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The New Censorship: How the War on the Media is Taking Us Down

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'Riveting' - Arash Azizi, The Atlantic
'Exceptional' - Michael Hauser-Tov, Haaretz
'Profound, compelling, and fascinating' - Emily Maitlis, The News Agents
'A must-read' - Jane Martinson, The Guardian

As we find ourselves in a time of democratic decay all over the world, with relentless attempts to undermine truth and facts and unprecedented technological tools to spread disinformation and incite violence, brave journalism is needed more than ever.

In The New Censorship esteemed academic, former journalist and activist Ayala Panievsky focuses on the unfortunate and unexpected mechanisms through which today's media has inadvertently amplified the anti-democratic movement that looms over our societies. From the birth of 'the strategic bias' to weaponising liberal norms against liberal democracy, the populist right has found a way to exercise a more effective and socially acceptable type of silencing and manipulation. Instead of banning stories, they spread flows of disinformation, which take hours and days to debunk. Instead of silencing, they shout louder. Instead of blue-pencilling, they employ fake users, bots, and outrageous smear campaigns to dominate the conversation. Heavy-handed censorship is unnecessary when one can manipulate people to censor themselves, or simply stop listening.

Based on cutting-edge empirical research, personal experience in newsrooms and parliament corridors and a decade of living under populism in power in Israel, Panievsky will not only explain how we got here but also lay out what we all could (and should) do to restart the conversation and protect our right to know.

241 pages, Kindle Edition

Published September 4, 2025

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147 reviews1 follower
November 6, 2025
As someone who reads a lot about media and censorship, I had higher hopes for this book than it delivered. It's more of an overview of recent developments in journalism and media than I was expecting - useful information, but information I already knew.
The only new quotes and angles come from interview with various journalists and presenters who are kept anonymous for their safety. A sensible decision in the current media climate. Except to justify their expertise and their knowledge, they are summarised by their years in the industry and a broad description of their platform, so it wouldn't take much to narrow down who they are. Rather defeats the purpose.
I would recommend this an an introduction to modern censorship and journalism; it's fairly short, and written with an easy to digest voice. The focus is on anecdotes rather than slogs of numbers (although numerical data is still used) to provide a clear summary of recent changes in broadcasting and information sharing.
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