Asylum(s) opens by introducing James McCartney, an orderly at Loveridge Falls Asylum. His job is demanding enough, but James also carries the weight of being a single father after the murder of his wife. As he struggles to raise his young daughter alone while working in such a harrowing environment, it is impossible not to feel sympathy for both of them. From the outset, Goodyear grounds the horror in strong emotional stakes, making James a compelling and relatable character.
The second part of the novel introduces journalist Quinn Parker, who arrives at the asylum to document the work of Dr. Madeline Montgomery. The doctor’s methods are highly controversial, aimed at rehabilitating the most dangerous and disturbed offenders housed within the facility. As Quinn begins interacting with both staff and residents, it quickly becomes clear that Loveridge Falls is not what it seems. Questions arise about Quinn’s presence there and whether she is part of something far more calculated—and far more dangerous—than she realizes.
What follows is a tense, unsettling descent into madness. Goodyear’s imagination truly shines as the story unfolds, delivering plenty of twists and an increasingly sinister atmosphere. The residents are deeply disturbing, and the author does an excellent job of pulling the reader into their fractured and horrifying mindsets. Each character feels carefully crafted and multilayered, adding depth to the growing sense of dread.
As Quinn spends more time at the asylum, the danger escalates—not just to her physical safety, but to her sanity as well. When even darker and more unsettling characters are introduced, the connection between Quinn and James becomes clear, revealing how essential each character is to the overall story.
Asylum(s) is sinister, shocking, and relentlessly suspenseful. With a tone reminiscent of Stephen King, it blends psychological horror with mystery in a way that constantly blurs the line between reality and madness. This is a terrifying, imaginative read that horror fans will not want to miss.