Coming to this book as a big fan of the Middle Falls series. I was nervous at the news that a new author was coming in to try her take at what I first expected to be Middle Falls UK, given how easily an attempt to recreate or offshoot wonderful series can go awry.
Cutting to the chase, The Deadly Life of Diana Penn was truly enjoyable in that Cheviot Hills in the 1940s felt fully formed and realized. Some of the best books I read are time jumps, drop us into a setting, let me get comfortable for ten or so chapters and then jump ahead and repeat the process. I had been in Cheviot Hills very briefly before the plot pulled me into a different direction, where I found another fully realized and fleshed out setting, and then back again. That’s rare, and it was exceptionally well done.
I have more thoughts which I’ll add to goodreads for spoiler protection, but some of the best Middle Falls stories remind us that looks can be deceiving and we’re not necessarily here for the reasons we’d first expect, and this book carries that lesson as far as it can. This book did not end the way I expected it to, and that’s absolutely fine. I’m chomping at the bit for more.
Adding onto the goodreads review, in terms of questions that stuck out in my head, one of the universal life centers scenes confused me, but the universal life center scenes are inherently like that. We meet Trevor in one life when we start earlier in Diana’s time there and I can’t recall if he was engaged to Jenny the first time around, but easily could have been. Lastly, in the author’s note there was a reference to Moondog potentially being in this book? Did I miss him?
I expected by midbook a who-dun-it about Ellen Wilson’s disappearance, the culpability of Nancy Robbin’s, and the Hollister family and perhaps an RAF officer up to no good. I expected a romantic plot around Diana and Crawford. I expected lots of things really. What I got, like one of the excellent Middle Falls books, was a reminder that the journey here is for Diana, not the others. That’s perfectly okay. There’s a narrow line between confounding expectations and a cop-out. This feels solidly on the confounding expectations side of the line. I like fake outs that are well written, and this truly was.
What I am curious, and perhaps hopeful, is if sometime in the future we will see Ellen’s story and Trevor’s story play out. Perhaps we don’t need it. I have strong assumptions about what happened, but you know what they say about people who assume, but coming out of book one in a series and having so much more I want to know about this universe is an excellent problem to have.
All the stars.