The deadly ties of family love and family money.
Unless your Mom was an ax-murderer, she'll look good compared to old Mrs. Ludlow. Since her husband's death, she's ruled her family with an iron fist and a tight grip on his money. By the 1970's, her children are middle-aged and her grandchildren are grown, but all are expected to pay homage to the family matriarch and endure her foul disposition.
She treats her divorced daughter like an unpaid servant and despises her older son, his quiet wife, and his two grown sons. She loves her younger son and his teen-aged daughter, but even that love is tinged with her need to control. The family dynamic is changed by by a marriage, as it often is. Younger son Gerald meets an American widow and marries her.
Harriet Ludlow is quiet and charming and (surprisingly) her formidable mother-in-law takes a shine to her. But someone else DOESN'T. How much does Gerald know about his bride's past? When the inevitable murder occurs, the victim isn't the newcomer or the old lady whose death would profit so many. It's Mrs. Ludlow's cook, a pleasant woman liked by everyone. Her weakness is sugary desserts. One night she eats one piece of pie too many.
Dr. Patrick Grant, Oxford English professor and dean of his college is staying with his sister at a cottage near the Ludlow estate. Jane's husband is overseas and she's happy to have her brother for company, although she thinks he should mind his own business. Grant is hopelessly curious and his hobby is "investigating" centuries old crimes.
He doesn't mind getting involved in a modern one, either. Soon he's nosing around the Ludlows, trying to figure out if the death was suicide, accident, or murder. The fatal pie was intended for old Mrs. Ludlow. Was it poisoned and (if so) did the wrong person die?
The locals suspect Helen Ludlow, of course. She's a stranger and small communities are always suspicious of strangers. But some of the Ludlows want their freedom and all of them want their share of the family money. There was a steady stream of family visitors the night of the murder, all of them there to beg for money they didn't get. Mrs. Ludlow is happy to lecture her family on their short-comings, but she doesn't bail them out.
This is the first in a series of five books featuring amateur detective Patrick Grant and I think they're good reading. Grant is intelligent, kind, and humorous. Not yet old enough to be considered an "old bachelor", he's comfortable in his academic life and truly cares about the young people he oversees. And he can't resist a puzzle.
Yorke was an Englishwoman of the WWII generation, who (like Mrs. Ludlow) raised her children alone. But she was too wise to approve of Mrs. Ludlow's parenting. Her picture of the family is a sympathetic one of decent people caught in a bad situation. The stress builds and eventually the volcano must erupt. As Dr. Grant guesses, it was a crime of passion, but was love, revenge, or fear the motive?
This series was popular and Yorke's fans objected when she stopped it at only five books. She was a strong-willed woman and she wrote what she wanted to. While her Patrick Grant books are entertaining, I think she was correct not to drag out the series. Her psychological thrillers are some of the best I've ever read and uniquely her own. Still, the Grant books are fine mysteries with excellent characters and wonderful writing. Not to be missed if you like English mysteries.