Some Men

by Terrence McNally

Terrence McNally

Genres: Plays

69 pages, Paperback

First published September 30, 2007

About the author

Terrence McNally was an American playwright, librettist, and screenwriter. Described as "the bard of American theater" and "one of the greatest contemporary playwrights the theater world has yet produced," McNally was the recipient of five Tony Awards. He won the Tony Award for Best Play for Love! Valour!

Reviews

[Jay Kistler · Rating 2 out of 5]

I picked this play up at The Understudy in Chicago. Highly recommend going there if you’re in town! As for the play itself, it’s now become a relic since its original production in 2007, and not a terribly interesting one, leaving the audience (the reader, anyways) feeling kinda whatever.

It’s essentially a sketch show about being gay in various decades. Well, “sketches” or “vignettes” or just “scenes”, I honestly don’t know which one is the least offensive to Terrence McNally (but if you do want to make him or anyone involved mad, say “skits”). Anyway, I call it a relic of its time because the beginning/end scene revolves around a gay wedding, which was rare in 2007, as just a few ceremonies had happened at that time. I got the feeling I was about to watch a show about how we got to this point; what battles we were about to witness. Instead, the sketches were all placed outside of those battles, like the one about the bar down the street from Stonewall or a support session talking about past struggles or making a connection in a chat room about past traumas. This is all tell and no show, leaving the stakes just offstage. I don’t know how compelling this could be made in person, frankly…there is one scene I was taken with, the one titled “At the NYAC (1971)” where we get honest conflict between 2 closeted men who are both married to women, where one wants to come out and the other sees this as friendship ending. This is a struggle on the page, and not just a petty squabble or misunderstanding. More scenes like this, or even a bigger narrative around the character Bernie, would have made this a better read. Oh well.

I should also note that I ultimately bought this book because I saw that the original production listed one of the actors as being Pedro Pascal. Do with that information what you will.

[Paul · Rating 5 out of 5]

Great play - as I was reading it, I realized I had seen it.

[Martin Denton · Rating 5 out of 5]

If someone took our picture right now, I wonder if they would know we were gay men.

So says one of the characters in Terrence McNally's fine play Some Men, and it may be the most powerful concept in a play that's filled to the brim with compelling ideas. This meditation on a century of progress and regress in gay American life proves, above all else, that no one gay "life" exists to be charted. The men of McNally's play are a doctor, a landscaper, a drag queen, a Harlem Renaissance gadfly, a hustler, a bartender, a piano player, a businessman, a chauffeur, a therapist, a soldier. They share something in common--and maybe only that one thing. Some Men explores who these men are, who they were made to be, and who they made themselves into. It's a story filled with dozens of little stories, all important, all of value.

It is, I think, the most sincere and authentic examination of its kind ever to find its way to the stage. Its rare honesty and candor make it one of the best plays McNally has written. I love it for its insistent refusal to judge any of its characters, despite their myriad foibles and foolishnesses. The men of Some Men are shown to us, warts and all, with genuine respect and affection. They deserve it.

At the center of the play is a man named Bernie, an advertising executive who came of age in the '50s (he served in Korea). When we first meet him, he's having an awkward first sexual encounter with a handsome young hustler named Zach in a room at the Waldorf-Astoria:

Yes. I love my wife but sometimes I get these urges to be with a man so bad I think I'm gonna go crazy. I'm so tired of jacking off in our bathroom with Susan on the other side of the door in our bedroom. I want to go Yow! when I come, once, just once in my life, go Yow! and mean it. I want the whole world to hear me when I come. I want me to hear me.

The rest of the play charts Bernie's journey to Yow. He decides to come out to his wife (in the play's most rivetingly powerful scene, in which he confides in a closeted colleague in the same boat); he looks for sex hoping to find love (there's a funny and touching segment set in a bath house in the pre-AIDS '70s); and he eventually does find love with another man, and stability, and all the good things and bad things that such a relationship can bring.

Surrounding Bernie's saga are vignettes that together create a panorama of the gay male experience in New York from the 1920s through the present day. We meet Angel Eyes, a Harlem singer who was close to a famous lyricist; David and Padraic, a rich Jewish man and his Irish chauffeur, who is also his lover; and Perry and Marcus, a contemporary couple planning to adopt a child. Most memorably, we spend the night of the Stonewall Riot at a piano bar around the corner, where a bunch of self-described "show queens" are surprised to find a drag queen named Roxie suddenly in their midst.

And there's much, much more: journeys to the AIDS ward at St. Vincent's and a group therapy session and an interview conducted by two young Queer Studies majors of a stable couple of many decades' standing and an Internet chat room. The whole play is framed by a wedding, a ceremony that encapsulates many of McNally's key ideas about assimilation in its many forms.

Oh, and there's music, music everywhere. Show tunes at the piano bar, "Ten Cents a Dance" at the Harlem dive, even an impromptu dance after the group therapy session: there's no getting around the fact that these men move to the beat, sometimes of a different drum and sometimes the same one as everybody else.

McNally's truthfulness and wisdom make Some Men feelessential and human. This is a play with neither a chip on its shoulder nor its heart on its sleeve; it's funny and sad and playful and romantic and sexy; it's not political and it's not graphically in-your-face. (It is campy; it has to be.) It is, finally, about what it means to be a gay man, which takes in what it means to be gay and what it means to be a man: it's as epic and as intimate as that mission requires.

[Jim Stiles · Rating 4 out of 5]

- read this for a pandemic play reading group at Speakeasy. One of the great artists who we lost during this pandemic . So sad

[Earl · Rating 4 out of 5]

A humorous and sometimes tragic play that follows different groups of gay men in different time periods.