What does Shakespearean performance look like in the digital age? This pioneering book provides a wide-ranging examination of how digital creativity and connectivity are shaping modern theatre practices and how the works of Shakespeare are being reinvented as a part of this rapidly evolving landscape.
Erin Sullivan is a Senior Lecturer at the Shakespeare Institute, University of Birmingham, where she works on the experience of emotion in and through Shakespeare's plays. She is the author of Beyond Melancholy: Sadness and Selfhood in Renaissance England (2016), and the co-editor of The Renaissance of Emotion: Understanding Affect in Shakespeare and His Contemporaries (2015) and Shakespeare on the Global Stage: Performance and Festivity in the Olympic Year (2015). She is currently working on a book about digital technology and Shakespearean performance.