A poignant coming-of-age graphic novel about an Egyptian American girl grappling with college, her family, and the political realities of her wider world.
Anisa is following in her sister Reem’s footsteps: She’s a freshman at her sister’s alma mater, she’s on the same premed track, and she’s inherited Reem's old hotpot, mini-fridge, and textbooks. Even though Anisa would prefer to study art, her parents discount that as a valid career choice. The path laid out before her starts to crumble as Anisa feels she doesn’t belong—either in her organic chemistry class or among the other Muslim students on campus.
When Anisa fails her first semester, she begs her parents to let her take time off to visit Cairo and stay with her beloved grandfather. Finally free to have her own experiences, Anisa begins a journey of self-discovery and, as she bumps up against familial, societal, and religious expectations, she starts to develop her own artistic voice. When Anisa returns to the United States, many of these expectations shift, but she learns to draw on the love of friends and family—including those she’s often at odds with—in order to stay true to herself.
It's really hard to choose a rating for "Landing Place" because I have such mixed feelings about it. This graphic novel follows Anisa as she's finishing high school and entering college, thus moving the target audience itself from Young Adult to New Adult - and I definitely wouldn't recommend this for younger teens.
Anisa is the American child of two Egyptian immigrants, holding her art close to her heart as her parents expect her to follow her older sister's footsteps to med school. And she does - but is all too relieved to take a year off from college to spend time in Egypt with her grandfather and extended family. There, Anisa navigates the complexities of learning more about her Egyptian heritage, Egyptian politics and culture, and putting on hijab as something more than just 'fitting in.'
I really love how beautifully Anisa's relationship with the Qur'an is highlighted throughout this graphic novel, how complicated family discussions around politics and hijab can be, and how Anisa comes to understand her own parents - her pilot Baba with his sad past, her critical-but-fierce mother - and figure out her relationship with them as she grows older.
Unfortunately, there's one major drawback to this book... namely, the fact that Anisa (and her sister) end up having boyfriends, and this isn't spoken of as haram at all (or why it's haram) but rather dismissed as a cultural matter. There's also an egregious misuse of the (weak) hadith about the Ummah's differences being a mercy, to essentially justify Muslims whose "different opinions" are choosing to do haram things. Outside of talking about the different standards held for hijabis vs non-hijabis, there's absolutely no discussion about WHY having boyfriends is haram.
So while I love so much about this graphic novel - the Islamic rep, the family relationships, the complexities of someone trying to change for the better in the face of various pressures, even a history lesson about the Suez Canal - I'm very disappointed by this major pitfall of trying to justify something explicitly haram as a "difference of opinion" and normalizing it for young Muslims.
Thanks to Penguin Random House for sending me an ARC!
Absolutely wonderful read. The characters are engaging, believable, and deeply human. The artwork is fantastic— artistically creative m, endearing, and perfectly amplifying the storyline. I want to read the prequel (little Anisa would be so cute!) and to follow young adult Anisa through college and out into the world.
One of the beauties of this book (in story and artwork both) to me is how it manages to both hew closely to the specifics of the character’s cultural/social location— names, attributes, foods, phrases, kinship relations, her relationship to Islam— and to themes that will resonate with readers who share some, many, or even very few of those same cultural specifics. Does that make sense? Like, the author doesn’t water down Anisa’s specific Egyptian-Americanness (including leaving plenty of references opaque to those who don’t read/know Arabic or some of the cultural references) *and* creates an inviting world where all kinds of readers will make connections, identity with certain moments, learn from others, and close the book wishing there was more.
Absolutely gorgeous book!! It made me cry. The way the author and illustrator wove together the global, family, friends, and personal is how every story should yet often doesn't. It's beautiful and a must read
I think first and foremost I want to stress that this is a mature YA read. The majority of the book takes place after the protagonist has graduated high school, it involves a toxic mother who smokes, politics, romantic relationships, generational trauma, death, commentary on Islamic practices, relationships with opposite genders including when they are LGBTQ+, lying, and some profanity. YA is classified as 12 and up, which given the graphic novel format, and the plot of her coming of age, I entered the book viewing it from an Islamic school librarian lens of handing or shelving the book for middle school and up, and thus it is not appropriate in my opinion. If you read it from a more adult lens, please share your impressions, as the book has a TON of Islam, and I would love to discuss. It has Quranic ayats, it has Hadith, it has a girl fighting her family to wear hijab, it has incredible points, unfortunately I just couldn't quite support how the points were connected. If the book were a memoir, or I met someone and this was their lived experience, I wouldn't find it concerning, it would be one person's journey and them simply doing the best they can, Allahualam. BUT, somehow the tone seems to extend beyond just Anisa living her life and growing as a result, and reads more of the author opining that this is how Islam is or this is how Muslims should or should do things, or view things, or not feel constrained by things, and by its end I just couldn't support the character's choices and the justifying framing, perhaps because it is fiction.
SYNOPSIS:
Because I want to spend more time on the Islam and why I struggled with how it was connected, I'm simply going to copy and paste the publisher provided summary of the book:
A poignant coming-of-age graphic novel about an Egyptian American girl grappling with college, her family, and the political realities of her wider world.
Anisa is following in her sister Reem’s footsteps: She’s a freshman at her sister’s alma mater, she’s on the same premed track, and she’s inherited Reem's old hotpot, mini-fridge, and textbooks. Even though Anisa would prefer to study art, her parents discount that as a valid career choice. The path laid out before her starts to crumble as Anisa feels she doesn’t belong—either in her organic chemistry class or among the other Muslim students on campus.
When Anisa fails her first semester, she begs her parents to let her take time off to visit Cairo and stay with her beloved grandfather. Finally free to have her own experiences, Anisa begins a journey of self-discovery and, as she bumps up against familial, societal, and religious expectations, she starts to develop her own artistic voice. When Anisa returns to the United States, many of these expectations shift, but she learns to draw on the love of friends and family—including those she’s often at odds with—in order to stay true to herself.
WHY I LIKE IT: I like that the book feels very real, that the character arc and growth, challenges and setbacks, struggles and character's voice, radiate authenticity and seeks to shed light on what not only shapes us and our view of the world, but understanding the politics, culture, religious, and lived experiences of what our parents also have been shaped by in a manner that is neither overly naive or harsh.
I appreciated the political commentary, the internal reflections of faith and her closeness with her grandfather in Egypt which often centers Islam. And as a work of fiction I understand in the broad sense that the book does not want to get didactic in its sharing of the deen, but it seems to want to have it both ways. It shares the Quranic Arabic in the pages with meaning of the translation in the backmatter, quotes uncited hadith and references Islamic customs, yet I feel by staying gray in how the character interpreted Islamic teachings and failing to commit to her showing her own rationale for the choices and understanding driving those choices, the book leaves holes in the plot and a lot of questions. For example, why is kissing her Sikh boyfriend considered a "mistake," only because she wears hijab? She commits to him by getting her mom and Muslim friends on board with their relationship with the book sharing that different opinions are good according to Prophet Muhammad (saw). She starts to wear hijab and says she is doing it for the right reasons, but those reasons are never shared. She develops a relationship with Allah swt which is beautiful, but what is the messaging for the reader, with her justifying her actions in light of that relationship?
Yes, I realize that that makes me the very hypocrite the characters push back against in the book: not being able to be human and error, and struggle, and inshaAllah come back to Allah, swt, I know that, but I also know that our youth are impressionable and we want to inspire them, not give them a "pass" through a fictional story to do haram because Allah swt is forgiving. I also know that a 13 year old reading this and a 19 year old reading this will view it very differently (see opening paragraph why my mindset going in was a disservice that I struggled to overcome, and why I mentioned that this is a mature read). I also know that life, real life, is never linear and clear, and yeah people fall in love with people that are not Muslim, I'm the daughter of a convert, and my parents met in college, I get the hypocrisy, I own it, I really do.
I can't reiterate enough how many of the points I loved about her finding herself, understanding and connecting to her deen and extended family, laughing in the relatability the book has in its commentary on Islamophobia, expectations, politics, but none-the-less, I ultimately cannot support the normalized conclusions and justifications of many of the threads.
FLAGS: See opening paragraph
TOOLS FOR LEADING THE DISCUSSION: Not appropriate for Islamic school book clubs, I can see perhaps college or University MSAs reading it for fun and then offering up their thoughts as being an incredible pulse on how our "New Adult" Muslims view the themes and topics the book tackles, but I take handing a book to a person as an amanah, and I don't think I could hand this to a middle or high school student.
I would like to thank edelweiss and the publish for an advance copy in exchange for an honest review. I really enjoyed this story. We follow Anisa, an Egyptian American who is struggling during her first year of college. She leaves and goes to Egypt to discover herself all over again. We follow her on a journey of self-discovery, religious and family pressures and possibly a first romance. It was a great read and I liked the art.
An Egyptian American girl struggles with her family, friends, college, and politics in Landing in Place: A Graphic Novel written by Sherine Hamdy and illustrated by Myra El Mir. If you're looking for a graphic novel that reads like a well-written biography, try this book!
Landing in Place follows Anisa as she finishes high school and heads off to college. The youngest of two daughters born to Egyptian immigrants, Anisa's had a closer relationship with her father than her mother growing up. Having graduated early and following in her older sister's footsteps, Anisa is on the premed track at her sister's alma mater. The problem: Anisa would much rather study art, but her parents don't see being an artist as a reliable career. Her first semester at college crumbles, sending Anisa into a spiral as she feels like she doesn't belong with the other Muslim students on campus or in her premed classes.
When Anisa's sister lands an internship at a hospital in Egypt, Anisa decides that she is going to take time off from school and head to Cairo to spend time with her grandfather. She finds new friends and starts to discover who she really is. It isn't all sunshine and roses though, as she keeps bumping against expectations from people all around her. Frustrated and needing an outlet, Anisa turns to her art and an internship of her own. Unexpected events soon send Anisa racing back home. Turning to friends and family is the only way she will survive life from now on. Staying true to herself will be put to the ultimate test, but the payoff could change her life forever.
Landing in Place is a beautifully written and drawn graphic novel. Hamdy tells personal stories while also portraying the larger global events happening at the same time. This book feels so real to me that I kept having to check whether this was a graphic memoir or not (it isn't!). All in all, a heartfelt read that had me wanting to learn more about the different topics discussed in this book.
The idea of belonging is prevalent with young readers and more prevalent with immigrants now in the world we are living in. Finding a place to belong is important to our children.
Landing in Place is the perfect graphic novel for young readers who are looking for a place to belong and finding their interests to be relevant. The novel also features an Egyptian Muslim girl that many readers will relate to.
Anisa's family always encourages her to check "white" as her race on forms that she might fill out when she is applying for any opportunity. She finally succumbs to attending medical school and enrolls in premed classes although she would like to have a possible career in art. Anisa failed her chemistry class and persuades her parents to allow her to visit her grandfather in Egypt to relax for awhile. She discovers the power of prayer and becomes more comfortable in being identified as a Muslim. She returns home and now feels better about identifying as a Muslim in America and has learned to accept the challenges of who she really is.
Young readers will relate to this life lesson. This graphic novel is recommended for ages 12 and up in grades 7 and up.
Landing in Place will be available in May 2026. It is published by Kokila, a division of Penguin/Random House. It has an ISBN of 978-0-7352-2944-0.
This graphic novel is a full experience and feels nonfiction though it's fiction with an Egyptian American girl named Anisa finishing up her final year of high school and going to her first year of college where she ends up doing miserably in organic chemistry and starts trying to find ways to tell her parents that she might not end up the doctor that her old sister is pursuing because she likes her drawing but also isn't that academically inclined. An opportunity presents itself to travel with her sister Cairo and spend time with her grandfather but it's also here where she connects to her Muslim faith and decides to wear hijab much to the chagrin of her mother back in the United States and others.
Including plenty of internal and external dialogue about decisions, emotions, and feelings, this is introspective and a perfect example of an SEL graphic novel for teens especially when something unthinkable happens and those panels are drawn heartbreakingly vivid.
The story is a tender coming-of-age graphic novel that follows Anisa, an Egyptian American freshman struggling under the weight of family expectations and academic pressure. Her journey through premed studies she doesn’t love feels relatable and quietly heartbreaking.
The story gains depth when Anisa fails her semester and travels to Cairo, where she reconnects with her grandfather and begins exploring her identity and artistic voice. These moments feel especially meaningful and emotionally grounded.
While the pacing can feel uneven at times, the emotional honesty carries the narrative. It’s a thoughtful story about belonging, self-discovery, and learning to define success on your own terms.
This was a heartfelt and visually engaging story about identity, pressure, and self-discovery. I really connected with Anisa’s struggle as she tries to follow a path shaped by her family while quietly longing for something more creative. Her journey from academic failure to personal awakening felt very real and emotionally grounded.
The trip to Cairo was especially meaningful, giving her space to reflect and slowly rebuild her sense of self. I also appreciated how the story handled family expectations and cultural tension with nuance. While some parts felt a bit familiar for a coming-of-age narrative, the emotional honesty and beautiful illustrations made it a memorable and impactful read.
I struggled with my rating on this one. On one hand, Hamdy does a fantastic job of depicting a young woman in a period of transition and self discovery. Her thoughts and emotions all ring very true, especially so when she loses a family member about halfway through the book. The way she butts heads with her mother is also realistically depicted. Where this fell flat for me is that it feels like main character Anisa is only partway through her journey of discovery by the time this book ends. There's several important conversations about her future she never has with her parents, for example. I also felt like her decision to wear hijab wasn't fully explored. I didn't feel like she really expressed what wearing the hijab meant to her, not even when she's arguing with her parents about it.
This graphic novel beautifully captures the uncertainty of early adulthood and the pressure of trying to live up to other people's expectations. Anisa’s struggles with family, identity, faith, and career choices felt authentic and relatable, making her growth throughout the story especially rewarding.
Her time in Cairo added depth to the narrative, offering a meaningful exploration of culture, belonging, and self-discovery. While some moments moved a bit slowly, the emotional honesty and strong family dynamics kept me invested.
Anisa is starting college at her sister's alma mater, following in her pre-med footsteps--just like her parents want. But it isn't what Anisa wants. She is miserable and wishes she could pursue art and creative writing. When she fails a class, she jumps on the opportunity to take a semester off and spend it with her grandfather in Egypt, and she begins to find her place in the world. A lovely coming of age graphic novel.
I really enjoyed this story. An engaging combination of coming-of-age, political and personal awakening, and slice-of-life. Realistic and expansive. Some of the scene jumps felt a little abrupt, but overall I think the story flowed well.
Great graphic novel showing how hard it is to feel like you fit in when you are from another country. You end up feeling like you don't fit in anywhere. Main character is applying for college but still think it could be relevent for some MS'ers.
This is a wonderful graphic novel, both from a representation perspective and from a craft perspective. The art style was well suited to the story, and the characters were fleshed out and believable. I can see a lot of teens relating to Anisa's situation, or at least parts of it.
Anisa's pilot father and mother Nadia are very quiet about their past lives in Egypt before coming to the US, and Anisa often bristles against the expectations they have for her. She would rather go to college and be an artist like her best friend Tomoyo, but she is supposed to attend a medical program like her older sister Reem. After graduating in 2016, she goes to college, and her roommate Shazia is also Muslim, although seems to be much more observant. It's a tough year, and while she doesn't get good grades, she does meet Ajay, who is Indian, and has a pleasant relationship with him even though she isn't supposed to date. When Reem gets a chance to study in Egypt, Anisa asks to go as well, and stays with her mother's father, Geddo. She enjoyed being with him, and even gets an internship at a newspaper, drawing comics. Things are fragile politically, and she starts wearing a hijab, initially to blend in, but finds that she enjoys the freedom that wearing it brings. When her father suffers a stroke, she returns home, and is devastated when he dies. She and her mother disagree about many issues, but Anisa finally finds activities she enjoys and is able to make peace with her family and religion.
Artists seem to be very fond of detailing their experiences in graphic novels, and Landing in Place is similar to titles like Bermudez's Big Apple Diaries, Chan's Uprooted, Sattin and Hickman's Buzzing, Rodriguez and Bell's Doodles from the Boogie Down, Chang's How to Draw a Secret, Mercado's Chunky and especially Mai's Freshman Year. There are fewer graphic novels with Muslim characters, but this would go along well with Fahmy's Huda F Are You. Since Anisa's experiences after she graduates from high school are portrayed, and there is a lot of history that is discussed, this might do better with high school audiences, although there is nothing in the book that would keep it out of middle school libraries.