What do you think?
Rate this book
The Ship Who Dared
Not yet published
Expected 7 Apr 26A new entry in a beloved series!
Hoping to upgrade their capabilities on a shoestring budget, Brainship Tia and her Brawn Alex accept a contract to test a prototype singularity drive from the military. There’s a catch, of the drive “might” occasionally commit a starship to “random” jumps. With some trepidation and the new drive installed, the pair resume their courier duties. The drive works flawlessly, at first. Just as they start to relax, the drive places them in orbit around a partially abandoned research site. Partially, because the corporation that set it up abandoned the researchers there. Brain and Brawn rescue the researchers, but what is the reward for a ship who saves an abandoned station? Well, if you’re working for the Central Worlds, it’s a long, dull, and not very profitable courier route. One that results in more—not less—crises and danger for our intrepid Brainship as the random jumps continue. Crises and danger that will only resolve when Tia and Alex discover the reason why all is not as it should be with their new singularity drive.
At the publisher's request, this title is sold without DRM (Digital Rights Management).
About the
Mercedes Lackey is the New York Times best-selling author of the Bardic Voices series and the Serrated Edge series (both from Baen), the Heralds of Valdemar series, and many more. She’s the coauthor of the contemporary metahero SF series The Secret World Chronicle. Among her popular Baen titles are The Fire Rose, The Lark and the Wren, and also The Shadow of the Lion and Burdens of the Dead with Eric Flint and Dave Freer. She lives in Oklahoma.
Hoping to upgrade their capabilities on a shoestring budget, Brainship Tia and her Brawn Alex accept a contract to test a prototype singularity drive from the military. There’s a catch, of the drive “might” occasionally commit a starship to “random” jumps. With some trepidation and the new drive installed, the pair resume their courier duties. The drive works flawlessly, at first. Just as they start to relax, the drive places them in orbit around a partially abandoned research site. Partially, because the corporation that set it up abandoned the researchers there. Brain and Brawn rescue the researchers, but what is the reward for a ship who saves an abandoned station? Well, if you’re working for the Central Worlds, it’s a long, dull, and not very profitable courier route. One that results in more—not less—crises and danger for our intrepid Brainship as the random jumps continue. Crises and danger that will only resolve when Tia and Alex discover the reason why all is not as it should be with their new singularity drive.
At the publisher's request, this title is sold without DRM (Digital Rights Management).
About the
Mercedes Lackey is the New York Times best-selling author of the Bardic Voices series and the Serrated Edge series (both from Baen), the Heralds of Valdemar series, and many more. She’s the coauthor of the contemporary metahero SF series The Secret World Chronicle. Among her popular Baen titles are The Fire Rose, The Lark and the Wren, and also The Shadow of the Lion and Burdens of the Dead with Eric Flint and Dave Freer. She lives in Oklahoma.
- GenresScience Fiction
256 pages, Hardcover
Expected publication April 7, 2026
23 people want to read
About the author
Mercedes Lackey
436 books9,574 followersMercedes entered this world on June 24, 1950, in Chicago, had a normal childhood and graduated from Purdue University in 1972. During the late 70's she worked as an artist's model and then went into the computer programming field, ending up with American Airlines in Tulsa, Oklahoma. In addition to her fantasy writing, she has written lyrics for and recorded nearly fifty songs for Firebird Arts & Music, a small recording company specializing in science fiction folk music.
"I'm a storyteller; that's what I see as 'my job'. My stories come out of my characters; how those characters would react to the given situation. Maybe that's why I get letters from readers as young as thirteen and as old as sixty-odd. One of the reasons I write song lyrics is because I see songs as a kind of 'story pill' -- they reduce a story to the barest essentials or encapsulate a particular crucial moment in time. I frequently will write a lyric when I am attempting to get to the heart of a crucial scene; I find that when I have done so, the scene has become absolutely clear in my mind, and I can write exactly what I wanted to say. Another reason is because of the kind of novels I am writing: that is, fantasy, set in an other-world semi-medieval atmosphere. Music is very important to medieval peoples; bards are the chief newsbringers. When I write the 'folk music' of these peoples, I am enriching my whole world, whether I actually use the song in the text or not.
"I began writing out of boredom; I continue out of addiction. I can't 'not' write, and as a result I have no social life! I began writing fantasy because I love it, but I try to construct my fantasy worlds with all the care of a 'high-tech' science fiction writer. I apply the principle of TANSTAAFL ['There ain't no such thing as free lunch', credited to Robert Heinlein) to magic, for instance; in my worlds, magic is paid for, and the cost to the magician is frequently a high one. I try to keep my world as solid and real as possible; people deal with stubborn pumps, bugs in the porridge, and love-lives that refuse to become untangled, right along with invading armies and evil magicians. And I try to make all of my characters, even the 'evil magicians,' something more than flat stereotypes. Even evil magicians get up in the night and look for cookies, sometimes.
"I suppose that in everything I write I try to expound the creed I gave my character Diana Tregarde in Burning Water:
"There's no such thing as 'one, true way'; the only answers worth having are the ones you find for yourself; leave the world better than you found it. Love, freedom, and the chance to do some good -- they're the things worth living and dying for, and if you aren't willing to die for the things worth living for, you might as well turn in your membership in the human race."
Also writes as Misty Lackey
Author's website
"I'm a storyteller; that's what I see as 'my job'. My stories come out of my characters; how those characters would react to the given situation. Maybe that's why I get letters from readers as young as thirteen and as old as sixty-odd. One of the reasons I write song lyrics is because I see songs as a kind of 'story pill' -- they reduce a story to the barest essentials or encapsulate a particular crucial moment in time. I frequently will write a lyric when I am attempting to get to the heart of a crucial scene; I find that when I have done so, the scene has become absolutely clear in my mind, and I can write exactly what I wanted to say. Another reason is because of the kind of novels I am writing: that is, fantasy, set in an other-world semi-medieval atmosphere. Music is very important to medieval peoples; bards are the chief newsbringers. When I write the 'folk music' of these peoples, I am enriching my whole world, whether I actually use the song in the text or not.
"I began writing out of boredom; I continue out of addiction. I can't 'not' write, and as a result I have no social life! I began writing fantasy because I love it, but I try to construct my fantasy worlds with all the care of a 'high-tech' science fiction writer. I apply the principle of TANSTAAFL ['There ain't no such thing as free lunch', credited to Robert Heinlein) to magic, for instance; in my worlds, magic is paid for, and the cost to the magician is frequently a high one. I try to keep my world as solid and real as possible; people deal with stubborn pumps, bugs in the porridge, and love-lives that refuse to become untangled, right along with invading armies and evil magicians. And I try to make all of my characters, even the 'evil magicians,' something more than flat stereotypes. Even evil magicians get up in the night and look for cookies, sometimes.
"I suppose that in everything I write I try to expound the creed I gave my character Diana Tregarde in Burning Water:
"There's no such thing as 'one, true way'; the only answers worth having are the ones you find for yourself; leave the world better than you found it. Love, freedom, and the chance to do some good -- they're the things worth living and dying for, and if you aren't willing to die for the things worth living for, you might as well turn in your membership in the human race."
Also writes as Misty Lackey
Author's website
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 of 1 review
February 18, 2026
This is a sequel to The Ship Who Searched but doesn’t need to be read to understand what is going on in the book. The plus is there are more books like this set in the same universe. Tia is a brainship that works with her Brawn partner Alex. They are testing a singularity drive for the military that occasionally sends them off course and causes issues for them with the courier service they work for. They end up helping out several people along the way and finally have to take on 2 military tech to help suss out the weird glitch that keeps sending them off course. Things work out in the end and I wonder if we will see more books in this setting.
Digital review copy provided by the publisher
Digital review copy provided by the publisher
Displaying 1 of 1 review