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Villa Coco
Andrew Sean Greer, Pulitzer Prize-winning author of Less, showcases his wit, sophistication, and deep knowledge of focaccia in this magical and madcap tale of a young man who takes an unspecified job with a charismatic elderly Baronessa at her crumbling villa in the Tuscan hills.
A MOST ANTICIPATED BOOK OF THE People, TIME, Oprah Daily, Lit Hub, Seattle Times
“No one writing in English is funnier or more charming than Andrew Greer. Every sentence in this novel sings.” —David Sedaris
Broke and directionless, our young man (the chosen moniker of Villa Coco’s narrator) takes a job in the Italian countryside as the all-purpose assistant (technically, the employment ad asked for “adjutant”) to Lisabetta, known to her friends as Coco, a strong-willed, wealthy widow of great local renown. Technically, our young man is an archivist, charged with cataloguing Coco’s extensive and eclectic collection of art and artifacts, but what are his actual duties? He is charged with ridding the house of a marten, whatever that is, locating the antediluvian septic system, entertaining an endless carousel of guests (from bohemian painters to elderly princesses to handsome nephews), attending a funeral in order to make off with the urn, and not inadvertently sabotaging Coco’s great and final plan—to locate the lost love of her life and be reunited before it’s too late.
Told with the signature wit, insight, and deeply felt humanity that made Less an international phenomenon, Villa Coco is a dazzling, sun-soaked ode to life itself—a romp through a youthfully self-constructed emotional obstacle course, a meditation on what we give and take from others, and a bawdy Mediterranean ballad about becoming who you’ve always wanted to be.
A MOST ANTICIPATED BOOK OF THE People, TIME, Oprah Daily, Lit Hub, Seattle Times
“No one writing in English is funnier or more charming than Andrew Greer. Every sentence in this novel sings.” —David Sedaris
Broke and directionless, our young man (the chosen moniker of Villa Coco’s narrator) takes a job in the Italian countryside as the all-purpose assistant (technically, the employment ad asked for “adjutant”) to Lisabetta, known to her friends as Coco, a strong-willed, wealthy widow of great local renown. Technically, our young man is an archivist, charged with cataloguing Coco’s extensive and eclectic collection of art and artifacts, but what are his actual duties? He is charged with ridding the house of a marten, whatever that is, locating the antediluvian septic system, entertaining an endless carousel of guests (from bohemian painters to elderly princesses to handsome nephews), attending a funeral in order to make off with the urn, and not inadvertently sabotaging Coco’s great and final plan—to locate the lost love of her life and be reunited before it’s too late.
Told with the signature wit, insight, and deeply felt humanity that made Less an international phenomenon, Villa Coco is a dazzling, sun-soaked ode to life itself—a romp through a youthfully self-constructed emotional obstacle course, a meditation on what we give and take from others, and a bawdy Mediterranean ballad about becoming who you’ve always wanted to be.
270 pages, Kindle Edition
First published June 9, 2026
About the author
Andrew Sean Greer
29 books3,344 followersAndrew Sean Greer (born 1970) is an American novelist and short story writer.
He is the bestselling author of The Story of a Marriage, which The New York Times has called an “inspired, lyrical novel,” and The Confessions of Max Tivoli, which was named one of the best books of 2004 by the San Francisco Chronicle and received a California Book Award.
The child of two scientists, Greer studied writing with Robert Coover and Edmund White at Brown University, where he was the commencement speaker at his own graduation, where his unrehearsed remarks, critiquing Brown's admissions policies, caused a semi-riot. After years in New York working as a chauffeur, theater tech, television extra and unsuccessful writer, he moved to Missoula, Montana, where he received his Master of Fine Arts from The University of Montana, from where he soon moved to Seattle and two years later to San Francisco where he now lives. He is currently a fellow at the New York Public Library Cullman Center. He is an identical twin.
While in San Francisco, he began to publish in magazines before releasing a collection of his stories, How It Was for Me. His stories have appeared in Esquire, The Paris Review, The New Yorker and other national publications, and have been anthologized most recently in The Book of Other People, and The PEN/ O. Henry Prize Stories 2009. His first novel, The Path of Minor Planets, was published in 2001.
He is the bestselling author of The Story of a Marriage, which The New York Times has called an “inspired, lyrical novel,” and The Confessions of Max Tivoli, which was named one of the best books of 2004 by the San Francisco Chronicle and received a California Book Award.
The child of two scientists, Greer studied writing with Robert Coover and Edmund White at Brown University, where he was the commencement speaker at his own graduation, where his unrehearsed remarks, critiquing Brown's admissions policies, caused a semi-riot. After years in New York working as a chauffeur, theater tech, television extra and unsuccessful writer, he moved to Missoula, Montana, where he received his Master of Fine Arts from The University of Montana, from where he soon moved to Seattle and two years later to San Francisco where he now lives. He is currently a fellow at the New York Public Library Cullman Center. He is an identical twin.
While in San Francisco, he began to publish in magazines before releasing a collection of his stories, How It Was for Me. His stories have appeared in Esquire, The Paris Review, The New Yorker and other national publications, and have been anthologized most recently in The Book of Other People, and The PEN/ O. Henry Prize Stories 2009. His first novel, The Path of Minor Planets, was published in 2001.
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June 24, 2026
Some books feel like an escape. Villa Coco feels like being gently carried away on warm Tuscan air, dropped into a place where time bends, rules blur, and every strange little moment somehow adds up to something quietly profound.
Andrew Sean Greer doesn't rush to impress you. He wins you over slowly. At the center of this story is a young man without a clear direction who takes a job in Italy expecting something respectable and orderly—and gets anything but. Instead of neatly cataloging art, he finds himself pulled into the orbit of Lisabetta "Coco," a force of nature dressed in widow's black, whose villa feels less like a workplace and more like a living, breathing thing filled with secrets, memories, chaos, and longing.
What follows is part comedy, part emotional unraveling, part surreal adventure. Each day brings a new task that sounds slightly absurd but somehow matters: navigating eccentric visitors, running strange errands, becoming the accidental guardian of Coco's unfinished love story. What starts as a paycheck quietly becomes something far more intimate—a crash course in devotion, vulnerability, and what it means to let other people's lives change your own.
Greer's writing glides between playful and deeply sincere. The humor is warm rather than showy, and the emotional moments sneak up on you when you're not bracing for them. Beneath the antics and lively personalities is a tender meditation on youth brushing against mortality, on love that lingers long after time should have erased it, and on how even the most aimless seasons of life can quietly reshape who we become.
The Italian setting adds its own kind of magic. The villa, the hills, the meals, the drifting conversations—all of it creates a dreamy, sunlit haze where past and present overlap, where small choices start to feel significant. This isn't a story driven by high drama or plot twists. It's driven by atmosphere, connection, and the slow realization that sometimes the most important journeys don't look heroic at all.
Villa Coco left me smiling, slightly wistful, and unexpectedly moved. It's the kind of book that reminds you how strange and beautiful people can be, how love doesn't fade on schedule, and how growth often arrives disguised as chaos.
A heartfelt thank you to NetGalley and Doubleday Books for the digital review copy in exchange for my honest thoughts.
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Andrew Sean Greer doesn't rush to impress you. He wins you over slowly. At the center of this story is a young man without a clear direction who takes a job in Italy expecting something respectable and orderly—and gets anything but. Instead of neatly cataloging art, he finds himself pulled into the orbit of Lisabetta "Coco," a force of nature dressed in widow's black, whose villa feels less like a workplace and more like a living, breathing thing filled with secrets, memories, chaos, and longing.
What follows is part comedy, part emotional unraveling, part surreal adventure. Each day brings a new task that sounds slightly absurd but somehow matters: navigating eccentric visitors, running strange errands, becoming the accidental guardian of Coco's unfinished love story. What starts as a paycheck quietly becomes something far more intimate—a crash course in devotion, vulnerability, and what it means to let other people's lives change your own.
Greer's writing glides between playful and deeply sincere. The humor is warm rather than showy, and the emotional moments sneak up on you when you're not bracing for them. Beneath the antics and lively personalities is a tender meditation on youth brushing against mortality, on love that lingers long after time should have erased it, and on how even the most aimless seasons of life can quietly reshape who we become.
The Italian setting adds its own kind of magic. The villa, the hills, the meals, the drifting conversations—all of it creates a dreamy, sunlit haze where past and present overlap, where small choices start to feel significant. This isn't a story driven by high drama or plot twists. It's driven by atmosphere, connection, and the slow realization that sometimes the most important journeys don't look heroic at all.
Villa Coco left me smiling, slightly wistful, and unexpectedly moved. It's the kind of book that reminds you how strange and beautiful people can be, how love doesn't fade on schedule, and how growth often arrives disguised as chaos.
A heartfelt thank you to NetGalley and Doubleday Books for the digital review copy in exchange for my honest thoughts.
Follow me on medium.com to read my articles about books, movies, streaming series, astrology:
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November 26, 2025
The author in a letter to his readers wonders “ whatever happened to the “charm novel” ….a world in which even the worst of circumstances could provide a funny story and a sense of hope.” So he decided to write one and he has indeed written a story with charm. A young American man is hired by a ninety two year old Italian Barroness to catalog her art and artifacts at her villa. “Our young man” as he is referred to doesn’t find the luxurious villa he imagined , nor the structured job he expected . Instead he becomes her assistant, finds a villa in need of repair, and a parade of eccentric characters . In addition to the Barronessa, there’s an aging principessa, a quirky artist, and more . An escapade to say the least, picking olives and grapes, helping with repairs, listening to the Baronessa’s stories before he can get down to the work he was hired to do. Some hilarious moments, some tender moments, some moments of awakening in this gentle, funny and entertaining novel with endearing characters . It’s full of life and love and is reflective on doing what you’re meant to do and meant to be.
I received a copy of this book from Doubleday through NetGalley.
I received a copy of this book from Doubleday through NetGalley.
Want to Read
June 4, 2026i'm summering in europe
(this is what i'm calling "spending the next several months reading books about travel")
(this is what i'm calling "spending the next several months reading books about travel")
June 17, 2026
In 2018, hours after Andrew Sean Greer won a Pulitzer Prize for Less, I got him on the phone in Italy and asked if he was surprised.
“Oh, come on,” he shot back. “Everyone was surprised!”
True.
Not that we were disappointed — not at all. But there was an abiding sense, sure as death, that serious honors were reserved for serious books. A great comic novel, even one as great as Less, might attend the tournament, but decorum dictated that it should remain seated quietly in the stands.
Poppycock.
Greer has brought the same iconoclastic verve to his new book, Villa Coco, about an indomitable baronessa in Italy. If you think “charming” is a dismissive, diminutive compliment, wait till you see that term restored to its original enchantment. Villa Coco isn’t mere ice cream; it’s stracciatella gelato served in one of the most beautiful places on earth.
The story comes to us as a memory polished for years to bring out its comic sheen. Near the end of the 20th century, when the narrator is a rudderless college graduate clutching a degree in Archives and Record Management, his parents insist he begin taking life seriously. And so, like Ferdinand at the start of Love’s Labour’s Lost, he swears off romance and commits himself only to work of consequence.
An advertisement for an assistant in Italy seems to promise just the labor he needs. The duties include dictation, pruning, hunting weasels and cataloging the contents of a country house.
He doesn’t speak Italian — or hunt weasels — but how hard could it be?
All he knows is that he’s led a carefully protected life, “cosseted as a Pekingese,” and he’s ready for something. “Was it adventure I craved?” he wonders. “Having never had any real challenge or adventure, how did I know I wanted it?”
As he showed in Less and its sequel Less is Lost, Greer is a master of confusion, the kind of rolling bafflement that picks up twigs and small animals as it crashes along. Even before he reaches Tuscany, his host has confused his name with the date of his arrival, so he shall forever be known as Giovedì or Thursday. No attempt to....
You can read the rest of this review for free on Substack:
https://roncharles.substack.com/p/and...
“Oh, come on,” he shot back. “Everyone was surprised!”
True.
Not that we were disappointed — not at all. But there was an abiding sense, sure as death, that serious honors were reserved for serious books. A great comic novel, even one as great as Less, might attend the tournament, but decorum dictated that it should remain seated quietly in the stands.
Poppycock.
Greer has brought the same iconoclastic verve to his new book, Villa Coco, about an indomitable baronessa in Italy. If you think “charming” is a dismissive, diminutive compliment, wait till you see that term restored to its original enchantment. Villa Coco isn’t mere ice cream; it’s stracciatella gelato served in one of the most beautiful places on earth.
The story comes to us as a memory polished for years to bring out its comic sheen. Near the end of the 20th century, when the narrator is a rudderless college graduate clutching a degree in Archives and Record Management, his parents insist he begin taking life seriously. And so, like Ferdinand at the start of Love’s Labour’s Lost, he swears off romance and commits himself only to work of consequence.
An advertisement for an assistant in Italy seems to promise just the labor he needs. The duties include dictation, pruning, hunting weasels and cataloging the contents of a country house.
He doesn’t speak Italian — or hunt weasels — but how hard could it be?
All he knows is that he’s led a carefully protected life, “cosseted as a Pekingese,” and he’s ready for something. “Was it adventure I craved?” he wonders. “Having never had any real challenge or adventure, how did I know I wanted it?”
As he showed in Less and its sequel Less is Lost, Greer is a master of confusion, the kind of rolling bafflement that picks up twigs and small animals as it crashes along. Even before he reaches Tuscany, his host has confused his name with the date of his arrival, so he shall forever be known as Giovedì or Thursday. No attempt to....
You can read the rest of this review for free on Substack:
https://roncharles.substack.com/p/and...
June 19, 2026
My gosh, I am behind in my reviews. My bad. But if you have been living under a rock and have missed the love the treasure of a novel called VILLA COCO has been receiving the last two weeks, let me be the first to tell you: Andrew Sean Greer (LESS, LESS IS LOST, etc.) has done it again. A young archivist arrives in Tuscany to "catalog"a 92-year-old Baronessa's antiquities and art at her villa, but she has other plans. And pugs. And sewer problems. And an olive grove. And the stolen toe of a classic Venetian sculpture. And an obsession with what is clearly a terrible TV program about a detective. And demands he only speak Italian in the car. And a terrifying three-wheeled truck. And a cousin who is half her age and with whom our archivist just might fall in love. And a wild animal that throws itself against the villa's windows. As we like to say, "hijinks ensue," but underneath this delightful, funny, and very smart novel is an exploration of longing and trying to decide this: what WILL we do with that one wild and precious life we are given? Join Greer in Tuscany. You'll thank me.
June 9, 2026
You never know the last moments you will have with someone.
A young American travels to Tuscany to catalog the possessions of the 92-year-old Baronessa. There he finds eccentric characters, and the woman's household in a state of functioning chaos, making it very difficult for him to do his job. I had to laugh out loud when she stated that she wanted her books arranged not alphabetically, but by the "country of the author's birth."
This is a bright and sunny, occasionally poignant read. Greer's book manages to be sweet without being maudlin, and makes for a pleasant diversion between heavier stories (and today's headlines).
Thanks to NetGalley and Doubleday for sharing.
A young American travels to Tuscany to catalog the possessions of the 92-year-old Baronessa. There he finds eccentric characters, and the woman's household in a state of functioning chaos, making it very difficult for him to do his job. I had to laugh out loud when she stated that she wanted her books arranged not alphabetically, but by the "country of the author's birth."
This is a bright and sunny, occasionally poignant read. Greer's book manages to be sweet without being maudlin, and makes for a pleasant diversion between heavier stories (and today's headlines).
Thanks to NetGalley and Doubleday for sharing.
May 19, 2026
I’m not sure how this one would translate reading the physical but the audio made all the characters come alive! Edorado Ballerini narrating was perfection! I loved how quirky the ride was, but did feel the ending was rushed and not as wrapped up as it could have been.
June 1, 2026
VILLA COCO
By Andrew Sean Greer
3.5 stars rounded up
This magical tale is set in the 1990s in a remote corner of Tuscany, where a broke and aimless young American man takes a job working for an eccentric ninety-two-year-old Baronessa in her crumbling villa. Giovedi is hired to catalog her belongings, but he soon discovers he is actually managing the Baronessa’s chaotic household, and the cataloging quickly falls by the wayside.
The Baronessa regales Giovedi with stories from her remarkable life and introduces him to an array of exotic friends and family as she embarks on a quest to reconnect with a lost love.
With its quirky cast of characters, lush Italian setting, and vivid descriptions, this is unlike any book I’ve read. You will fall in love with the Baronessa as what begins as a series of madcap escapades gradually becomes a beautiful ode to life itself. At its heart, it is a story about becoming who you have always wanted to be.
Filled with humor, warmth, eccentric characters, and an immersive Italian atmosphere, this novel allows readers to travel to Italy without the crowds and enjoy a delightful, magical experience.
I also loved the cover, which is what initially inspired me to pick up the book.
Thank you to NetGalley and Doubleday Books for the eARC.
By Andrew Sean Greer
3.5 stars rounded up
This magical tale is set in the 1990s in a remote corner of Tuscany, where a broke and aimless young American man takes a job working for an eccentric ninety-two-year-old Baronessa in her crumbling villa. Giovedi is hired to catalog her belongings, but he soon discovers he is actually managing the Baronessa’s chaotic household, and the cataloging quickly falls by the wayside.
The Baronessa regales Giovedi with stories from her remarkable life and introduces him to an array of exotic friends and family as she embarks on a quest to reconnect with a lost love.
With its quirky cast of characters, lush Italian setting, and vivid descriptions, this is unlike any book I’ve read. You will fall in love with the Baronessa as what begins as a series of madcap escapades gradually becomes a beautiful ode to life itself. At its heart, it is a story about becoming who you have always wanted to be.
Filled with humor, warmth, eccentric characters, and an immersive Italian atmosphere, this novel allows readers to travel to Italy without the crowds and enjoy a delightful, magical experience.
I also loved the cover, which is what initially inspired me to pick up the book.
Thank you to NetGalley and Doubleday Books for the eARC.
June 20, 2026
Thank you so much to Penguin Random House Audio for the review copy of the audiobook for Villa Coco by Andrew Sean Greet. I’ve enjoyed all of his earlier books that I’ve read (or listened to) and this was another delightful story.
Edoardo Ballerini proves once again why he is one of my favorite audiobook narrators. He handles all the different characters and accents so beautifully! It made listening a pleasure.
The story is told by a man looking back on a special and momentous season of his life, when, right after graduating from college in the US (in the 1990s, I think), he is recommended for a job as an archivist for a 92-year-old “Baronessa” in the Tuscan countryside. He knows no Italian, but the job is supposed to take several months and he doesn’t have a lot of other prospects, so he jumps at the chance. Right away we get a picture of the rundown nature of this estate, starting with the local train station, which has definitely seen better days. The humor continues throughout the book, even as we grow fonder and fonder of all the characters we encounter. The Baronessa insists on calling him “Giovedi”, which translates to Thursday (as in Robinson Crusoe’s Friday). We don’t actually learn his real name until nearly the end of the book.
There were a lot of characters to keep track of, but “Giovedi” is the center of it all. He has sworn off relations with other men, after some wild college days, but of course he finds someone (a much younger cousin of the Baronessa, in fact) who piques his interest, only to find out the man is married (a marriage of convenience, but still). I adored the Baronessa. What a life she led! All is not as it seems at first, and we gradually get bits and pieces of her backstory.
This was a short book and a lovely way to pass several hours. And the food descriptions will make you hungry!
Edoardo Ballerini proves once again why he is one of my favorite audiobook narrators. He handles all the different characters and accents so beautifully! It made listening a pleasure.
The story is told by a man looking back on a special and momentous season of his life, when, right after graduating from college in the US (in the 1990s, I think), he is recommended for a job as an archivist for a 92-year-old “Baronessa” in the Tuscan countryside. He knows no Italian, but the job is supposed to take several months and he doesn’t have a lot of other prospects, so he jumps at the chance. Right away we get a picture of the rundown nature of this estate, starting with the local train station, which has definitely seen better days. The humor continues throughout the book, even as we grow fonder and fonder of all the characters we encounter. The Baronessa insists on calling him “Giovedi”, which translates to Thursday (as in Robinson Crusoe’s Friday). We don’t actually learn his real name until nearly the end of the book.
There were a lot of characters to keep track of, but “Giovedi” is the center of it all. He has sworn off relations with other men, after some wild college days, but of course he finds someone (a much younger cousin of the Baronessa, in fact) who piques his interest, only to find out the man is married (a marriage of convenience, but still). I adored the Baronessa. What a life she led! All is not as it seems at first, and we gradually get bits and pieces of her backstory.
This was a short book and a lovely way to pass several hours. And the food descriptions will make you hungry!
June 4, 2026
I requested Villa Coco expecting a charming Italian escape full of wit, heart, and maybe enough focaccia talk to make me hungry.
Well, I was hungry, but mostly for chapters.
The story is divided into three large sections with no chapters in between, which turned reading this book into an endurance event. Nothing says "relaxing Italian escape" quite like desperately searching for a stopping point that doesn't exist.
The writing felt incredibly disjointed and difficult to follow. Characters appeared, disappeared, and wandered back in again. More than once, I found myself flipping back a few pages wondering if I'd accidentally skipped something. Y’all, I had not.
The Tuscan setting was lovely, with beautiful descriptions, moments of wit, and an eccentric cast of characters. Coco herself was particularly intriguing, and there were flashes of the magical charm I was hoping for. Unfortunately, those bright spots were buried beneath a disjointed narrative that seemed determined to make me work for every ounce of understanding. Getting to the good parts felt a bit like hiking uphill in flip-flops while carrying an urn you may or may not have stolen from a funeral (iykyk). By the time I figured out where the story was going, I wasn't entirely sure I cared anymore.
When I reached the end, I admired what the book was trying to do far more than I enjoyed reading it. It wasn't a terrible experience, but it was definitely a long one for such a short book. A very, very long one.
If you're looking for a dreamy Italian countryside story filled with quirky characters and don't mind a narrative that meanders through the vineyards without a map, this may work for you.
As for me, I finished it mostly because I'm stubborn and refuse to let a book win. And because I needed to know if I was ever going to find out the narrator’s real name.
Many thanks to NetGalley and Doubleday for this review copy.
Well, I was hungry, but mostly for chapters.
The story is divided into three large sections with no chapters in between, which turned reading this book into an endurance event. Nothing says "relaxing Italian escape" quite like desperately searching for a stopping point that doesn't exist.
The writing felt incredibly disjointed and difficult to follow. Characters appeared, disappeared, and wandered back in again. More than once, I found myself flipping back a few pages wondering if I'd accidentally skipped something. Y’all, I had not.
The Tuscan setting was lovely, with beautiful descriptions, moments of wit, and an eccentric cast of characters. Coco herself was particularly intriguing, and there were flashes of the magical charm I was hoping for. Unfortunately, those bright spots were buried beneath a disjointed narrative that seemed determined to make me work for every ounce of understanding. Getting to the good parts felt a bit like hiking uphill in flip-flops while carrying an urn you may or may not have stolen from a funeral (iykyk). By the time I figured out where the story was going, I wasn't entirely sure I cared anymore.
When I reached the end, I admired what the book was trying to do far more than I enjoyed reading it. It wasn't a terrible experience, but it was definitely a long one for such a short book. A very, very long one.
If you're looking for a dreamy Italian countryside story filled with quirky characters and don't mind a narrative that meanders through the vineyards without a map, this may work for you.
As for me, I finished it mostly because I'm stubborn and refuse to let a book win. And because I needed to know if I was ever going to find out the narrator’s real name.
Many thanks to NetGalley and Doubleday for this review copy.
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February 23, 2026This novel tells the story of a young American man, who is a recent college graduate (an archivist) with no clear direction in life. He takes a job making a list of art objects in a villa in Italy. The villa is owned by an imperious but very elusive baroness. The story begins as the young man shows up at the villa (Villa Coco) and, instead of beginning his listing of art pieces, he is given numerous menial tasks because “the rooms aren’t ready”. Clearly some big issue is being hidden.
The novel is full of lovely, tangible descriptions of Italy, from food to landscape to buildings. I enjoyed these descriptions a great deal, and I felt as if I had taken a little trip to Italy. The novel is also full of eccentric characters with whom I just did not fully connect. I found the baroness to be rather unlikeable and her many friends did not touch my heart. Further, and likely because I am old, I just could not get into the life issues of a 22 year old young man. Sadly, the big art secret reveal did not work well for me either. I know I am in the minority on my views, and I think I was just not the right reader for this book at this moment.
The novel is full of lovely, tangible descriptions of Italy, from food to landscape to buildings. I enjoyed these descriptions a great deal, and I felt as if I had taken a little trip to Italy. The novel is also full of eccentric characters with whom I just did not fully connect. I found the baroness to be rather unlikeable and her many friends did not touch my heart. Further, and likely because I am old, I just could not get into the life issues of a 22 year old young man. Sadly, the big art secret reveal did not work well for me either. I know I am in the minority on my views, and I think I was just not the right reader for this book at this moment.
Review of advance copy received from Netgalley
*** 2/17/26 ***: Thank you NetGalley for a prerelease ARC to read and review!
I've read all of Andrew Sean Greer's books and enjoyed them all. Three things jump out at me about Greer's writing: 1) He has a love of travel and strong ability to build rich and detailed descriptions of disparate geographies, using places as an attractive character in his books. 2) His protagonists are gay men, and he remains true to that model, which makes his body of work feel cohesive and comfortable for the reader. 3) He has the most incredible vocabulary of any writer I've ever read.
It is this last point, his choice of unusual/esoteric/impressively diverse language and words, literally on nearly every page of the book, that are most stunning to me. I've read probably thousands of books in my life, and consider myself to have a strong vocabulary, yet I found myself highlighting unknown words very frequently in this Kindle ARC. In this novel in particular, his use of vocabulary was extended, or complicated, depending on your POV, by the fact that it is based in Italy, and uses a lot of Italian names and words. While I love the extensive vocab, I found it a bit tiresome to read so much Italian, and even a little confusing at times, derailing me from the plot.
Other than that, I consider the book to be a coming of age story wrapped in a travel/light mystery. I found the plot a little meandering and unclear as our protagonist learns many life lessons while curating a house of art and collectables for "Coco," aka the Baronessa. He meets various people Coco knows, but the reader doesn't have the benefit of insight on what roles they all really play in the story. I enjoyed the ending of the book the most, as we began to see the puzzle come together. I love a lot about this author and will continue to read his books. 4-stars.
I've read all of Andrew Sean Greer's books and enjoyed them all. Three things jump out at me about Greer's writing: 1) He has a love of travel and strong ability to build rich and detailed descriptions of disparate geographies, using places as an attractive character in his books. 2) His protagonists are gay men, and he remains true to that model, which makes his body of work feel cohesive and comfortable for the reader. 3) He has the most incredible vocabulary of any writer I've ever read.
It is this last point, his choice of unusual/esoteric/impressively diverse language and words, literally on nearly every page of the book, that are most stunning to me. I've read probably thousands of books in my life, and consider myself to have a strong vocabulary, yet I found myself highlighting unknown words very frequently in this Kindle ARC. In this novel in particular, his use of vocabulary was extended, or complicated, depending on your POV, by the fact that it is based in Italy, and uses a lot of Italian names and words. While I love the extensive vocab, I found it a bit tiresome to read so much Italian, and even a little confusing at times, derailing me from the plot.
Other than that, I consider the book to be a coming of age story wrapped in a travel/light mystery. I found the plot a little meandering and unclear as our protagonist learns many life lessons while curating a house of art and collectables for "Coco," aka the Baronessa. He meets various people Coco knows, but the reader doesn't have the benefit of insight on what roles they all really play in the story. I enjoyed the ending of the book the most, as we began to see the puzzle come together. I love a lot about this author and will continue to read his books. 4-stars.
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June 25, 2026I came to this author via LESS (5*) and its sequel (4*) and this is slighter and less funny than those slight, funny books. A callow youth is educated in life by an elderly baronessa and her employees and friends. The whole coming-of-age takes place in Tuscany so it is very picturesque and the food sounds amazing. There’s no noticeable character development, so when a Big Emotional Event occurs, it’s difficult to care. It ends about how you’d expect. Atmospheric, not meaningful.
June 23, 2026
This was such a clever, charming escape to the Italian countryside with missing treasures, romance, family secrets, and a ninety-two-year-old Baronessa who completely stole the show. A little slower in spots, but so full of heart, humor and adventure.. incl Edorado Ballerini’s narration that was amazing! 🎧
March 9, 2026
Unfortunately, I couldn’t get into this one. I wish I did not have to DNF an ARC, and hope others like it more than I did.
Thank you very much to NetGalley and Doubleday Books for the advanced reader’s copy of this book in exchange for my honest review.
Thank you very much to NetGalley and Doubleday Books for the advanced reader’s copy of this book in exchange for my honest review.
June 11, 2026
i did not love it that much tbh, the ending def saved it but it was *too* charming and whimsical for my liking
May 23, 2026
As intended, this is very charming.
Review of advance copy received from Author
This book was not like any other book I have read. It is filled with many characters with colorful personalities. It is focused on one character's journey to Italy and how his choices in life seem to grow into the person he always was. I did not enjoy it because there really was no actual plot. And everything is smashed together, mixed up as one meal. I hope that someone else will relate to this tale. I just could not.
Thank you to Andrew Greer and Netgalley for the opportunity to read and review this book. I am a positive person. I am also an honest person. I wish Andrew Greer much success!
Thank you to Andrew Greer and Netgalley for the opportunity to read and review this book. I am a positive person. I am also an honest person. I wish Andrew Greer much success!
November 24, 2025
This beautiful novel immersed me in the richly-drawn world of Baronessa Coco and her eclectic Italian villa stuffed with art and artifacts which a young American archivist has come to catalog. Thwarted by Coco's capricious whims and secret agendas, our archivist struggles to accomplish his task, never realizing his true vocation is less about making lists and more about embracing adventure. Mesmerizing descriptions, fully-realized characters, and hypnotically gorgeous prose drew me in and held me fast until the final lovely scene. Fabulous and affecting, I loved this novel!
April 2, 2026
I think if I had never read the authors note that went along with this ARC, claiming that he wrote this book to ‘create a world you never want to leave, that would be reread yearly as a balm to the soul’, I may have approached this with much lower expectations. But I read it, and I kept waiting for the characters to become fleshed out and lovable, and for the chicken soup for the soul to hit me like a hug… and it just never did.
What I did get was a semi-atmospheric story of one man’s slightly kooky job for one autumn in Italy. There’s a dash of silliness, a sprinkle of a love story, and not really much happening. There is a decent cast of characters but not one of them really comes to life in any meaningful way, and I never felt like I knew them well. I wish we’d have learned more about all of them and maybe then this book would have been more interesting. It honestly took me nearly 60% in to feel comfortable in the story and figure out what the point of anything was. Way too long.
I stuck this one out for the sake of the ARC, but had I grabbed this without being on the hook for a review, I’d have set it down by 25% in.
Thank you to NetGalley and the publisher for providing this ARC in exchange for my honest review.
What I did get was a semi-atmospheric story of one man’s slightly kooky job for one autumn in Italy. There’s a dash of silliness, a sprinkle of a love story, and not really much happening. There is a decent cast of characters but not one of them really comes to life in any meaningful way, and I never felt like I knew them well. I wish we’d have learned more about all of them and maybe then this book would have been more interesting. It honestly took me nearly 60% in to feel comfortable in the story and figure out what the point of anything was. Way too long.
I stuck this one out for the sake of the ARC, but had I grabbed this without being on the hook for a review, I’d have set it down by 25% in.
Thank you to NetGalley and the publisher for providing this ARC in exchange for my honest review.
Review of advance copy received from Edelweiss+
A coming of age story for the ages. Our hero accepts a job as archivist and 'adjutant' to Lisabetta, or Coco, a widow living in an eccentric and art-filled villa in Tuscany. Arriving as a somewhat directionless recent graduate, the young man finds himself as he opens himself to people, tasks and experiences he certainly did not anticipate. Greer's wit and light touch, along with his big-hearted love for his characters, make this tale delightful reading.
June 14, 2026
A slice of life meets (more than one) coming of age story in the Tuscan hills, where a Baroness’s ancient villa plays host to a cast of eccentric characters getting into little madcap adventures, eating wonderful meals, and sparring in a tumbled array of languages. This was delightful, and I would very much like to sign up for this life please and thank you.
June 13, 2026
Maybe I was too easily distracted while listening to the audiobook, but I got a bit lost in the final quarter of the book. I also never felt connected to any of the characters.
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June 24, 2026They had me at Edorado Ballerini...
A breath of fresh Italian air.
When life gives you lemons, make limoncello 🍋 or in this case, Olive Oil 🫒
Full review to follow.
A breath of fresh Italian air.
When life gives you lemons, make limoncello 🍋 or in this case, Olive Oil 🫒
Full review to follow.
Review of advance copy received from NetGalley
This was a witty and character-driven novel filled with humor, eccentric personalities, self-discovery, and heartfelt moments beneath the charm. The Italian setting added atmosphere, and the story balanced reflective themes with lighthearted moments well.
A unique and entertaining read for readers who enjoy literary fiction with humor and strong character dynamics.
PUBLISH DATE: June 9, 2026
BOOK TITLE: Villa Coco
AUTHOR: Andrew Sean Greer
PUBLISHER: Doubleday Books
FORMAT: ebook
PAGES: 288
I received a complimentary digital ARC [Advanced Readers Copy] of this book via NetGalley. Thank you to the Publisher and the Author for the opportunity to read and review this title prior to publication. As always, the opinions expressed in this review are my own.
Goodreads profile: Kristina Pauls (ARC Reviewer)
A unique and entertaining read for readers who enjoy literary fiction with humor and strong character dynamics.
PUBLISH DATE: June 9, 2026
BOOK TITLE: Villa Coco
AUTHOR: Andrew Sean Greer
PUBLISHER: Doubleday Books
FORMAT: ebook
PAGES: 288
I received a complimentary digital ARC [Advanced Readers Copy] of this book via NetGalley. Thank you to the Publisher and the Author for the opportunity to read and review this title prior to publication. As always, the opinions expressed in this review are my own.
Goodreads profile: Kristina Pauls (ARC Reviewer)
June 18, 2026
The endearing narrator of Andrew Sean Greer’s delightful novel Villa Coco is a young man recently graduated from college and wanting to begin a serious quest into adulthood. With a degree in archivism, he heads overseas to Italy where he takes a job cataloguing the books and artifacts of his new employer, the fanciful Baronessa Lisabetta, age 92, who her friends call Coco.
Her villa rests amid Tuscany’s breathtaking hills, and when the narrator (referred to as Giovedi by Coco and her friends) arrives at the estate, he finds himself assigned tasks entirely unrelated to his archivist training. In humorous fashion, he’s looking for an outdated septic system, caring for Coco’s two pugs, trying to trap a pesty little marten, participating in the olive harvest, and basically attending to Coco’s nonstop whims.
With charm and humor, Greer draws us into Coco’s outlandish and mysterious world among her dear friends and zany associates. As the narrator begins archiving while also carrying out his extended duties, he entwines himself in an affair, at once complicated and perfect with potential. As the season changes from autumn to winter, the story turns into a touching drama of heartfelt suspense when Coco loses an irreplaceable loved one and conceives a final scheme for how her life should proceed.
From the lovely image in the novel’s opening sentence, Greer’s prose is exquisite in capturing the sublime beauty of Tuscany’s natural landscape alongside its picturesque towns and villages. He is equally brilliant at navigating us through major cities, including Venice, where the spectacular coda of the novel offers wonderful revelations about Coco and possibilities for our narrator.
As he’s done in my other favorites among his work—The Story of a Marriage, Less, and Less Is Lost—Greer showcases once again in Villa Coco his knack for incandescent prose and for engaging us in tales replete with grand ironies and restless humor that address life’s challenges. If you’re an admirer of Greer, Villa Coco delivers another memorable story with explorations about what constitutes the pursuit of a fulfilling life.
Her villa rests amid Tuscany’s breathtaking hills, and when the narrator (referred to as Giovedi by Coco and her friends) arrives at the estate, he finds himself assigned tasks entirely unrelated to his archivist training. In humorous fashion, he’s looking for an outdated septic system, caring for Coco’s two pugs, trying to trap a pesty little marten, participating in the olive harvest, and basically attending to Coco’s nonstop whims.
With charm and humor, Greer draws us into Coco’s outlandish and mysterious world among her dear friends and zany associates. As the narrator begins archiving while also carrying out his extended duties, he entwines himself in an affair, at once complicated and perfect with potential. As the season changes from autumn to winter, the story turns into a touching drama of heartfelt suspense when Coco loses an irreplaceable loved one and conceives a final scheme for how her life should proceed.
From the lovely image in the novel’s opening sentence, Greer’s prose is exquisite in capturing the sublime beauty of Tuscany’s natural landscape alongside its picturesque towns and villages. He is equally brilliant at navigating us through major cities, including Venice, where the spectacular coda of the novel offers wonderful revelations about Coco and possibilities for our narrator.
As he’s done in my other favorites among his work—The Story of a Marriage, Less, and Less Is Lost—Greer showcases once again in Villa Coco his knack for incandescent prose and for engaging us in tales replete with grand ironies and restless humor that address life’s challenges. If you’re an admirer of Greer, Villa Coco delivers another memorable story with explorations about what constitutes the pursuit of a fulfilling life.
June 21, 2026
SYNOPSIS
Broke and directionless, our young man takes a job in the Italian countryside as the all-purpose assistant to Lisabetta, known to her friends as Coco - a strong-willed, wealthy widow of great local renown. Trained as an archivist, he thinks he's been hired to catalogue the contents of the beautiful, crumbling mansion nestled in the green Tuscan hills... but what are his actual duties? Days are spent ridding the house of a marten - whatever that is - locating the antediluvian septic system, entertaining an endless carousel of guests (from bohemian painters to elderly princesses to unnervingly handsome nephews), attending a funeral in order to make off with the urn, and not inadvertently sabotaging Coco's great and final plan-to locate the lost love of her life and be reunited before it's too late. As summer turns into autumn and the Italian countryside begins to work its magic on our protagonist, the secrets of Villa Coco and its inhabitants are slowly brought to light - and with them, an unforgettable story of the enduring power of friendship.
Charming, delightful, funny and tender, Villa Coco is a story that readers will want to snuggle up with. Andrew Sean Greer brings us a cast of quirky characters, creating a found family like no other. After finishing this, I desperately wanted fresh olive oil, focaccia and parmigiano with a lovely glass of wine with friends. I think what Greer does so well with this book is create a sweet story without being saccharine or schmaltzy, but with love and friendship front and center. The setting is lovely, Greer’s descriptions painting pictures on the pages. This magical book will take you places in your mind and in your heart.
Broke and directionless, our young man takes a job in the Italian countryside as the all-purpose assistant to Lisabetta, known to her friends as Coco - a strong-willed, wealthy widow of great local renown. Trained as an archivist, he thinks he's been hired to catalogue the contents of the beautiful, crumbling mansion nestled in the green Tuscan hills... but what are his actual duties? Days are spent ridding the house of a marten - whatever that is - locating the antediluvian septic system, entertaining an endless carousel of guests (from bohemian painters to elderly princesses to unnervingly handsome nephews), attending a funeral in order to make off with the urn, and not inadvertently sabotaging Coco's great and final plan-to locate the lost love of her life and be reunited before it's too late. As summer turns into autumn and the Italian countryside begins to work its magic on our protagonist, the secrets of Villa Coco and its inhabitants are slowly brought to light - and with them, an unforgettable story of the enduring power of friendship.
Charming, delightful, funny and tender, Villa Coco is a story that readers will want to snuggle up with. Andrew Sean Greer brings us a cast of quirky characters, creating a found family like no other. After finishing this, I desperately wanted fresh olive oil, focaccia and parmigiano with a lovely glass of wine with friends. I think what Greer does so well with this book is create a sweet story without being saccharine or schmaltzy, but with love and friendship front and center. The setting is lovely, Greer’s descriptions painting pictures on the pages. This magical book will take you places in your mind and in your heart.
June 22, 2026
A young, gay, college man graduates without a career plan, and takes a position recommended to him by his advisor. He finds himself traveling to Tuscany to"'catalog" a 92-year-old Baronessa's treasures. He is swearing off love for a bit and trying to find some purpose in life to make his anxious parents happy. It seems like a good plan - but is all as it seems? Of course not! Our young man, is assigned as host of duties that have nothing to do with cataloging - finding an ancient septic system, harvesting olives, learning Italian to watch a detective show with the Baronessa, and many more. He meets many unusual people - a princess, an art dealer, and a very handsome cousin, that makes him break his vow to stay away from love. Italy and the towns he visits are richly described - you can almost taste the freshly pressed olive oil and foccacia and see the sunsets on the town whose claim to fame is - eels. The characters are eccentric, funny, and a touch mysterious. The ending was a bit over the top, but Villa Coco was a sun-drenched, crazy, summer adventure. Thank you to Netgalley for an advanced copy.
June 17, 2026
I came here halfway through hoping I could get some encouragement to keep going.
One of the reviews stated that in an interview Greer said he was aiming for the 'charming novel'.
Simple entertainment. That was helpful to read! I honestly wish we could listen in on author interviews BEFORE books hit the marketing ring as understanding these bits add quite a bit for me.
Villa Coco is simple and easy with Greers' signature humor bites coupled with his little profound nuggets once in awhile.
Yes, Greer created a charming novel.
One of the reviews stated that in an interview Greer said he was aiming for the 'charming novel'.
Simple entertainment. That was helpful to read! I honestly wish we could listen in on author interviews BEFORE books hit the marketing ring as understanding these bits add quite a bit for me.
Villa Coco is simple and easy with Greers' signature humor bites coupled with his little profound nuggets once in awhile.
Yes, Greer created a charming novel.
June 17, 2026
Villa Coco follows a young American who takes a job at a crumbling Tuscan villa, becoming entangled in the chaotic orbit of the elderly Baronessa Coco and her assortment of eccentric friends, relatives and hangers-on. The novel is set against an undeniably attractive Tuscan backdrop, with plenty of food, sunshine and colourful characters.
For me, though, it was trying far too hard to be charming and funny, and succeeded at being neither. The setting is lovely and the Tuscan atmosphere comes across well, but after a while I found myself thinking: get on with it, man.
The book meanders all over the place. There are endless incidents, quirky characters and digressions, but not enough structure to carry me along. Without a stronger narrative backbone, I struggled to stay engaged and found my attention wandering long before the novel reached its conclusion. The humour felt forced and the eccentricity became wearing rather than entertaining.
Clearly this one has found plenty of admirers, but it simply wasn’t the book for me.
For me, though, it was trying far too hard to be charming and funny, and succeeded at being neither. The setting is lovely and the Tuscan atmosphere comes across well, but after a while I found myself thinking: get on with it, man.
The book meanders all over the place. There are endless incidents, quirky characters and digressions, but not enough structure to carry me along. Without a stronger narrative backbone, I struggled to stay engaged and found my attention wandering long before the novel reached its conclusion. The humour felt forced and the eccentricity became wearing rather than entertaining.
Clearly this one has found plenty of admirers, but it simply wasn’t the book for me.
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