Patagonia, 1921. Racked with guilt after leaving her wounded fiancé in the aftermath of the Great War, Georgie Carruthers crosses the ocean to southern Patagonia to forget the past and to start a new life as the governess of a motherless boy with the Creeds, a wealthy estancia family frozen in colonial expectations and manners. Central to this straight-jacketed world is Raul, the horse breaker whose warmth, wisdom and integrity captures Georgie's heart, just as Mr Creed starts to think Georgie might make a useful second wife. The initial love triangle subverts narrative expectations and breaks into a world of desperate politics. This novel has everything - wind-swept plains, horses, rebellion and passion. A perfect, beautiful storm of a novel which brings together the wild backcloth of Patagonia in the 1920s, unrest and revolution amongst the workers, straight-jacketed colonialism, a poignant love story and horses broken and unbroken galloping across the wind-torn plains. Two poignant relationships steal our hearts - between the horse breaker and the governess, and between the horse breaker and his beloved Hero. Both epic and intimate, Kate Beale pulls off a tense, filmic narrative that will keep you hooked until the last page.
Reading this book turned into a chapter a night treat, me eking out the content to fully experience the world Beales has taken a long while and a lot of care creating. Set in Patagonia, the windswept, empty and lawless plain extending into both Chile and Argentina after the first World War, this is the tale of Georgie Carruthers, an exiled daughter, sister and ex-fiancé, running away from horror and into the unknown. The plot consists of a love triangle, a class struggle between landowners, workers and revolutionary forces, all set against a backdrop of a European war that was bizarrely lucrative for South American sheep stations – via the yearly bounty from sheep station wool, exported to Europe for uniforms. The details of farm life are not for the faint of heart and the war details are mixed in to the cruelty of nature, animal husbandry and the ways that the different classes, sexes and tribes survive living and working with and against the elements – wind, cold, and rain. Georgie steams her way to obscurity having broken off her engagement to a wounded soldier, to join a family to discover that her new family are missing pieces too and have secrets that threaten their future. She navigates across culture, class and sex to almost find herself but is undone by timing, country unrest, misfortune and questionable decision making. The tale has momentary celebrations of the highs of the rural life, the farming cycles and small human triumphs, contrasting these with the brutality of man, nature and fate. Beales has put in the research work. We get authentic Gaucho language, a study of the turbulent and disastrous history of that place in that time, and experience the well drawn and rounded characters from the different generations and “sides” as everybody adapts to rapidly changing times. With a Dickensian twist that echoes Great Expectations in reverse, the plot concludes with a new equilibrium for those that survive. The richness of the descriptions in the text, the power of the narrative and the pace of the story’s progression demand a careful and measured read. This book is a rich pleasure to consume and will leave the reader, sadder as well as wiser and satisfied. Recommended.
Within pages of starting this book, I was put in mind of Daphne du Maurier. A coastal landscape, high drama, budding romance and a strong female protagonist. Only the coastal landscape is the edge of the Patagonian plain rather than the coves of Cornwall. Nonetheless, our heroine Georgie Carruthers is indeed an English rose; one clipped in her prime by the horror of the Great War and transported to become a governess at the other end of the world. East Anglia to Argentina. We feel with her the wrench from the gentle English countryside – albeit one tainted by the blood of war – to the harsh Patagonian winter. The smell of revolution wafts through the pampas and Georgie’s senses are assaulted by fear, compassion and love (or is it... lust?) – but which way will she turn? Or be forced to turn? Kate Beales writes with authority, having clearly immersed herself in the unrelenting history and geography of this unforgiving terrain. Most chapters are written from Georgie’s point of view, but Kate seamlessly moves to third person for the chapters where Georgie is absent. There are also testimonies from the tragic Marta inserted in reverse order; these only add to the growing tension in the book. Read it if you dare! It will be well worth the arduous journey.
In this breath-taking many-layered novel full of hidden depths, the heroine, Georgie, captured my attention straight away with her intriguing back story. When her fiancé is horrifically wounded in WW1, we see her unable to contemplate a future with him, and, more or less ostracized by her friends and family, she is sent to be a governess to a family of ranchers in Patagonia. But this is more than Jane Eyre transposed to a strange and hostile landscape. If Georgie is strong-willed, sometimes to the point of recklessness, part of her longs for the intimacy of family life she expected to have and she is vulnerable to an offer of marriage from her battle-scared employer Ian Creed, even if he is the subject of dark rumours and her instincts are drawing her to the handsome and compassionate gaucho Raoul, who like her is virtually homeless. Alongside this is her growing love for the landscape she begins to map on her journeys around the estate and the inevitable incursion of violent political undercurrents neither she nor her friends will be able to avoid. This is a fascinating and compelling read, highly recommended.
BROKEN HORSES is set in the southern reaches of Patagonia in the 1920s. It’s beautiful, haunting, contemplative, compelling, and exciting - don't walk; run!
I loved the multiple little mysteries that kept me reading. What were the details of the WWI-related tragedy that prompted Georgina’s passage from England to southern Patagonia to become a governess? Was there anything nefarious behind the death that had prompted the Creed family to send for a governess? Was the undercurrent of justifiable labour dissent going to boil over? Getting the story through the perspectives of several characters added more mystery: who’s telling the truth to themselves?
The book begins relatively peacefully although various potential conflicts are gestured at along the way. Know that the tension and the action will ramp up!
If you appreciated the South American historical setting and the slow layering of mystery and tension in David Grann’s THE WAGER or in Eva Ibbotson’s JOURNEY TO THE RIVER SEA or A COMPANY OF SWANS, BROKEN HORSES will feel like an immersive return to a place and time that are a little different but still familiar.
"Set in Patagonia, 1921. Georgie Carruthers crosses the ocean to forget the past and to start a new life as the governess of a wealthy estancia family. Raul is the horse breaker whose warmth, wisdom and integrity captures Georgie's heart, just as owner Ian Creed starts to think Georgie might make a useful second wife.
Brings together the wild backcloth of Patagonia in the 1920s, unrest and revolution amongst the workers, straight-jacketed colonialism, and a poignant love story. A tense, filmic narrative."
A real 'page-turner' - as the saying goes! Short, snappy chapters weave the history with the fiction.
I loved this exciting, complex tale of Georgie Carruthers, an English governess who travels to Patagonia to seek a new life in the wake of the Great War. The Patagonian plains may be limitless to look at but Georgie finds herself trapped by secrets and societal conventions as powerful as any she left behind. Soaring vistas, forbidden love, painful duty and searing social commentary – Kate Beales delivers it all with an assured, thoughtful touch, steering us towards the moment when Georgie seizes the initiative, reclaiming the agency snatched from her by the horrors of the Great War. It’s a climax as thrilling – and as satisfying – as any Boy’s Own adventure. Great stuff!
Kate Beales is a wonderfully assured storyteller. Broken Horses is both riveting and captivating, with a heroine as wild as the horses she grows to love and a story as challenging and surprising as the landscape in the remote wilderness of Patagonia where most of it is set. Perfectly paced, Kate kept me with her from beginning to end, and I was bereft when I finished it.
A beautifully written historical novel which gripped me from the start, and opened my eyes to an era and landscape I wasn't familiar with. Georgie is such a brilliant protagonist, courageous, compassionate and also utterly human as she is caught up by the politics and the people of Patagonia. Sweeping and thrilling, this begs to be adapted into a film!
It grabbed me from the start as historical fiction is my favourite genre. The writing is lyrical, compelling and what makes the book so impressive is its ability to be both poetic and entertaining in equal measure. The narrative was beautiful and the characters intricately sketched. You are transported back to 1921 Patagonia and it will have you hookd from the outset
A beautiful book suffused with sadness and loss but driven by real characters in an engaging setting. I knew little about 1920 Argentina and rural life after WWI so the background was an eye opener. Good take well told
An amazing first novel by Kate Beales. Beautifully written, the descriptions are so atmospheric I felt I was right there in 1920s Patagonia. A heart-tugging storyline that will have you rooting for the protagonist, Georgie, throughout. I didn’t want it to end!