på den store fisk.
Isbjergsteorien (Skrivestilen)Hemingway brugte en teknik, han selv kaldte isbjergsteorien (eller udeladelsesteorien). Over overfladen (1/8): Selve teksten er skrabet, direkte og journalistisk. Han bruger korte sætninger, få tillægsord og simple ord. Han beskriver kun de rå, fysiske handlinger.
Under overfladen (7/8): Alt det følelsesmæssige, de dybe temaer og den psykologiske vægt ligger gemt mellem linjerne. Hemingway mente, at hvis en forfatter ved nok om sit emne, kan han udelade detaljerne, og læseren vil stadig mærke dem under læsningen. I bogen ser vi blot en mand, der fanger en fisk. Men under overfladen mærker man hans ensomhed, hans aldring, hans stolthed og menneskets evige kamp mod naturen og døden.
Hovedpunkter i handlingen
Uheld og mod: Santiago tager alene ud på det store hav, selvom folk tror, han er færdig som fisker.
Den store kamp: En kæmpe marlin bider på. Den trækker båden i flere dage. Santiago lider, men giver ikke op.
Hajernes angreb: Da det lykkes ham at dræbe fisken og binde den til båden, lugter hajer blodet. Han må kæmpe mod dem for at redde sin fangst, men de ender med at spise det meste af fisken.
Hjemkomst: Han vender tomhændet tilbage til landsbyen, træt men med æren i behold.
Bogens temaer:
Kamp og værdighed: Mennesket kan lide nederlag, men det vigtigste er at kæmpe stolt og værdigt ("et menneske kan ødelægges, men ikke besejres").
Venskab: Forholdet mellem den gamle mand og en lille dreng, der trofast støtter ham.
Natur: Havet er både en ven og en stærk, farlig modstander.
Den gamle mand og havet af Ernest Hemingway bruger centrale symboler som den værdige marlin-sværdfisk, ødelæggende hajer, drømme om løver og den loyale dreng, Manolin, til at fortælle en historie om menneskets indre styrke og opofrelse. Romanen er berømt for sine skildringer af livets kampe, hvor hovedpersonen Santiago gennemlever fysisk og psykisk lidelse i sin jagt på den store fisk.
Isbjergsteorien (Skrivestilen)Hemingway brugte en teknik, han selv kaldte isbjergsteorien (eller udeladelsesteorien). Over overfladen (1/8): Selve teksten er skrabet, direkte og journalistisk. Han bruger korte sætninger, få tillægsord og simple ord. Han beskriver kun de rå, fysiske handlinger.
Under overfladen (7/8): Alt det følelsesmæssige, de dybe temaer og den psykologiske vægt ligger gemt mellem linjerne. Hemingway mente, at hvis en forfatter ved nok om sit emne, kan han udelade detaljerne, og læseren vil stadig mærke dem under læsningen. I bogen ser vi blot en mand, der fanger en fisk. Men under overfladen mærker man hans ensomhed, hans aldring, hans stolthed og menneskets evige kamp mod naturen og døden.
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Displaying 1 - 3 of 3 reviews