Thank you NetGalley and Bloomsbury YA for the ARC in exchange for an honest review!
Elle Gonzalez Rose’s “I Didn’t Do It” is a sharp, fast-paced YA thriller that combines mystery and social commentary into a story about identity and the haunting weight of family secrets.
The story follows Dina Soto, a girl living under the shadow of her father’s horrifying past as it has been revealed recently that her father, a beloved figure in town, confessed to murdering two of his students. Since then, Dina’s life has been one long exercise in invisibility, carefully managed by her extremely controlling mother to avoid more scrutiny. But when Kai Thompson, a popular and kind classmate, invites her to spend a weekend at his cabin with a group of friends, Dina dares to hope that maybe she can have a normal teenage experience or at least one night when she isn’t “the murderer’s daughter.”
Of course, things go terribly wrong. When people start turning up dead, Dina finds herself trapped in a deadly situation that mirrors her father’s crimes far too closely. The story cleverly alternates between Dina’s perspective and snippets of police evidence, such as reports, text messages, and other documents, that slowly piece together the truth about what happened that night. This technique gives the story a gritty, investigative tone while keeping you guessing about who to trust.
At just over 300 pages, the book moves quickly and can easily be devoured in one sitting. The first half leans heavily on character development and the slow burn of Dina’s growing relationship with Kai who is trans, adding meaningful LGBTQ representation to the cast while the last quarter shifts gears into full-blown chaos. The tension spikes, the body count rises, and the emotional intensity hits its peak as long-buried secrets come to light. A major twist ties everything together, and while some may see it coming (I guessed the major twist pretty early on), it still lands with impact thanks to its emotional resonance and moral complexity.
Gonzalez Rose doesn’t just write a slasher; she writes about control with who has it, who’s denied it, and what happens when it’s taken away. Dina’s arc from guilt-ridden outcast to someone reclaiming her agency is at the core of the story. The ending, while somewhat open-ended, leaves Dina with a fragile but powerful sense of hope and self-determination.
I did want more of a focus on the horror elements rather than the romance, as much of the first half prioritizes Dina’s relationships and internal struggles over outright suspense. Still, when the violence erupts, it’s visceral, shocking, and well executed, which is true to the slasher genre while maintaining a strong emotional throughline.
Overall, “I Didn’t Do It” is a short but intense read; it’s a YA thriller that’s as much about trauma, identity, and reclaiming your story as it is about survival. With its mix of clean romance, mystery, and horror, it offers a satisfying blend of heart and chills, perfect for more experienced thriller readers as well as younger YA readers.