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Antología de cuentos de Emilia Pardo Bazán para Selectividad en la Comunidad Valenciana: 10 cuentos con actividades, ilustraciones y un estudio introductorio
Esta antología recoge los 10 cuentos de Emilia Pardo Bazán que aparecerán en el nuevo modelo de examen de Selectividad en la Comunidad Valenciana en 2026. Además incluye un breve estudio introductorio, así como la biografía de la autora y cuestiones en torno a cada relato para que el alumnado pueda practicar la comprensión lectora, ampliar la información sobre el cuento, y buscar referencias que le permitan comprender mejor los textos y aumentar su bagaje. Junto a cada relato aparece además una ilustración de relevantes pintoras y pintores de los siglos XIX y XX. El estudio y las cuestiones han sido planteadas por la estudiosa Hortensia Delall. www.librosabocajarro.com
111 pages, Kindle Edition
Published August 16, 2025
2 people are currently reading
About the author
Emilia Pardo Bazán
902 books287 followersEmilia Pardo Bazán was a Galician author and scholar from Galicia. She is known for bringing naturalism to Spanish literature, for her detailed descriptions of reality, and for her role in feminist literature of her era.
Her first novel, Pascual López (1879), is a simple exercise in fantasy of no remarkable promise, though it contains good descriptive passages of romance. It was followed by a more striking story, Un viaje de novios (1881), in which a discreet attempt was made to introduce into Spain the methods of French realism. The book caused a sensation among the literary cliques, and this sensation was increased by the appearance of another naturalistic tale, La tribuna (1885), wherein the influence of Émile Zola is unmistakable. Meanwhile, the writer's reply to her critics was issued under the title of La cuestion palpitante (1883), a clever piece of rhetoric, but of no special value as regards criticism or dialectics.
The best of Emilia Pardo Bazán's work is embodied in Los pazos de Ulloa (1886), the painfully exact history of a decadent aristocratic family. A sequel, with the significant title of La madre naturaleza (1887), marks a further advance in the path of naturalism.
She was also a journalist, essayist and critic. She died in Madrid.
Her first novel, Pascual López (1879), is a simple exercise in fantasy of no remarkable promise, though it contains good descriptive passages of romance. It was followed by a more striking story, Un viaje de novios (1881), in which a discreet attempt was made to introduce into Spain the methods of French realism. The book caused a sensation among the literary cliques, and this sensation was increased by the appearance of another naturalistic tale, La tribuna (1885), wherein the influence of Émile Zola is unmistakable. Meanwhile, the writer's reply to her critics was issued under the title of La cuestion palpitante (1883), a clever piece of rhetoric, but of no special value as regards criticism or dialectics.
The best of Emilia Pardo Bazán's work is embodied in Los pazos de Ulloa (1886), the painfully exact history of a decadent aristocratic family. A sequel, with the significant title of La madre naturaleza (1887), marks a further advance in the path of naturalism.
She was also a journalist, essayist and critic. She died in Madrid.
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