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Цезарь умер. Клеопатра, вернувшаяся в Египет, ум и силы отдает на создание мощной империи на Востоке в противовес Римской. Ненасытный Рим старается поглотить Египет, сделать богатейшую из стран мира своей провинцией. Трагическая любовь к Антонию, их встреча в Карсе, куда Клеопатра приплывает на украшенном золотом и драгоценностями корабле с пурпурными парусами, наряженная богиней Афродитой, тайное, а затем открытое противостояние двух триумвиров - приемного сына Цезаря, молодого Октавиана, и возлюбленного Клеопатры Марка Антония, - завершившееся морским сражением у мыса Актий, бегство Антония и Клеопатры в Египет и закат династии Птолемеев.
Муза Клио в романе Маргарет Джордж вышивает богатейший узор на ткани истории, приближая к нам далекие времена, когда миф неотличим от реальности и великие деяния предков сопоставимы с деятельностью богов.
Муза Клио в романе Маргарет Джордж вышивает богатейший узор на ткани истории, приближая к нам далекие времена, когда миф неотличим от реальности и великие деяния предков сопоставимы с деятельностью богов.
1024 pages, Hardcover
First published January 1, 2008
10 people want to read
About the author
Margaret George
74 books2,918 followersMargaret George is a rolling stone who has lived in many places, beginning her traveling at the age of four when her father joined the U.S. diplomatic service and was posted to a consulate in Taiwan. The family traveled on a freighter named after Ulysses' son Telemachus that took thirty days to reach Taiwan, where they spent two years. Following that they lived in Tel Aviv (right after the 1948 war, when it was relatively quiet), Bonn and Berlin (during the spy-and-Cold-War days) before returning--at the height of Elvis-mania--to Washington DC, where Margaret went to high school. Margaret's first piece of published writing, at the age of thirteen, was a letter to TIME Magazine defending Elvis against his detractors. (Margaret has since been to Graceland.)
But it was earlier in Israel that Margaret, an avid reader, began writing novels to amuse herself when she ran out of books to read. Interestingly, the subject of these was not what lay around her in the Middle East, but the American west, which she had never set foot in. (Now that she lives in the American Midwest she writes about the Middle East!) Clearly writing in her case followed Emily Dickinson's observation "There is no frigate like a book" and she used it to go to faraway places. Now she has added another dimension to that travel by specializing in visiting times remote from herself.
Neither of these horse sagas got published, but the ten-year-old author received an encouraging note from an editor at Grosset & Dunlap, telling her she had a budding talent but should work on her spelling.
It was also in Israel that Margaret started keeping land tortoises as pets, an interest which she still follows today. She had a great affinity for animals and nature and that led her to a double major at Tufts University in English literature and biology. Following that she received an MA in ecology from Stanford University--one of the earliest departments to offer such a concentration. Today she is active in environmental and animal conservation groups.
Combining her interests led her to a position as a science writer at the National Cancer Institute (National Institutes of Health) in Bethesda, Maryland for four years.
Her marriage at the end of that time meant moving, first to St. Louis, then to Uppsala, Sweden, and then to Madison, Wisconsin, where she and her husband Paul have lived for more than twenty years now. They have one grown daughter who lives in California and is in graduate school.
Through all this Margaret continued to write, albeit slowly and always on only one project at a time. She wrote what she refers to as her 'Ayn Rand/adventure novel' in college and her 'Sex and the City' novel in Washington DC. It was in St. Louis that she suddenly got the idea of writing a 'psycho-biography' of Henry VIII. She had never seen such a thing done but became convinced the king was a victim of bad PR and she should rescue his good name. Her background in science meant that only after thoroughly researching the literature and scholarship on Henry VIII would she embark on the novel itself. She sought the guidance of a Tudor historian at Washington University for a reading list, and proceeded from there.
It was actually fourteen years between her initial idea and the publication of The Autobiography of Henry VIII. The book made an impression for several reasons: first, because no one had ever written a novel sympathetic to the king before; second, because it covered his entire life from before birth until after his death, making it almost a thousand pages long, and third, because it was so fact-filled.
But it was earlier in Israel that Margaret, an avid reader, began writing novels to amuse herself when she ran out of books to read. Interestingly, the subject of these was not what lay around her in the Middle East, but the American west, which she had never set foot in. (Now that she lives in the American Midwest she writes about the Middle East!) Clearly writing in her case followed Emily Dickinson's observation "There is no frigate like a book" and she used it to go to faraway places. Now she has added another dimension to that travel by specializing in visiting times remote from herself.
Neither of these horse sagas got published, but the ten-year-old author received an encouraging note from an editor at Grosset & Dunlap, telling her she had a budding talent but should work on her spelling.
It was also in Israel that Margaret started keeping land tortoises as pets, an interest which she still follows today. She had a great affinity for animals and nature and that led her to a double major at Tufts University in English literature and biology. Following that she received an MA in ecology from Stanford University--one of the earliest departments to offer such a concentration. Today she is active in environmental and animal conservation groups.
Combining her interests led her to a position as a science writer at the National Cancer Institute (National Institutes of Health) in Bethesda, Maryland for four years.
Her marriage at the end of that time meant moving, first to St. Louis, then to Uppsala, Sweden, and then to Madison, Wisconsin, where she and her husband Paul have lived for more than twenty years now. They have one grown daughter who lives in California and is in graduate school.
Through all this Margaret continued to write, albeit slowly and always on only one project at a time. She wrote what she refers to as her 'Ayn Rand/adventure novel' in college and her 'Sex and the City' novel in Washington DC. It was in St. Louis that she suddenly got the idea of writing a 'psycho-biography' of Henry VIII. She had never seen such a thing done but became convinced the king was a victim of bad PR and she should rescue his good name. Her background in science meant that only after thoroughly researching the literature and scholarship on Henry VIII would she embark on the novel itself. She sought the guidance of a Tudor historian at Washington University for a reading list, and proceeded from there.
It was actually fourteen years between her initial idea and the publication of The Autobiography of Henry VIII. The book made an impression for several reasons: first, because no one had ever written a novel sympathetic to the king before; second, because it covered his entire life from before birth until after his death, making it almost a thousand pages long, and third, because it was so fact-filled.
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Displaying 1 of 1 review
March 12, 2024
Ни богу свечка, ни чёрту кочерга, простигосподи. Возлагала на эту книгу очень большие ожидания, но писательница так и не определилась до самого конца, что за произведение она пишет. Для исторического очерка или даже просто научпопа подробностей и фактов маловато; для исторического романа повествование слишком сухое. Мне нравится Клеопатра, но в этой книге я не увидела никакого анализа её как лидера большой страны, настоящей царицы, которая возродила Египет и старалась защитить свою страну. В книге Клеопатра представляется мне какой-то тусовщицей, которая 60% своего времени проводит заграницей. Всё с ней происходящее приходит из ниоткуда, уходит тоже как-то в никуда. Она иногда садится и что-то делает по работе, но в целом складывается впечатление, что страна сама себя восстановила и обогатила, а Клеопатра просто использовала её ресурсы, чтобы помочь своему очередному мужику. Справедливости ради, мужиков было только двое, но они оба те ещё экспонаты. В общем, мне совершенно не хватила интроспекции и размышлений, Клеопатра иногда включала великого стратега, но очень редко и совершенно не метко. Казалось, что она просто плыла по течению – но, боюсь, это сама писательница не смогла представить эту героиню так, как она того заслуживает. Мне было интересно обобщить свои знания и проследить за историей в более увлекательной форме, но книга не смогла увлечь меня окончательно.
Displaying 1 of 1 review