Everyone seems to love this, but I did not. It is not a bad book by any means, but it had a lot of problems IMO.
This mystery focuses on Cassie, a hotshot NJ state cop who leaves her prestigious department and moves back to her creepy, insular hometown in South Jersey when her best friend is grievously injured and needs support for her and her family. This creates the first unbelievable element of the story. Callie is a hotshot cop, but she is 30. She is instantly made Chief when the long-time and powerful Police Chief (also her mentor and something of a father figure to her) retires. Given her age, this seems like an unlikely occurrence. Also, I don't think the outgoing police chief just gets to pick their successor anywhere. Or at least anywhere but this town. She walks onto an all-male force who resents her being made Chief over one of their own (understandably!) and who refuse to be led by her. The cops, it is immediately hinted, are also powerful, somewhat corrupt, and almost to a man standard-bearers for the patriarchy. The dynamics here are interesting, but other than the cult-like relationship between the retired chief and the other officers, Mullen doesn't explore that much. That is too bad because doing so would have complexified the central story in cool ways.
And what about that central story? Cassie (for reasons that would be a spoiler, but are interesting) sets herself to getting answers in a 30-year-old cold case in which a baby was found in the woods, dead from exposure, at the same time a teenage girl disappeared. There are lots of assumptions to be made here, and I made them, and I was wrong about many of them. In addition, not long after Cassie gets to town, her mother, an alcoholic from whom she has long been estranged, disappears. It is a lot, in addition to being Chief of Police (which seems to take up little of her time), caring for her friend's 3-year old, and starting up a romance with a hot marine sciences geek. All that said, I rather liked the current day part of the story even with its flaws. It flowed well, and surprised me in good ways much of the time.
Cassie's chapters are interspersed with flashback chapters from Annabelle, which are related to the baby mystery. I can't say much about her or those chapters without spoiling. I will say two things though, that are about form and foundation and not storyline. First, these chapters are written in second-person. Second-person is hard to do well, and Mullen does not overcome that hurdle. I hated the narration. I found it precious and clumsy. Second, Mullen seems ot think that before Google people did not have access to information. It is made a big deal of that Annabelle was super smart, but everything she does makes her seem thick as a brick. Yes, she is young and afraid, but that only explains a tiny fraction of the things she does and does not do. She has a list of life-and-death problems to deal with, and she never so much as goes to the library, to a teacher, to social services, to get information. The internet was a huge game-changer when it comes to access to information, but we were not staring at fire and waiting for the gods to determine our fates before that. I came up in the 70's and 80's, and as callow and ill-informed as my friends and I might have been, we would have worked to actually solve some of the issues here. It makes no sense that super-smart Annabelle, who had adults around her offering help and access to a library, would have done and not done the things she did and did not do. Girl, read a Judy Blume book at least!
In addition to liking a lot of Cassie's story, I loved the sense of place Mullen created. South Jersey is a very different place than North Jersey, which is basically a jumble of NYC suburbs. South Jersey is rural and mostly pretty poor (with the exception of a few Philly suburbs). In the center of it all is the Pine Barrens. In addition to being (IMO) the title of the single best episode of The Sopranos, the Pines is a massive, sparsely inhabited forest filled with marshes and streams that are all brown and gooky and look like if you fell in, you would dissolve in moments. There are actual ghost towns dotted about, and lots of shacks with "keep out" signs, which all look as hazardous and as potentially fatal as the brown streams. It is one of the spookiest places I have ever been. Mullen, who I think grew up there, does a phenomenal job of taking us to The Pines and acknowledging how forbidding a place it is while also highlighting its glory. It was, hands down, my favorite part of the book.
Overall, I liked reading most of this, no regrets, but I don't get the love. I love a fuck-the-patriarchy tale, especially one that highlights how women's power is an illusion and that no matter what we do, men can always snatch it back when they want to. Mullen did good things with that messaging. But there was a lot here that did not work, and the Annabelle chapters were really unpleasant for me, not because they told a painful story (they do) but because I hated the voice and the decision to make her a genius or a moron as the story required.