Hell Pulp by Matias Ylikangas
4⭐⭐⭐⭐
Dear reader, I pose this question to you: Can you kill someone that’s already dead?
Matias Ylikangas is an author who orchestrates an evocative tale, reminiscent of Amy Lee’s most haunting voice transcribed onto paper. Our protagonist, Oscar, wakes up devoid of memory. His soiled clothes carry the burden of a life unremembered.
Where am I? No time to think. My hands bound by rope, I followed the grim procession. We were being sold? At least I believe that to be true. Our abductors, simply known as Grave Looters, paraded us into a vast world of bartering. What is known is that this predicament simply can’t end well.
Through a sheer miracle, the line of captives has broken. Nathaniel, our savior, has momentarily incapacitated the thugs, and Oscar and I make our escape under the tutelage of Nathaniel.
As we wandered through a town of misery and disease, it became abundantly clear we were just trying to survive. Nathaniel had said as much; we needed him to navigate the complexities of this place, wherever that was. We agreed to help Nathaniel find a man named Dean Theodore in exchange for protection.
Oscar’s memories slowly reappear through small flashes of intel involving a life full of pain, living with a passive-aggressive mother, and endless regrets. As conversations commenced our worst fears were confirmed; Nathaniel reiterated that we were indeed deceased. How had we perished? "This feels like Hell," I lamented. However, this place was not teeming with demons and fiery pits. The story presents a new realm of consciousness, or rather, an eerie alternative plane of existence.
The reading material picked at me, like a week-old scab, tormenting me with its hideous nature. I kept thinking of my Mad Max or Bone Tomahawk cinematic experiences. Ylikangas successfully breathes life into a story about the undead, resuscitating those in need, and then subsequently extinguishes our hopes by imposing a reality of an endless nightmare.
Imagine a world where cannibal tribes collide. The visceral feeling of being ushered through the front door of a shack decorated with human skin masquerading as wallpaper hit its mark. Put simply, it isn’t pretty! The shading between light and dark, good and evil, made my time in this existence wondrous in its shocking approach. The very nature of the world questions the religious beliefs of the standard heaven and hell concept. While often pushing the boundaries, I never felt Ylikangas took the gore too far, just for the sake of eye candy. The novel took its time, allowing it to breathe like a fine wine, allowing me room for my interpretations.
Escaping the valley unharmed became paramount in our quest. With an Indiana Jones-like vibe, we sprinted through tunnels. Underneath the crypts, followed closely by the flesh-eaters, we looked ahead toward a light marking freedom. Unfortunately, we had no insights to what Dean Theodore might provide us regarding Nathaniel’s discovery, and that, my friends, is where our assumptions get turned upside down.
Many thanks to Victory Editing NetGalley Co-op for the ARC through NetGalley. This review is voluntary and contains my honest opinion.